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| | #1 |
| Gear addict Joined: Jul 2005
Posts: 332
Thread Starter | Studio owners: How much do you pay engineers?
Hi there! I've been doing all the engineering/producing at my studio until now. But I'm moving to a bigger place and the time has come to hire somebody. I found this freelance guy who's done plenty of records and have some good reputation. He proposed me to bring his jobs (when people ask HIM --not me-- to produce/engineer a record) to my studio and make it his operational base. Now, since we're gonna do this for projects, how much do you guys think I should keep out of the total price charged? Say 50%, more, less?? How much do you think it's fair?? I'm kind of lost here, so any help will be really apprecciated!! Jordi. |
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| | #2 |
| Gear addict Joined: Nov 2004
Posts: 376
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Not exactly answering your question, When I ask someone to sub for me I pay them $300-$375 a day, depending on a few factors. That is also what I ask when subing other places, or freelance. Working at my own place, I bill way less than that. I'm the last one on the list of bills getting paid. Might have NO relevance for your market, though. |
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| | #3 |
| Gear addict Joined: Jul 2005
Posts: 332
Thread Starter |
Hi Borau! Thanks for the reply. Just one question: How much is the studio making a day when you pay (or ask for) $300-$375? I mean, what percentage of the total charged to the client goes to the engineer? For example, if the studio is charging the client $600, then it's about 50-60%. Do you know what I mean? J. |
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| | #4 |
| Gear addict |
In my experinece there is a rate for the room, and I charge my rate on top of that. So the room might be $35 an hour, and I'll bill $20 an hour on top of that, for example.
__________________ --- Stefan Colson |
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| | #5 |
| Lives for gear Joined: Sep 2004 Location: Austin, Texas USofA
Posts: 1,671
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What? AE's get paid? What planet do you live on? Depends on the AE. If he/she brings the client in, we give them a little piece of the room rate. If they're on hire only, they get $15-25/hr depending on skills/experience.
__________________ "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side." - Hunter S. Thompson should have said this, but didn't www.yellowdogstudios.com |
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| | #6 |
| Lives for gear |
You don't need to know what the outside AE/producers budget, just what your room rate is. His cut is no business of the studio- Just charge a fair room rate- or whatever works for the particular Engineer-client. We are 60 an hour for the room. No assistant.
__________________ http://recordingdrummerproducer.com http://socaldrumsociety.com http://ProCraftMedia.com ----------------------------------------------------------------- Watch your thoughts, for they become words. Watch your words, for they become actions. Watch your actions, for they become habits. Watch your habits, for they become character. Watch your character, for it becomes your destiny. |
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| | #7 |
| Lives for gear |
Probably less than anyone in any other field with that many years of experience and expertise. Financial industry person... 3 years might get ~25-30/hr easily. 3 years experienced engineer, probably ~10/hr at best.
__________________ David Fisher (aka tibbon) What is Noise, Blog (DIY, gear, tech, etc) Follow me on Twitter imVOX- Voice for Gamers WTB: Moog Theremin Signature Edition |
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| | #8 |
| Gear addict Joined: Oct 2004 Location: Baltimore, Md.
Posts: 410
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This is for post, but for an engineer that can run the room while I'm away, I pay $60/hr. - for an assistant it's $15 when they are new - up to $25 when they get good.
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| | #9 | |
| Gear addict Joined: Jun 2003 Location: Chicago
Posts: 311
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| | #10 |
| Lives for gear Joined: May 2005 Location: Caleefornya
Posts: 839
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I say use the ebay scale: $4 per hour for the engineer and he/she gets $56 more per hour for handling.
__________________ McKay Garner Production-Mixing-Composition San Francisco-Los Angeles-Anywhere http://www.mckaygarner.com |
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| | #11 |
| Gear addict Joined: Jul 2005
Posts: 332
Thread Starter |
Ok, so it looks like a third of the cake would be the right thing if the client is mine, and 50 % if the client is his. Do you guys think that's fair? I don't want to be unfair to a good engineer, but I also need some money coming in... |
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| | #12 | |
| Lives for gear | Quote:
Again, this implies that you know how much the "cake " is. I don't tell the studio that. They have a rate, I pay it- or negotiate a lower one. The studio has NO BUSINESS knowing what I'm charging MY client. As far as it being your client- if you need to make "your room rate" and there is only 15 bucks left over for the AE, then the AE will need to make a decision on whether or not they take the gig. Pretty simple. | |
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| | #13 | |
| Lives for gear Joined: Mar 2005 Location: Annapolis, MD/Los Angeles, CA
Posts: 3,631
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| | #14 |
| Gear addict Joined: Jul 2005
Posts: 332
Thread Starter |
Yeah, you're probably right guys. Even though I really think this one guy would feel way more confortable by sharing a percentage. I think I'll let him decide what suit him best. Thanks everybody for your advice!! Jordi. |
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| | #15 |
| Lives for gear Joined: Jun 2005 Location: LOS ANGELES
Posts: 3,602
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I pay 10-12 and hr. for guys to run the ship when I'm too fricking busy to do it all myself.
