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| Gear addict Joined: Sep 2003 Location: Gothenburg, Sweden
Posts: 315
Thread Starter | Left side vs right side of the brain
Quoted from Hi End "Is hardware dead or dying" This gave me the impulse to start a new thread. Quote:
Nowadays I find myself struggling with soft-/hardware most of time. Constantly expanding my project studio, where I'm supposed to be creative, which leads to new outboard configurations that has to be dealt with. Ergonomics, acoustics etc etc It's endless! Part of the problem is I like everything about it, though I know I'm trying to do the work of 4-5 fulltime professionals. I enjoy learning more and more in different fields, and I want as much control as possible over every aspect of it. How do you fellow gearslutz deal with this? Do you have a life? Maybe it's time to decide which side of the brain you're on. | |
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| | #2 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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Nobody has a life now - almost EVERYONE IN ALMOST EVERY BUSINESS is moving in this direction. I even met a LUMBERJACK with a laptop and NUENDO running, so he could FRIGGIN TRACK THE TREE FALLING IN THE FOREST AND PROVE US ALL INSANE ![]() 'Course, you fr&gg&n slutz would probably be like, "Yeah, right - I fr*gg*n sold that dude a copy of my Big Fish 'Trees Falling' collection". Then I'd have to start ALL OVER AGAIN. Don't worry, I'm signing up for Philosophy 101 at EL DIABLO VALLEY COMMUNITY COLLEGE this semester. I NEED A NEW PERSPECTIVE, SLUTZ !!!!
__________________ Sqye (Sky) ::::::::::::::::::::::::::::::::Music 4 Film+TV+Web:::::: Wired Planet::::::Buddha Studio Cat i7 + RME UFX + Linkwitz Orions + Tyler Acoustics Linbrooks + Buzz Audio Arc + GT-67 + Sonar + Komplete + Omnisphere-Trilian-Stylus + Symphobia |
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| | #3 | |
| Lives for gear Joined: Mar 2006 Location: So. Cal.
Posts: 1,023
| Quote:
I saw a documentary on musical savants wherein they showed that listening to music activates nearly all parts of your brain. They postulated that was how some people with significant mental deficiencies can still be brilliant musicians. It's one of those whole-is-greater-than-the sum phenomenons. Anyway, I know that wasn't the point of your post exactly, but I thought it was worth citing. | |
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| | #4 | |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
| Quote:
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| | #5 | |
| Gear addict Joined: Sep 2003 Location: Gothenburg, Sweden
Posts: 315
Thread Starter | Quote:
Which forest, what chain (no pun intended)? I'm working on a library recorded in the scandinavian forests, with different mic distances, user-configurable weather etc. It's gonna be available the 3rd quarter of 2006 in the usual suspects formats. We're in the last stages of developing an algorithm modeling the ambient sounds (winds in the leaves etc). We have at an early stage decided not to use sampling for that. All for the sake of realism! | |
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| | #6 |
| Lives for gear Joined: Jan 2005 Location: Alaska
Posts: 1,385
| Recording Nature
Ambient forest sounds--- What will you do with the sounds. Seems like an interesting project if for no other reason it gets you out in nature.
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| | #7 | |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
| Quote:
Growing up in NYC, my soul was slowly disappearing over the years .Of course, I still go into the city to sell crack , oh, and inhale the pee in the subway : )
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| | #8 |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
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When I was in grad school George Russell, inventor of The Lydian Chromatic Concept Of Tonal Organization, had the audacity to tell me "you're the perfect example of someone who does too much left brain thinking!" Sure, George... Here's my take: You can't have one without the other. It's like Yin & Yang, Light & Dark, Good & Evil... And, like those artificially postulated antipodes, "Left Brain" and "Right Brain" are man-made constructs that simply make it slightly easier for us to identify some quality of an idea or process. But you don't *need* to identify which side of this (arbitrary) line your idea falls on in order to use your idea. You just need to be certain that it's a good idea. So yes, making music in a recording studio does involve tasks that are both Left Brain Oriented & Right Brain Oriented (at least as far as conventional thinking identifies those processes). But the minute you concern yourself with whether a thought process is one or the other, you've missed the point. Just do it. |
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| | #9 |
| Lives for gear Joined: Mar 2004 Location: Los Angeles, CA
Posts: 1,086
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Right/left brained is one way to look at it, but in my opinion that's kind of become a cliche. I think you can use both sides at the same time. It depends what you're trying to do though. I like writing. I also like ispiration (kind of like epiphanies), which can come from places other than you're brain (the cosmos some say?). Eastern philosophy and lots of famous songwriters talk about ispiration coming to them like radio waves and all they do is tune in. Basically, you can believe whatever you want, and you can find evidence to support anything if you search for it. I'm all about inspiration, knowing my direction, and searching and discovering. And sometimes I use technical/ logical ways to get there.
