![]() | All Advertisers |
| | #1 |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
Thread Starter | Switchfoot hi there, i really dig the recent switchfoot releases...well not the songs but the sound of the records basically. Just really fat sounding pop/rock mixes. Any slutz have any inside infos on the recordings? The only thing i know is that they tracked on an API board. Any info out there cheers |
| | |
| | #2 |
| Lives for gear Join Date: Nov 2002
Posts: 1,026
| just got their new cd for referencing...sounded great on tv...... |
| | |
| | #3 |
| Lives for gear Join Date: Oct 2005 Location: On the road
Posts: 629
| The drummer used to live 5 houses up from me; I found out the day he moved. lol |
| | |
| | #4 |
| Lives for gear Join Date: Jun 2004 Location: usa
Posts: 1,957
| john fields did the switchfoot record...he is a WAY underatted producer....and a real nice dude... not sure where they tracked this one...but, mr clearmountain mixed it beautifully....I happen to be a fan of the band...so I think it rocks...no matter what you think of the songs...it SOUNDS amazing....mr bob c does it again... how DOES he get those hats so smooth ??
__________________ www.jchristopherhughes.com Always the beautiful answer who asks a more beautiful question. -e.e. cummings |
| | |
| | #5 | |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
Thread Starter | Quote:
just what i am thinking man.... i am not a fan of their music but their records just sound so freakin' fat.....especially the drums.....gotta do a search on that john fields guy. cheers | |
| | |
| | #6 |
| Gear nut Join Date: Sep 2004
Posts: 99
| I really like both records also. I found this story on the UA site, so naturally it talks mostly about UA gear, but it would seem hes uses a lot of the mic pres in recording and the plugins in mixdown. |
| | |
| | #7 |
| Lives for gear Join Date: Jun 2004 Location: usa
Posts: 1,957
| alot of john's rock productions have a similar FAT drum sound...even when mixed by different folks....jack puig, tla..and clearmountain...fields gets a HUGE kick sound..which i love another record to check out....and from a killer band from chicago...Dove Tail Joint the record is calle "001" it was released on columbia in 98 or 99 i think.... Jack Puig mixed the record....and John Fields produced...killer stuff !!! BIG KICK drums !!!! |
| | |
| | #8 |
| Lives for gear | The 2 latest records sound killer. But for me its the vocals. SUPER upfront and compressed.....perfect for radio. Then again, the gear that they used is probably WAY out of my league. |
| | |
| | #9 |
| Lives for gear Join Date: Oct 2004 Location: right coast
Posts: 3,857
| Great sounding stuff.... a little lite musically IMHO. The vocal effect is interesting. Reminds me of Steve Miller Band's "Rockin' Me Baby." John Fields does great work with that band. |
| | |
| | #10 |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
Thread Starter | keep infos comin....greatly appreciated so far cheers guys thumbsup thumbsup thumbsup |
| | |
| | #11 |
| Gear addict Join Date: Aug 2005 Location: Abilene, TX
Posts: 499
| I love their stuff as well and have been a fan of the band from their first release, "The Legend of Chin." I know they recorded part of the new record at Jon's house, but the drums and electrics were recorded at a studio.
__________________ www.theglassjarstudio.com |
| | |
| | #12 |
| Lives for gear Join Date: Nov 2005 Location: S.F bay area
Posts: 2,240
| Yes indeed, this is a great sounding rock record. BUT PLEASE NOTE - THIS IS ONE OF THE SONY CDs THAT HAS THAT GODDAMM ROOT KIT PROGRAM ON THE CD THAT WILL INSTALL ITSELF ON YOUR COMPUTER, ATTEMPT TO PHONE HOME TO A SONY WEB SITE, AND DISABLE YOUR CD DRIVE IF YOU TRY TO UNINSTALL IT! Sony has recalled all of these due to a slew of lawsuits and really bad PR. If you have this CD, go to the Sony web site and check the ID number printed on your CD case against the ID numbers listed on the site. If the numbers match DO NOT put this CD in your computer! (It's safe to put it in a CD player). The Sony site will print out a UPS tag that you can use to send it back to them at their cost. As an aside, I have heard stories of folks using these UPS tags to send all kinds of nasty smelly things to Sony.... I'm not trying to turn this into a "we hate Sony" thread. There is a whole 'nuther thread on this topic over at PSW (and there may be one here too already). Dave Peck |
| | |
| | #13 |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
Thread Starter | thank god i have only listened to it on a friends boombox ![]() |
| | |
| | #14 |
| Lives for gear | They tracked it at Signature sound in San Diego. Pretty impressive to watch those guys work, they were tracking in studio A, and studio B and the lounge were all doing pre production assembly line style. I think they did the whole record in like ten days. My understanding about drumsounds_ tons of soundreplacer, but the room and overheads kept. ( this comes from a mutual close friend on the sessions.) good stuff.
__________________ http://recordingdrummerproducer.com http://socaldrumsociety.com http://ProCraftMedia.com ----------------------------------------------------------------- Watch your thoughts, for they become words. Watch your words, for they become actions. Watch your actions, for they become habits. Watch your habits, for they become character. Watch your character, for it becomes your destiny. |
| | |
| | #15 |
| Lives for gear Join Date: Aug 2005 Location: Atlanta, Georgia
Posts: 1,138
| There's one thing that noone has mentioned so far, and it's the fact that they just sound like that! Anyone who has seen them live knows that Switchfoot does not need studio tricks to make them sound good. This makes a bigger difference than anyone realizes. Also, someone mentioned Bob Clearmountain but failed to praise CLA. Shame!!! P.S. I know what soundreplacer sounds like and I'd be really shocked if it were used on that record. I became intimately involved with the last two Switchfoot CDs and I just don't hear that cheesy "lack of bleed", plastic sound. They may have taken the time to make sample tracks only to have them thrown out by the true engineers that mixed the record.
