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| Gear addict | What's your favourite alternative kick and snare mic
Ok, thought this would interesting for some of us in case we have a mic laying around we'd never of thought to use on kick or snare. Doesn't have to be your favourite just something different but pleasing. Let's not get bogged down with the same old mics. So don't mention sm57, sm7, d112, re20, d6, md421, 56a, beta 91, 52 a, e602, d4. So let us know what you like about em I'll go first Akg c3000 on kick paired it up with a crappy kick drum from a drum kit mic pack I think red 5. Got some great attack out of this mic and a lot chesty body. Has a weird nasal mid thing going on worked out sound pretty good. |
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| | #2 |
| Lives for gear |
I suspect cos they are expensive and a tad unwieldy for micing them up, the Sennheiser 431 and 441 don't see as much use on snares as they might actually justify. Beyer M88 can sound good on snares and have heard it used very successfully as an outside mic for a Bass Drum.. AKG D190e on snare can work Many moons ago use to work with a live engineer use to use, i believe, an old Audio technica 812? on snares and swore by them.
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| | #3 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,259
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A Radio Shack PZM mic taken off of the backplate and placed maybe 6" from the beater provided me a lot of fun years ago and had a HUGE sound to it. You have to wrap the mic in something foamy to get it into a standard mic clip. War |
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| | #4 |
| Lives for gear |
We had sessions with the Black Keys and Will Oldham a few weeks ago and the kick drums didn't have a hole but we still wanted some snap without having to take the front head off, so we grabbed a cheap-o Rode NT3 and put it on a short stand near the kick pedal and pointed it where the beater hit the head and it sounded surprisingly good. For snare a condensor is a nice alternative. When we have a bluegrass session and it's just snare or kick and snare, I like to place a AKG 414 a foot or so about the drum, still pointed where the stick/brushes hit, and it gives it a nice natural sound instead of the honky sound you can get with a SM57. A Neumann KM84 sounds great as well where you'd normally place a SM57. |
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| | #5 |
| Gear Whisperer |
Kick: Beyer M88 - deep lows and lots of attack Kick (outside): Cascade Fat Head II - deep and pillowy Snare Top: Beyer M201 - good hat rejection and nice freq. response Snare Bottom: AKG C414B-ULS (hypercardioid/pad) - just sounds good! thumbsup .
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| | #6 |
| Gear addict |
I've heard a lot of people say they like the M88. The d190e interests me their cheap second hand might have to grab one and give it a try. I absolutely love the akg d25 on kick, you get little bit of bleed because of its suspension mount but it sounds great, if you take the front skin off your sorted. Real smooth natural sounds but responds really well to eq if you can minimize the bleed. It's probably quite similar to the d12. Here's a pic to show it's cumbersome mount. Here |
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| | #7 |
| Gear nut Joined: Apr 2008 Location: Toronto
Posts: 102
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I have a 60's Senhiesser M411 that kills on snare. It's a lot like a 421 but without as much low end. It's also hyper-cardioid so it rejects the hats nicely. I also like RE15s on snare. The big old chrome EV 664 can be great on kick drum. It doesn't always work but in the right situation it's great. +1 for Radio Shack PZMs inside a kick drum. If there's any damping inside the drum I just pat it on top. If you mod the PZM power supply to take a 9 volt battery or phantom you'll increase the SPL that the mic can handle and be able to use it in a kick with no issues. |
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| | #8 | |
| Gear addict | Quote:
Sean. I think was a tlm 193 on snare pointing straight at the side of the snare with a 57 underneath had a kind of simmons/ roomy sound also worked out great. | |
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| | #9 |
| Gear nut Joined: Nov 2007 Location: Just north of Shakeytown
Posts: 144
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Oft mentioned ATM25 on kick or floor tom. EV666 is stellar on kick. Different strokes for snare; the aforementioned RE15 or the Shure SM59 (sort of a "flat" 57)
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| | #10 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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BK 5B
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| | #11 |
| Lives for gear Joined: Jul 2009 Location: Preston
Posts: 524
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Beyer 201 is my go-to mic for snares now.
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| | #12 |
| Lives for gear Joined: Feb 2004 Location: seattle,wa
Posts: 515
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Heil PR 40
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| | #13 |
| Lives for gear Joined: Dec 2007 Location: Dallas, TX
Posts: 720
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| | #14 |
| Gear maniac |
Snare: AKG 451 Kick: ATM25 |
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| | #15 |
| Lives for gear Joined: Mar 2006
Posts: 6,130
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I use one of the "Let's not get bogged down" mics. . . |
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| | #16 |
| Lives for gear |
The Sennheiser e906 isn't actually too bad on snare
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| | #17 |
| Lives for gear Joined: May 2007 Location: London
Posts: 2,801
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AKG D19 over snare and Ball and Biscuit (STC4021) underneath.
