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| | #1 |
| Lives for gear Joined: Apr 2004 Location: michigan
Posts: 1,456
Thread Starter | best kick mic for that "pantera" sound.
what kick mic will get you that pantera kick drum sound best without grabbing for an eq or a sample? im looking for a mic to have just for metal bands that want that type of kick sound. and we all know they all want that sound. |
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| | #2 |
| Gear addict Joined: Dec 2005 Location: EUROPE
Posts: 358
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The AT 2500 could be a suggestion, at least it´s not only the mic but a lot the drum, the tuning ,the position of the mic, the beater and the player. The drummer of Pantera glued a coin where his wooden beater hits the drum |
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| | #3 | |
| Lives for gear Joined: Jun 2004 Location: Los Angeles
Posts: 836
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| | #4 |
| Moderator |
Drum issues aside - you could try a lavalier mic on the beater side thru a TD4 + a royer R122 on the fok! I get a good slappy kick like that!
__________________ Emre Ramazanoglu http://www.emremusic.com the wise man can pick up a grain of sand and envision the whole universe. The fool, however, will just lie down on some seaweed and roll around until he's completely draped in it. Then he'll stand up and go "Hey, I'm vine man" |
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| | #5 |
| I like lamp Joined: Jul 2005 Location: New Orleans, LA
Posts: 1,402
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I've heard lots of mention of the Audix D6 for this sort of thing... that, or I'd imagine a D112 would work... you'll probably end up boosting the shit out of 5k anyway to get some attack.
__________________ Matt Grondin The Parlor Recording Studio New Orleans, LA ![]() http://www.theparlorstudio.com http://www.facebook.com/theparlorstudio matt@theparlorstudio.com Follow our build!: http://tinyurl.com/8yzrt8v |
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| | #6 |
| Gear Guru Joined: Jun 2004 Location: NYC
Posts: 14,163
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Just hit a phone book with a pencil and sample that. |
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| | #7 |
| Banned Joined: Sep 2005
Posts: 7,099
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I could find out for you because I know people that did that stuff with them. My very good friend was their vocalist before Phil. He knows a lot of the "tricks" but then again things evolved. They grew up in dad's studio, so they were no idiots! I do know that Vinnie used Remo Diplomat heads on his toms for recording. He probebly had to change them a lot. He wasn't a perticularly hard player though. I recorded/mixed them live on a few radio shows in the late '80s, but I don't recall anything out of the ordinary. Interestingly enough, Vinnie used to call me daily back in about 1997 about working with them. He wanted me to show them how to install and use their home studio. This is where they recorded everything after that record with the guy getting hit in the face. SEE! I don't even know the title of it! I just couldn't hang with a rock band since I already had a 9 to 5 studio job and a family. (They weren't gonna' offer full coverage insurance!) I can hear Vinnie now now, "Dude! We can pay you a lot of money!" I just couldn't do the rock-n-roll thing any longer at that point. I had already toured and recorded a major label band and I had gotten off of that locomotive. Plus, they were SERIOUSLY into their lifestyle. They are (were) good guys at heart. They just liked to drink and live like pirates! Danny Brown |
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| | #8 | |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,297
| Quote:
wow, good luck with the purist approach! they have one of the most processed, tricked-out, unnatural drum sounds of any band ever, imo. i say screw it, grab a d112 and a whole lot of eq, compression, gating, keying, and sample layering. why not? metal clients care about the sound, not the method, and ime the methods are generally as extreme as the sound itself. gregoire del ubik | |
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| | #9 |
| Lives for gear Joined: Jun 2002 Location: Maryland,USA
Posts: 3,538
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i heard that it was a 414 in figure 8 with the null facing the beater. it does have a sort of bottle type resonance to it although i've never tried it myself. try it.
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| | #10 | |
| Lives for gear | Quote:
The quarter trick sounds like ass. A plastic or wood beater sounds the best for this. DW pedals seem to be the standard for metal: http://www.dwdrums.com/pedals/9000Pedals.htm Really, you're going to have to use lots of compression and EQ to achieve that sound. You're not making a jazz record. Processing is your friend. I would go with a condenser mic inside the drum right on the beater, and a speaker type mic (yamaha subkick) a foot outside the front head. Good luck, and don't be afraid to twist the EQ knob till it comes off. | |
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| | #11 |
| Gear addict Joined: Jun 2002 Location: Massachusetts
Posts: 379
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There isnt a mic that will do it with no eq. Start with a nice drum 18" deep at least. A head like a clear evans EQ3. Stay away from coated heads. Some sort of kick pad for the beater. A hard beater either wood or a DW plastic style. Make sure there is no dampning whatsoever inside the kick. Part of the sound is the reflections. Tune the front head so it is as loose as it can be without falling off. Use a nice snappy mic like a Audix D6 or Senny 602. Place it about a quarter of the way in the drum aiming at the beater.Scoop some low mids and add some high mids. Maybe a hair of Comp or none. done deal.