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| | #10 | |
| Lives for gear | Quote:
I only know a bit about psychology (ok, I have read a bit of Freud, Lacan, Deleuze & Guatari etc) but I do know that the whole right/left brain thing is only what could be considered 'pop' psychology, or in other words a complete load of grade A BS. ![]() Not only is the idea a man-made construct, but it's a fairly shallow one. Manichaean dichotomies like right/left brain, good/evil and so on are not a healthy way to think. I don't think we need to depend on that kind of false logic to orient ourselves in today's world. In fact, that kind of thinking has been used as an ideological tool to justify all sorts of terrible things in our past history. So, as Bob says, forget about what category you would like to shove yourself into and consider the ideas on their own terms. | |
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| | #11 | ||
| Banned Joined: Jun 2005
Posts: 3,306
| Quote:
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| | #12 | |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,292
| Quote:
what exactly is your struggle? here's a gem that'll unleash your creativity and productivity, assuming that's what you want: compose and write your music exclusively in headphones, preferably something like 7506's where everything sounds fantastic no matter what. this will keep your focus on the song and the music rather than the tones and the balances etc... don't switch to monitors until the song is complete, tracked, and ready to mix. get an analog mixer into your rig and mix thru that, and when the mix is done, zero all the faders and eq's. to hell with recall: move on. tweaking is a habit, and a distraction at that. make writing the music your primary focus until tracking/mixing, then switch gears and get the song done. lather, rinse, repeat. gregoire del ubik | |
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| | #13 |
| Gear addict |
I think we have to be goal-oriented. If the goal is to make an album within 3 months, then there's no time for learning to use gear, sound card drivers, latency settings, VST instruments, MIDI outboard, fake drum programming, EQing, mixing, tracking, mastering, duplicating...etc: The goal is to have an album in 3 months. The shortest way to get there is: Write songs, get money, hire band, pay studio time. The decision to do each and every step of the way (like I'm doing too btw) is not necessarily the best option for everybody. You better not be technologically challenged or you'll get stuck. I'm an IT consultant in the day time, so that part of things isnt a concern. But I know many musicians who decide to get some gear because "that's what everybody does", and get hooked and don't write any songs for 2 years while they learn everything.. I warn them everytime, but it happens everytime nonetheless. I find that my life works in 2-3 months cycles: -a few weeks of great inspiration and rough tracking -a few weeks of polishing, finding a sound for the new material, playing with the technological possibilities -a few weeks of real tracking, with album-quality intentions. -a few weeks of listening -a few weeks of sports, webdesign,etc... no interest in music at all. -a few days of "damn I'm a lazy ass I need to work on my music" -a few weeks of great inspiration and rough tracking etc.. I find that if I'm feeling like webdesign and sports, it's no use trying to mix or record songs.. I have to respect my cycle and not try to force another mindset than the one I am in. In the end, things progress. That's what matters. |
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| | #14 | |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
| Quote:
I just find old formulas uninteresting - for example - what the f*ck is a DRUM KIT - and why do SO MANY PEOPLE USE THAT SAME FR&GG&N formula over and over again. And I don't buy the agument that millions of people do it. Millions of people also watch Lifetime and TNT, and eat canned food. Just because millions of poeple something, does not make it RIGHT, good in quality. If I have to listen to the same friggin high hat or ride cymbal through an entire song or concert, either the player better be fr%gg^n AMAZING, or I'm going to leave - this is just NOT an interesting combination of percussion instruments IMHO. It's like watching wrestling to me. OTOH, if ELVYN is playing........ahhhhhhh. At least there's a CHANCE. Well, I've got 2 drum sets in my studios, and it's fun to play, or have real drummer come in and play - but if I had my way, I'd turn them into a triceratops, or something a bit more interesting sounding. Anyhooo, just my rant for the day. | |
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| | #15 | |
| Banned Joined: Jun 2005
Posts: 3,306
| Quote:
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| | #16 | |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
| Quote:
Put down the guitar for ten seconds, plug in some cables, play a little more, plug some more stuff in, twist some knobs, read the manual when you can`t figure out where the on switch is, crank it up and press record an play again. What`s so difficult about that ? Are you afraid your going to tire out one side too much and your heads going to tip over ? Most thought processes in ANY kind of work require both anylitical and creative thought so use the break to rest your fingers and your ready to go again. You`ll probably play BETTER from getting a little break and doing something different.
