21st August 2003
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#1 | | Jr. Gear Slut 2nd class
Joined: Jun 2002
Posts: 2,299
Thread Starter | If pitch correction devices DIDN'T exist?
If there was no Autotune, etc., how would the record industry be different?
How much typically would the overall level of singing/musicianship improve, for example, with no "safety net"/crutch?
Chris
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21st August 2003
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#2 | | Lives for gear
Joined: Oct 2002 Location: Hamburg
Posts: 1,545
| ..producers...
...would not be satisfied as fast as they are nowadays, it's not that much about ability, but about studio time...is it?
...no!
__________________ Niko Sieveking
wot? no TR? nichtlineareaudioproduktionen
How do you fix a terrible snare sound?
The answer is, a hit single. (Thanks, Trina) |
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21st August 2003
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#3 | | Lives for gear
Joined: Nov 2002 Location: Basel, Switzerland
Posts: 6,437
| Quote: Originally posted by mdbeh What bugs me more these days is hearing people who can sing pitch corrected to death. | Exactly! Is the best drummer the one that plays dead- on-the-beat?
Great artists all have their own sense of pitch, things like being just a tad flat on a major third etc... part of the reason you recognize great players or singers after one or two notes, just think of Miles, B.B King, Frank Sinatra...
Auto tune is just a tool and useful when used right (stike i.e Emergency) but it's totally offending on a great singer and the resulting 'perfection' dfegad makes for dull and safe music.....
Andi
__________________ 'Ever since the Supreme Court overturned the Snare Act, it has been legal to use any mic you like on snare.' - joeq http://www.doorknocker.ch/ |
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21st August 2003
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#4 | | Lives for gear
Joined: Jun 2002 Location: Switzerland
Posts: 2,448
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If pitch correction devices DIDN'T exist?
the record I produce at the moment would take forever
but I have to agree there are too many singers who can sing burried in auto-tune-mania.
I can't listen to top 40 radio at the moment - but that doesn't has to be a bad thing
Jo
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21st August 2003
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#5 | | Gearslutz.com admin
Joined: Apr 2002 Location: A Yank in London, UK |
Good question, er............ where's my Valium?
Vocal production with a semi-lame singer used to be THE MOST mindbending grind.
Before auto tune folks were doing it with Eventide HD3000's and other tricks.. |
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21st August 2003
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#6 | | Gear Guru
Joined: Jul 2002 Location: NYC
Posts: 10,203
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It's extremely interesting how the invention of Autotune and the Total Collapse of the Recording Industry happened at the same time.
(Actually Autotune came first, but you have to give it some time to crumble the labels)
Things that make you go Hmmm.
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21st August 2003
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#7 | | Lives for gear
Joined: Jun 2002 Location: Midland TX
Posts: 1,119
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If it didn't exist, maybe consumers would be forced to listen to people with actual talent.
It would change everything.
BTW-how many Eventides have you seen in live racks lately, all under the same MIDI control running lights, keyboard patch changes, etc? (sigh...)
__________________ Ken Morgan
Wireline Studio
Midland, TX Good Sound Starts With Good Gear - Great Sound Starts With Great Players |
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21st August 2003
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#8 | | Lives for gear
Joined: Jun 2002 Location: Switzerland
Posts: 2,448
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but we had this talk allready. It's not the tools it's the user who abuse the tools.
Autotune saved a wonderful vocal performance last weekend. I'm sure the singer couldn't do another take with the same mood (we tried  ).
I love it but don't abuse it. It's the same way with soundreplacer.
Used sparingly they are what they are: tools to save an artistic statement.
Jo
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21st August 2003
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#9 | | Jr. Gear Slut 2nd class
Joined: Jun 2002
Posts: 2,299
Thread Starter |
Thanks for all the interesting responses so far.
IMHO, much of this has to do with the musician's work ethic
Could you imagine someone like Charlotte Church, or any other
top opera/classical musician asking for some 'tune on their stuff?
As it has been said before, "a professional is someone who can do
it TWICE".
Chris
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21st August 2003
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#10 | | Craneslut
Joined: Jun 2002 Location: The home of Rock-n-Roll, Memphis, TN
Posts: 1,915
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People would just go back to using H3000's w/ DX7s and comp'd vox...
Tuning vocals has been around for a long time.
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21st August 2003
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#11 | | Lives for gear
Joined: Nov 2002 Location: Meadow Vista, CA
Posts: 688
| Quote: Originally posted by chessparov Thanks for all the interesting responses so far.
IMHO, much of this has to do with the musician's work ethic
Could you imagine someone like Charlotte Church, or any other
top opera/classical musician asking for some 'tune on their stuff?