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| | #16 | |
| Lives for gear | Quote:
Girlfriends buddy ! Girlfriends! | |
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| | #17 |
| Gear maniac |
Anywhere from 15 to 25/ hour based on experience
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| | #18 |
| Gear interested Joined: Feb 2006
Posts: 18
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If you really want a good guy in your studio do some research and find out what your particularly market pays for a person of that caliber and see if you can stomach that expense. In Houston we're very lucky/unlucky depending on how you look at it. I can't throw a rock in Houston and not hit a talented engineer. My backup guy is ten times better than me at engineering, has a grammy nomination, and I pay him $40 per hour when I need him because that's all this market will bear. When he has lived in other markets he has charged more, but cost of living is much lower in Houston than it is in New York, LA, etc. Once again, my two cents and I'm overcharging at that. |
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| | #19 | |
| Lives for gear Joined: Jun 2005 Location: LOS ANGELES
Posts: 3,602
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Hey man 12bux an hr is almost twice min. wage that's not a bad gig for a young kid.. I don't hold a gun to their head or anything. That's what I can afford to pay. | |
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| | #20 | |
| Lives for gear Joined: Jun 2005 Location: LOS ANGELES
Posts: 3,602
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| | #21 |
| Lives for gear Joined: Nov 2002 Location: Los Angeles
Posts: 1,912
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<<As I understand Los Angeles, a 1-bedroom older apartment in a not-so-desirable neighborhood can be $1200 a month, $1500 with utilities.>> Where the heck did you get that info? Completely off base. Everyone in LA isn't rich. BTW, you can probably get a 1BR in Beverly Hills for $1500 a month! |
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| | #22 | |
| Lives for gear Joined: Jun 2006 Location: Brooklyn, NY
Posts: 920
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| | #23 |
| Lives for gear Joined: Mar 2006 Location: Bahstahn, MA
Posts: 2,687
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as far as LA rent, i've found quite a lot of rooms (more than i can count on my fingers and toes) in 2-3br apartments/houses off of Sunset where I'd pay $350 a month utilities included. people have an extra room with nothing in it and they need the extra dough for the rent, so they ***** it out to a new yorker. easy as cake to find these places.
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| | #24 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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As an engineer I charge for 500chf a day- this works out to be $410 USD per day. I don't work for less. JR |
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| | #25 | |
| Lives for gear | Quote:
Then again, a ton of them are Berklee, or other art school students who have their parents floating them to a large degree. | |
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| | #26 |
| Lives for gear Joined: Jun 2005 Location: LOS ANGELES
Posts: 3,602
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I just hired a kid out of recording school for $8/hr and he's happy to have it. It's above min. wage.
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| | #27 | |
| MonsterIsland.com Joined: Sep 2005 Location: New York City
Posts: 4,233
| Quote:
Other art school? As a Berklee grad, and someone who's read their most recent mission statement, I can say it's a great school, but there's certainly no art taught there. I saw sad and angry when I read their mission statment that made it clear they don't think it art terms at all. Sorry to digress.
__________________ http://www.monsterisland.com | |
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| | #28 |
| Gearslutz.com admin |
£200 per day Jumps up to $300 if we can bill for the studio at a higher rate... Major lable minimum = $400 (paid direct from record co...) Actually thats all been calculated at the $2 GB Pound.. so lower all those a little...
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #29 |
| Gear maniac Joined: May 2005 Location: Greenland
Posts: 282
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As a freelancer, I do not charge an hourly rate. I charge by the song. To record/edit/mix one song I charge $1500 To just mix I charge $1000 per song To record I charge $500-$1000 depending on how involved the trakcing is. If the group wants to do an album it's $10,000 flat rate. Albums usually take me a month to complete. I do bands and I don't use any sequencing because it's not my thing. I use midiclocking and contoller change info for locking in tremelo/gating effects and other modulation effects. I don't allow substances in the studio and I ask them to keep the foul language to a minimum as it bothers me. I worked for Prince once and he charged his employees $5 for every bad word they said that he or his personal assistant heard. I have the same policy and I find that it helps the band to clean out the cobwebs from thier souls. I usually have a freelance assistant that I pay $200 per song. I don't use an assistnat for mixing. I don't hire female assistants as i find that the band ususally gets distracted by this. I ended up having to clean up the aftermath of a band dinner break/lead singer secret encounter with the assistant in the vocal booth senario. I like to spend about four days on a song. One for the instruments, one for vocals and one or two for mixing. On album projects it's shorter to mix once you get the first three tracks established. I usually start mixing the stronger material first to establish the sound of the rest. I may go back and tweak the first ones after a bit. |
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| | #30 | |
| Lives for gear Joined: Jun 2006 Location: Brooklyn, NY
Posts: 920
| Quote:
Just out of school, I can understand the $8/hr, but let's face it, if recording school is his only background, I wouldn't call him experienced yet. He'll probably be asking you for $15 within the next year (or leaving). If not, it's probably cause he's no good! People will work for too long making subhuman wages as assistants at places like Quad, Right Track and the like, but other than that, good luck keeping cheapies around for long these days...... Or being happy with them if they stay cheap. As a side note, what percentage of interns and assistants do you think actually go on to maintain a full time career in AE? -Justin PS- I'm 24 and I charge $25/hr for my services. I often negotiate a day rate between $200-$300. I think that's crazy cheap. Eventually I'll charge more. | |
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