__________________ If you don't spank it, you can't crank it! Last edited by absrec; 19th December 2005 at 01:44 PM.. Reason: Forgot one thing... |
| | |
| | #16 | |
| Lives for gear Join Date: Apr 2005 Location: New York City
Posts: 627
| Quote:
| |
| | |
| | #17 | |
| Gear addict Join Date: Jul 2004 Location: Encinitas, CA
Posts: 349
| Quote:
According to him, it was all the miced kit. He was blown away with the sounds they were getting while tracking. At one point Mike and the engineer looked at each other and said, "Oh my God! Listen to that." They were so blown away with what was coming out the monitors of a room they work in everyday. So while some replacement may have been used, from what I gather it wasn't what made up the majority of the drum sound. He did say, however, that directly after tracking drums they would be handed off the a separate PT guy and everything was cut with Beat Detective. Right away. Even though the tracks rocked and the exection was spot on. ![]() I love Switchfoot. I think their Beautiful Letdown had better songs, but the this new one is one kick ass sounding album. And as someone mentioned above, yeah, they do sound great live. Great band. And from my home town. | |
| | |
| | #18 |
| Lives for gear Join Date: May 2005 Location: Los Angeles
Posts: 864
| Yes, if I'm not mistaken, it was Chris Lord-Alge's mixes that, for the most part, made it onto the final release, NOT Bob's. Check the credits for a per-song track listing.
__________________ The Resonater |
| | |
| | #19 | |
| Gear maniac | Quote:
| |
| | |
| | #20 | |
| Lives for gear | Quote:
Hey Lee, no not mike. my bud AAron ( really good friend of the band) passed that info on to me. I know for sure there was full time PT edits going down, but I was also told pretty much everything was SR'd as well. I'll double check tho could be wrong. I agree, great sounding record. I dig the band as well! One thing for sure, I did some drums there a couple months ago and the remodeled live room is really nice for drums- kinda medium big, and a huge step up from what it was ( like ours better though! ) How's things btw? Im busy with a new baby and stuff, drop by some time and check the room out! craig | |
| | |
| | #21 | |
| Gear addict Join Date: Jul 2004 Location: Encinitas, CA
Posts: 349
| Quote:
| |
| | |
| | #22 |
| Gear interested Join Date: Apr 2005 Location: Atlanta
Posts: 16
| my band used to be on the same label and played with switchfoot all the time-- great guys-- good players and singers-- plus they surf! can't go wrong there. i like the song themes but its a lil light/ poppy for the gravity of the subject imho. the sounds on the records ARE amazing--- i respect whoever produced/engineered. |
| | |
| | #23 | |
| Lives for gear Join Date: Jun 2004 Location: usa
Posts: 1,957
| Quote:
man.....that is the truth...a kick ass tight band...WILL sound awesome recorded....I know the switchfoot dudes are GREAT musicians....really solid drumming...that surely makes more of a difference than anything in the recording chain !!! btw...props to Chris as well...just noticed that he mixed about 1/2 of the tunes....CLA has mixed stuff for some of my former bands....SUPER nice guy...as is his bro TOM...Clearmountain is one of my heros but have never worked with him...from people I know who have...he is a world class human being in addition to being an incredible mixer.....Jonatha Brooke told me he is quite possibly the nicest guy ever !!!! SO, both Bob and CLA NAILED the mixes on the switchfoot stuff...but, I think they would both say that having a band like that to mix is really the key !!!....Who knows hom much SR was used...(I happen to agree that it does not sound like samples...) it sounds killer...thats all that matters !!! | |
| | |
| | #24 |
| Guest
Posts: n/a
| huge stadium anthemic mixes. thumbsup ...masterfully done. i first heard Dare You to Move on a total junk stereo and was still very impressed. |
|
| | #25 | |
| Lives for gear Join Date: Dec 2004 Location: Hamburg
Posts: 1,205
Thread Starter | Quote:
exactly what i mean....if you reach the point where your mixes even sound killer on a f$$ked up boombox you're doing somethin' right. cheers for all of your great replies | |
| | |
| | #26 |
| Gear addict Join Date: Aug 2002 Location: Nashville
Posts: 407
| Great stuff guys.....anyone have any info on guitars? |
| | |
| | #27 | ||
| Lives for gear Join Date: Jul 2004 Location: Tampa, FL
Posts: 621
| Quote:
They recorded some of the stuff on the road in "dingy backstage dressing rooms everywhere" What's up with all of you guys saying you don't care for the music, but you love how it sounds? Seems to me that has more to do with the songs themselves, than Bob C and CLA. Quote:
__________________ Derek Studt | ||
| | |
| | #28 | |
| Gear addict Join Date: Jul 2004 Location: LA
Posts: 460
| Quote:
Big ups to John Fields!!!
__________________ "To be a good engineer you NEED to HEAR to make sure you gettin whatcha want THE WAY ya want it." Ray Charles | |
| | |
| | #29 | |
| Lives for gear Join Date: Jul 2004 Location: Tampa, FL
Posts: 621
| Quote:
SGs, Thunderbirds, Les Pauls, Teles, Taylor acoustics That's what they use live anyways. | |
| | |
| | #30 | |
| Lives for gear Join Date: Jul 2004 Location: Tampa, FL
Posts: 621
| Quote:
What's the name of your band? | |
| | |