As it has been said before, "a professional is someone who can do
it TWICE".
Chris | Actually, I had an amazing opera singer in my studio not long ago. We were doing a quickie demo for a friend, so when I whipped out the PitchDoctor and fixed a note here and there, she freaked out. "I can't believe you can do that! That's so cool... hey can we fix this note too?"
But yeah, I have no doubt she could've sung it as well or better on the next take.
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22nd August 2003
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#12 | | Lives for gear
Joined: Jun 2002 Location: SouthWest Florida
Posts: 759
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Yeah, I heard someone (AE or producer) talking about a classical album on a public radio program. He mentioned (in the course of praising PT and computers in general) that there were over 3000 edits on that album.
It seems that the soundbyte-length attention span syndrome has infected everyone... |
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22nd August 2003
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#13 | | Gear addict
Joined: Mar 2003 Location: LA |
"I don't mean to sound snotty, but I wouldn't consider Charlotte Church a "top classical/opera singer". "Highly successful novelty act" perhaps.
The only one worse is Andrea Bocelli. He could use some autotune. Or perhaps a mute button."
---exactly!
__________________
Danny T. Levin Mushroom Stamp Productions
Horns:
Trumpet, cornet, flugelhorn, valve trombone, slide trombone, euphonium, marching baritone, alto horn, slide trumpet - arrangements, solos, etc. |
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22nd August 2003
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#14 | | Jr. Gear Slut 2nd class
Joined: Jun 2002
Posts: 2,299
Thread Starter | "This stuff goes on everywhere"
It didn't with Toscanini around!
My last vocal instructor, who is a (tremendous) dramatic baritone,
sang with "Mr. T" conducting, along with the NBC Symphony Orchestra
back in the 50's. Toscanini wouldn't accept less than anyone's best,
and would certainly let you KNOW that.
I'm sure, mdbeh, that your ears are more educated than mine.
Sort of easy going with the "operatic standards" of those
like Church, Bocelli, et al, personally.
We could pretend I said "Ruffo" or "Caruso" instead.
Anyway...
How different would the music industry be if there was no
"cheating" ala Eventide's, varying tape speeds, etc., just
sounds au natural?
Chris
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22nd August 2003
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#15 | | Mindreader
Joined: Jun 2002 Location: London
Posts: 2,606
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If Autotune hadn't have been invented
Then Antares wouldn't have had enough success to create it's other stuff
If you could have a world without autotune, would losing Antare's other products be worth it? (It's not rhetorical, it's just a straight question)
__________________
Julian Moore | Jack of all trades, master of um, ah... damn, too confused
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22nd August 2003
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#16 | | Lives for gear
Joined: Jun 2002 Location: Lost Angeles
Posts: 4,102
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Wasn't he the same dude that invented those machines that clean the alaskian oil lines to the con. us? I have a feeling he's doing okay, if so.
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22nd August 2003
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#17 | | Lives for gear
Joined: May 2003 Location: united states
Posts: 627
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i can't even tell you how many mix sessions i've done where the producer just randomly has an autotune plug-in on the lead vocal in auto mode - without even carefully setting it up ! never done in graphical....just thrown on.
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22nd August 2003
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#18 | | Lives for gear
Joined: Mar 2003 Location: state of jefferson
Posts: 1,328
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I've been shocked by how quickly the classical folk have taken to all the corner cutting. Who will hold out for au natural- the bluegrass nuts?
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22nd August 2003
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#19 | | Gear addict
Joined: Mar 2003 Location: LA |
jazz musicians
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24th August 2003
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#20 | | Gear Head
Joined: Dec 2002 Location: Louisiana
Posts: 34
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Before auto tune folks were doing it with Eventide HD3000's and other tricks..
Yep Jules, I remeber the days of tuning with the eventide. It was mostly rare occasions when a vocalist couldnt get one note. Certainly not an entire song. Today, things are rediculous when it comes to autotune. Im a protools hd guy too, but come on.. Cant people just sing in tune anymore? Or, are they too lazy or do they just suck?  e
I recently had a group record at my room and when they called to book me, the first thing they asked, was did I have Autotune? Not my rates or what days were avail? Just, did I have Autotune. Lucky for me, I do... Or am I really lucky.. Cause I wanted to die during that session. Every Vocal sounded like Cher on steroids. I wanted to Pull out the last bit of hair that I have left on my head.
<End of Venting Session>
Jay
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24th August 2003
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#21 | | There is only one
Joined: Jun 2002 Location: asheville NC
Posts: 5,259
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autowhat? never used it.