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| | #12 |
| Gear nut Joined: Oct 2002 Location: Berlin
Posts: 134
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Shure Beta91 in combination with any other common kick mic you still need to roll off lows and mids on the beta, but that`s the mic that`ll give you the kick |
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| | #13 | |
| One with big hooves |
You're ALL wrong. Well, mostly wrong. About 80% of that sound is a sample. The other 20% or so is a real microphone in a real drum. But all the low end push & attack on the top end? Sample.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #14 | |
| Gear addict Joined: Jun 2002 Location: Massachusetts
Posts: 379
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The point is how to get the sound of the sample. | |
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| | #15 |
| Lives for gear Joined: Sep 2004 Location: kansas city
Posts: 1,618
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this will get you close tune the kick to sound that way powerstroke 3 falaam pad wood beaters Audix D6 tuck a sample from an alesis D4 underneath to get the rest of the way
__________________ Dave |
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| | #16 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,259
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Audix D6. That mic has a very wide slap attack that could get terribly annoying on any other kind of music...makes kick hits sound like processed samples. War |
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| | #17 | |
| Gear addict Joined: Apr 2005
Posts: 387
| Quote:
Originally he did the quarter trick, recently he uses a Danmar pad. On Cowboys from Hell, he used a D112. I don't know after that.
__________________ Jason 'Jay' Walsh Farview Recording - And check out Farview's Rock Drum samples for Drumagog exclusively at the Drumagog store!!! | |
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| | #18 |
| Lives for gear Joined: Jun 2004 Location: Los Angeles
Posts: 836
| Pantera Kick Sample
Alrighty guys, I got way more PM's than I thought I would so I'll just post it on here for everyone. I was told I can share!! I can't tell you exactly bit rate or any of that stuff, all I can say is that it works great as a reference and as a SR sound. Hope this works for you guys, cause it certainly does for me. |
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| | #19 |
| Gear Head |
the way to do it is to use a hard plastic beater hitting a large coin gaffa taped onto the drum skin no resonant head on the drum mic this with a single EV RE20 1 to 2 inches from the head where the beater is hitting that will give u one F*UCKING HOSTILE kick |
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| | #20 | |
| Gear addict | Quote:
Your sample is only 19KB big...that's tiny....it doesn't work. As for the pantera kick sound...it's as only as good as it's played... The rest is a descent mic...descent pre...and descent comp....no mystery. | |
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| | #21 |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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Two words: Andy Wallace. |
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| | #22 | |
| Gear addict | Quote:
lol... that too. | |
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| | #23 | |
| Lives for gear Joined: Jun 2004 Location: Los Angeles
Posts: 836
| Quote:
And trust me it's not just mic,pre,comp,drummer,kit,room!!! I have watched a certain producer/mixer get drum sounds for this style of music and there's alot more to it than that....those are just the building blocks. | |
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| | #24 |
| Lives for gear Joined: Sep 2004 Location: kansas city
Posts: 1,618
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sample worked here, it's a 24 bit file! thanks heres my approximation with the gear I mentioned earlier, no sample mixed in 24bit/44.1 |
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| | #25 |
| Lives for gear Joined: Apr 2004 Location: michigan
Posts: 1,456
Thread Starter |
thanks for the replys! it seeme that the d6 is the mic that will put you closest to that type of sound right offf the bat. the quarter thing does suck ass imho. if you get a drummer that has that bounce off the head thing going it sucks. yes i know that pantera sound is mainly a sample im just looking to get as close to it as possable with the mic itself than process from there. i think zeuss hit the nail on the head here. why didnt vinnie paul do a sample library cd? that would have rocked for us metal head ae's. |
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| | #26 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
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Two more words: Sound Replacer Perhaps they did not employ Sound Replacer per-se, but triggers were involved. Also, try to make the toms sound like the kick or vise-versa. I think it was Aquarian who made those kick click things that you aply to the head where the beater lands. Maybe it was Evans...I don't remember. |
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| | #27 | |
| Gear Head Joined: Jan 2006 Location: Germany / Cologne
Posts: 63
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| | #28 |
| Moderator Joined: Jun 2003 Location: Sweden
Posts: 2,458
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y'all is making it way to complicated here. Check this: Shure SM91 $150 bux used, an Electrovoice RE20 $200 bux used. Place the SM91 inside the kick on the floor and the RE20 oustide. SEE HOW SIMPLE AND CHEAP! And don't forget the eq the hell out of the mics.... The more exlusive route to go would be switching the RE20 to a U47fet. |
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| | #29 |
| Lives for gear Joined: Jun 2002 Location: Maryland,USA
Posts: 3,538
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first of all, i wouldn't be so sure about a sample being involved. and please, if you don't have actual first hand knowledge, at least put "IMO" in with your comments. secondly, Andy Wallace never worked with Pantera, you're thinking of Terry Date. |
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| | #30 | |
| Gear addict | Quote:
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