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| | #1 |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
Thread Starter | Mixing and matching AD convertors? Does it sound okay?
Hey, Just wondered if anyone had recommendations / fore-bodings as to mixing and matching AD convertors. Currently we're running 3 Fostex VC-8 boxes, they are externally clocked with a Mutec SmartClock and all running off a balanced transformer rather than the wall warts. They sound, well, ok. (If any high-end forum dwellers are reading this - I know, I'm scum!!) They are 20Bit convertors, I'm recording straight to Nuendo 1.6.1 at 32Bit float 44.1Hz. Our current client base have never complained about the recording quality but as a gear slut I yearn for more - I know there are much much much better convertors out there (and I know my competitors have them too...grr) BUT. Our budget is tiny. Saving is one option, another business loan is another but buying second hand is probably most likely. If I pick up a 2nd hand Apogee Rosetta 48k or the like and use that for vocals / important overdubs - providing I record at the same bit and sample rate - I can gain a better sound for the upfront tracks whilst saving a little more down the line for a couple of 8 channels. Any holes in this plan? |
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| | #2 | |
| One with big hooves |
The front end like mics & pres matter more then the converters. way more then converters. Looking at your equipment list I'd invest in some kind of killer preamp. Maybe a pair of Calrec, API, OSA etc. The converter is like the paint on the building, doesn't matter what the color is if the foundation is cracked.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #3 |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
Thread Starter |
Hi Jay, So a good pre-amp is the better way to go? I guess investing in decent solid outboard also makes more financial sense. It seems that someone is releasing a new converter every other week where as a respected Pre-amp will always be needed in the studio. Okay, thanks Jay, I'm off to investigate killer pre's now! |
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| | #4 |
| Lives for gear Joined: Jul 2003 Location: Fort Myers, FL
Posts: 613
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Also just a minor correction for your equipment page. You listed your Roland module as "Roland JV5080". But I think you meant "XV" 5080. The JV series stopped at 2080. FYI, I have the XV 3080. Much success to you shopping for a nice pre.
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| | #5 | |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
Thread Starter | Quote:
Funnily enough we did used to have a Roland JV keyboard before we traded it in for the XV module. Our MIDI arsenal is a little lacking due to the fact we've been recording nothing but rock bands for the past 18 months. It sees a little action if a band wants some piano or strings. Thanks again, Rich | |
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| | #6 |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
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On the AD budget front- the new Kurzweil mini KSP8's -Rumour and Mangler are worth a consideration.
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| | #7 | |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
Thread Starter | Quote:
Thanks anyway! Rich | |
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| | #8 |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
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| | #9 | |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
Thread Starter | Quote:
Thanks for the info. Cheers, Rich | |
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| | #10 |
| Gear addict Joined: May 2003 Location: all over this great world
Posts: 385
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I do this all the time. Clock a bunch of 888/24's with a Lucid192 for drums that are first tracked to 2". Everything else goes through a PSX100. Only stuff I send to an 888 are the DI track of guitar (in case I wanna reamp later).
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| | #11 | |
| One with big hooves | Quote:
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| | #12 | |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
| Quote:
However, I agree that improving the front end is like working upon a more solid foundation. I would put mics first, then preamps, then AD - especially because a good mic or preamp should easily remain more useful and never become obsolete. | |
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| | #13 | |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
| Quote:
Based on some interesting GS Kurzweil threads. Heard them? No. Have you? "I'd think a $600 ADC would sound better then a $600 reverb with an ADC attached to it IMHO." I wouldn't be surprised if the Kurzweil units convertors were better than some dedicated convertors in the same price range. Pres may be a better way to go. I'm sure my idea won't be a bad influence on Rich. | |
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| | #14 |
| One with big hooves |
I dunno, you can find used 2 channel ADC's for bargin prices if you can live with 16-20 bits or only 48khz operation. I see older Mytek, Prism, Apogee, etc. all the time for $400-600. I'm plenty happy with the 20-bit Mytek I bought. My friend bought it from Beartracks and then sold it because it wasn't 24/96 but it's prefect for what I need it for, mainly safety's and burning CD's from mixes on 1/4". I haven't heard the new Kurz boxes either (not shipping or just shipping AFAIK) but I'd imagine that a decent part of the money went into making them FX boxes, not a standalone ADC. Having said that, my main DAC is a TC M2000 in bypass. Mics and pres make a bigger differance then any converter, even across a whole mix. Sorry, but unless you have really shitty converters it just doesn't make as big of a difference as the front end. YMMV on that. Mine doesn't. |
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| | #15 |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
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Hey Jay I'm not saying that convertors are the better option. Your advice is very good! |
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