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24th August 2003
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#22 | | Gear Head
Joined: Dec 2002 Location: Louisiana
Posts: 34
| Auto-when?
Auto-When?
ALWAYS.. Come on guys.. tell your artist to learn
how to sing. Autotune is a great tool. But definitely overused these days..
Jay
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24th August 2003
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#23 | | Gear addict
Joined: May 2003 Location: all over this great world
Posts: 385
| Re: If pitch correction devices DIDN'T exist? Quote: Originally posted by chessparov If there was no Autotune, etc., how would the record industry be different?
How much typically would the overall level of singing/musicianship improve, for example, with no "safety net"/crutch?
Chris | It just means that I'd have to do more punch-ins and the singer would get really pissed-off or cry a lot sooner.
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25th August 2003
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#24 | | Jr. Gear Slut 2nd class
Joined: Jun 2002
Posts: 2,299
Thread Starter |
Motown had a "house band"-how about a "house" vocal coach?
If all the engineers would double as vocal coachs, think of all the
extra $$ (and headaches  ).
Chris
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25th August 2003
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#25 | | Lives for gear
Joined: Jun 2002 Location: SouthWest Florida
Posts: 759
| Quote: Originally posted by chessparov Motown had a "house band"-how about a "house" vocal coach?
If all the engineers would double as vocal coachs, think of all the
extra $$ (and headaches ).
Chris | I've already pretty much been doing that on just about every vocal session I've done in the last 10 years... |
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25th August 2003
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#26 | | Gear Head
Joined: Aug 2003 Location: Framingham, MA
Posts: 50
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Without autotune, The Back Street Boys would be waiting on tables, and Britney Spears would be standing on West 42nd street asking "Wanna date?"-Richie
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9th September 2005
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#27 | | Lives for food
Joined: Jul 2004 Location: Los Angeles
Posts: 1,651
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Pitch correction has always existed. We used to call it vari-speed. And we used to call it "punch-in". And we used to call it comp tracks.
And great singers used our primitive pitch correction tools constantly. Barbra Streisand (who can sing a little) would often punch in individual lines..words...breaths..etc where she didn't feel the thing was spot on.....we called that pitch correction in 1962..1965..1967...1969..1970 etc etc.
Barry Gibb...who can also sing a little, would "pitch-correct" words, lines, breaths...and then overdub those corrections 3 or four times on separate tracks...in the process, even redoing the overdubs...line by line..word by word...breath by breath.
So, pitch correction has always been here. Same topic, different decade.
__________________ "make multitrack sound for long long time" "I don't understand this shootout. May I borrow your ear canals so that we're on the same page?" "Lofi is an artform....not a sample rate"" |
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9th September 2005
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#28 | | Lives for gear
Joined: Aug 2004 Location: Los Angeles
Posts: 799
| Quote: |
Originally Posted by Richie Monroe Without autotune, The Back Street Boys would be waiting on tables, and Britney Spears would be standing on West 42nd street asking "Wanna date?"-Richie | The backstreet boys (well all but one) can really sing. I think a better example would be Hilary Duff, who even with auto-tune is still out of tune and time.
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9th September 2005
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#29 | | Lives for gear
Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,910
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I only use it as a last resort. I use mainly a Digital Performer, not the latest version. I don't even have it for MAS, only for Cubase. For me to use it, I have to export the file and open it in Cubase.
Pain in the neck.
__________________
-David R.
"An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way." - C. Bukowski
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9th September 2005
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#30 | | Brothers of Light
Joined: Jul 2004 Location: USA
Posts: 1,204
| Quote: |
Originally Posted by thenoodle Pitch correction has always existed. We used to call it vari-speed. And we used to call it "punch-in". And we used to call it comp tracks.
And great singers used our primitive pitch correction tools constantly. Barbra Streisand (who can sing a little) would often punch in individual lines..words...breaths..etc where she didn't feel the thing was spot on.....we called that pitch correction in 1962..1965..1967...1969..1970 etc etc.
Barry Gibb...who can also sing a little, would "pitch-correct" words, lines, breaths...and then overdub those corrections 3 or four times on separate tracks...in the process, even redoing the overdubs...line by line..word by word...breath by breath.
So, pitch correction has always been here. Same topic, different decade. | Co-Sign.
I always wondered if engineers from the 60's and 70's hated transistor radios and lo-fi stereos...or AM radio Mono?
Lot's of folks spend alot of time complaining about the quality of MP3's...
But considering the majority of the population listen to music in that format...how is that any different than the thin scratchy sound of an AM radio?
Not much actually changes...
We still need good songs...
P&R
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