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| | #18 |
| Lives for gear Joined: Oct 2005 Location: Los Angeles
Posts: 816
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RCA SK-46 on kick. I read about Gene Paul using that mic on AWB's "Pick Up the Pieces," and it surprised me. OTOH, I happen to own one so I tried it. It's limited bandwidth, going up to about 5K before it starts droppiing off, but in kick drum terms that's about enough, and it rocks pretty hard, big sound. Obviously, since it's a ribbon it can develop a pretty huge low end with the proximity effect. Apparently Paul also used it on "Killing Me Softly" by Roberta Flack, so there are two places to hear that sound if you're interested. It's not that well known a mic, so here's a picture of it at Coutant.org (hope it's not too big): |
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| | #19 |
| Gear addict |
Huge variety here alot of mics I wouldn't have even considered going to give the at25 a go on kick. Any sound clips of the kick or snare on it's own or on a finished mix would be great. |
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| | #20 |
| Gear nut Joined: Nov 2008
Posts: 83
| Sennheiser e602
Sennheiser e602 on Kick. Great, blooming low end and needs no eq in the mix (well, maybe a slight cut at 200hz). Also perfect as a floor tom and bass cab mic. Been using that inside the kick combined with a TLM 103 about six inches from the front head with great results, but in a pinch the 602 is more than fine all by itself. Beta 57 on snare (I like the additional sparkle it brings to the game over a standard 57). |
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| | #21 |
| Lives for gear Joined: Jan 2010 Location: Philly Area, PA
Posts: 704
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I like the AT4047 as an outside kick mic and the AT Pro 25 inside.
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| | #22 |
| Lives for gear Joined: Jan 2008 Location: san francisco
Posts: 850
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for snare i've had great results several times with: re15, re10, 409, 441, 414, km84, 451 (i like the condensers on the shell instead of on top). kick: r84, ksm44, fathead, 441, m88, 666, 906 i'm fine with using the standards but i like to play around when i have the chance. |
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| | #23 |
| Gear nut Joined: Jun 2009 Location: Sweden
Posts: 131
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| | #24 |
| Lives for gear Joined: Apr 2009 Location: Melbourne, Australia
Posts: 1,462
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Altec 633a on snare top (441 on bottom of course) AEA A840 on front of kick |
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| | #25 |
| Lives for gear |
I used to have a Joemeek 37 that i liked on the kick's front head. Insane lows. Wasn't good for much else, though, so I got rid of it. A current fave is the C&T NakedEyeRoswellite/ Shure KSM313 inside. On snare, I'll echo the sentiments about the 441. Some of the "lesser" EV dynamicss like the 660, PL6, DS35, etc., can get some nice snare tones, too. I like the different shades of "clang" they give me.
__________________ André ___________________________________________ "Recording exactly what a musician hears turns out to be a really big deal." Bob Olhsson "Who cares about efficiency, when we're talking about music?" Rupert Neve "it'll sound different through a microphone, anyway" Keith Carlock "no room, no boom!" Michael Wagener |
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| | #26 |
| Gear addict Joined: Mar 2008 Location: Glastonbury, UK
Posts: 307
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Another one here for the A/T Pro25 on Beater head, though i used to couple it with the more obvious d112 in the reso hole. I have a second pro 25 for floor toms too - It's just a cheaper version of the ATM25, lovely mic! Nice to see others using it
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| | #27 |
| Gear addict |
I know a guy who uses 414 b-uls on not just the kick and snare but also the whole Kit still haven't heard what it sounds like. He's got a case of 12 or so he swears buy them, he's got the stereo model to. Anyone tried this out of curiosity.
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| | #28 |
| Lives for gear |
You named all my favorites.
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| | #29 |
| Gear maniac | I have used the 414 b-uls on snare, it kills. But I only use it with drummers I trust.
__________________ Christopher Dwyer www.christopherscottdwyer.com http://christopherdwyerrecording.bandcamp.com/ |
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| | #30 | |
| Gear addict | Quote:
Halloween - I wanted to stay away from the pointlessness of people saying they prefer a d112 to a beta52 I know their different but they do the same job make all kick drums sound similar. Ye their different but their very similar if you chuck in to the context of some of the mics in this thread. But I understand you can augment these mics with another quite nicely as most of us do. | |
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