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| Gear maniac Join Date: Nov 2005 Location: Europe
Posts: 267
Thread Starter | Would you help this newbie? Well... first post in this great forum... You guys seem to be in a totally different level from mine. I'm just a musician who records his own songs at home, but would like to go a bit deeper in the audio world... fascinating stuff. I've been lurking around here for some time, but there's stuff that I just don't understand cause... well, I just don't know. So, for those of you who have some patience... (1) What's IC? (2) What's Class A? (3) What's Discrete? (4) What's an In-Line console? (5) Is there any book I could get to learn about this stuff? (just answer one of them if you wish) Many people here seem to give much importance to the first three on the list... Thanks! |
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| | #2 |
| Gear Head Join Date: Oct 2005
Posts: 43
| Hi tapeop Mastering Audio from Bob katz is a very good start WRT to Books. I know hes working on the 2nd edition which could be due soon so if you want to ask the man himself http://recforums.prosoundweb.com/ind...3859e9857aa184 Join and send him a personal message. All the best Ps like your picture |
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| | #3 | |||||
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
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Your microphones would come into the channel strip, be assigned to their respective tracks, then the output of the tape machine was monitored on the jukebox. As consoles began to get larger this became kinda impractical... so as a space saving measure console designers came up with the "inline" format. This is where you have the [input] mic signal and the [monitor] tape signal co-existing on the same channel strip. You have an input gain [mic-pre] that can be assigned to a tape track through the routing section with it's own level and pan controls... and a return path which also has it's own level and pan controls... when you see two faders on a channel strip, this is generally an "inline" configuration... usually the "small fader" is feeding the track assignment section and the "big fader" is your monitor return fader that is feeding the 2 Mix buss. Quote:
BTW, my explanations here are exceptionally basic [as in sub-rudimentary], so finding a book or something like that is definitely advised.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome TELEFUNKEN Elektroakustik SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light | |||||
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| | #4 |
| Lives for gear Join Date: Apr 2005 Location: Porto - Portugal
Posts: 717
| Wow... what a welcome...! That's what GearSlutz is about! |
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| | #5 |
| Gear maniac Join Date: Nov 2005 Location: Europe
Posts: 267
Thread Starter | Thanks for your suggestion Jonny! I've actually read a few bits of that book, but I think although it's excellent, it doesn't seem to cover that sort of technical stuff... Fletcher, you sound like my guardian angel...! I ask him about the path to follow and he comes straight away with a self-explanatory map! Got it! Many thanks! ![]() Can someone give me an example of an In-Line desk that's currently manufactured? I can't remember seeing any... |
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