__________________ - Kev | |
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| | #17 | |
| Lives for gear Joined: Jun 2002 Location: New York
Posts: 9,922
| Quote:
I am a drummer and engineer. While I am running around setting up mics and figuring out why headphone channel 6 is not working, everyone else in the band is warming up and reading their charts. When I sit down at the drums after a couple of hectic hours of that, I look in my hands and wonder what these two wooden sticks are for. My solution is to get as much as possible set up the day before tracking so I can feel more like a "player" I also teach audio classes, so its usually easy to get a student to come in and help out. | |
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| | #18 | |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
| Quote:
Yeah that does make sense. When your running around setting things up while the bands sitting around drinking beer and chatting it can be kind of tough to instantly settle into a groove. I usually just try to get it done as fast as humanly possible and try to take it easy a few minutes before jamming or recording. | |
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| | #19 | |
| Lives for gear Joined: Mar 2006 Location: So. Cal.
Posts: 1,023
| Quote:
I do sympathize with the time and effort it takes to work on project studio stuff where you're writing and tracking and mixing (let's say just to put together a demo for others to extrapolate later). What I do: When I'm songwriting, I use my DAW like a simple tape recorder. I mic my acoustic and my voice and lay it down fast and sloppy. I rough draft it. Then, I make general song construct and tempo notes (i.e., add a bridge, slow it down some, create a new intro, etc.). And I rerecord again, voice and acoustic only, roughing out these changes. Once that's to satisfaction, I tack on some rough instrumentation to work out basic arrangments. Then, I re-track with attention to recording quality. Then I mix. So, I do sort of compartmentalize the intuitive work from the technical work which helps some. | |
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| | #20 |
| Lives for gear Joined: Nov 2002 Location: BELGICA, THE FLANDERS, VENICE OF THE NORTH !
Posts: 996
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you should read Mixing with your mind from Michael Stavrou, an fun book and explanation off left and right brain activity during sessions... grtz
__________________ Everybody knows that's what aliens sound like - Dr. Bob Moog |
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| | #21 | |
| Lives for gear Joined: Nov 2005 Location: Cedarhurst, NY USA
Posts: 1,144
| Quote:
I have a similar process -new gear acquisition -learning to use new gear -song ideas formulate (inspiration) -record/refine/mix/re-mix -rest/recover -repeat. The cycle takes about a year to revolve, and 10-12 new songs come out of it. But there's always the new gear...ALWAYS!
__________________ :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: "I am the source." - The Real MC Powerman has spoken! | |
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| | #22 |
| 500 series nutjob |
not to up on the left brian right brain thing but i did read recently that almost all artist's, ( not just music, poetry, or painting ) suffer or suffered, from some form of mental instability. knowing that i feel much better! i find just turning the computer on in-itself just drastically saps any inspiration i had at that moment.
__________________ www.pan60.com Pan60 Facebook Page Pan's Facebook BLAST PAD Inventor just one invention among others. A CHARTER MEMBER OF THE 500 FORMAT, MAFIA it is easy to sound as though one was endowed with great intelligence, whilst speaking amongst a crowd of total morons |
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| | #23 |
| Gear addict | |
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