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| | #1 |
| Lives for gear Joined: Jun 2005
Posts: 2,135
Thread Starter | DO mixing engineers make house calls?
Has anybody ever asked, or has anyone been asked to go to a personal house project recording studio for a few hours of mixing with the owner? Everything I've learned has been trial-error, and I think it would be useful at this point to get an experienced pro to come by a spend a few hours with me. Reasonable request or pipe dream? Anyone know a Seattle guy that they've worked with that is cool and might consider it? |
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| | #2 |
| Lives for gear Joined: Nov 2002 Location: Pittsburgh Pa
Posts: 562
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The ONLY reason our mid size facility is still afloat is by interfacing, collaborating with the project guys. Tuning rooms, loaning/renting gear, helping with mixes, it all helps make for a warm and snuggly audio community. I'm sure there are plenty of good mix guys in seattle who would help u out. Good Luck thumbsup
__________________ www.davebjornson.com |
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| | #3 | |
| Lives for gear Joined: Mar 2005 Location: Annapolis, MD/Los Angeles, CA
Posts: 3,631
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| | #4 |
| Lives for gear |
Yes. I've gone to quite a few other peoples studios to give tips on all sorts of issues, from gear choice to signal flow questions, to monitoring and room tuning, to engineering technique for recording or mixing. I actually like it, it breaks up the monotony of being in the same studio all the time and it sometimes gives me an idea or two on how to do something differently. I would think anyone with the skills would want to do this if they have the time.
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| | #5 |
| Lives for gear |
I believe Michael Wagener is one who offers this type of service...
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| | #6 |
| Gear addict Joined: Feb 2003
Posts: 336
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wow I too would love to have someone come by to give pointers on mixing. Any of you live in the Vancouver area?
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| | #7 |
| Gear addict Joined: Jun 2004 Location: Vancouver
Posts: 421
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Me.
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| | #8 | |
| Lives for gear Joined: Nov 2002 Location: Vancouver
Posts: 767
| Quote:
Shane
__________________ "Music should be performed by the musician, not by the engineer." Michael Wagener 25th July 2005, 02:59 PM _____________________________________________ Pro Tools Power User Editing - The Skunk Works Project ![]() _____________________________________________ Pro Tools|HD Native 10.1 | Pro Tools|HDX 10.1 | REAPER 4.22 | HD OMNI | HoboMac Pro 2.26Ghz Quad-Core | W7 Ultimate 64-bit | |
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| | #9 |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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Yes. Its one way to keep working here in a city where just about everyone has a home studio. Even my mom is learning how to add music and effects to her home movies of my niece on her computer. (What has this world come to? Being squeezed out of business by my own mom). |
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| | #10 |
| Gearslutz.com admin |
Yes this is a new phenomenon that perhaps started becoming common over 5 years ago... But it's not glamorous so, IMHO - that's why you don't hear a lot about it.. It is a mostly ungerground practice.
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #11 |
| Gear Head |
i've done it. and yes, alot of the time i don't even mix. just give out pointers, and help with technical stuff.. some EQ and compression too. i was once flown over to tokyo to help some one mix there album on their laptop with PT le.. thats as cool as thats ever gotten. panda |
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| | #12 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,110
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Have gun; will travel.
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| | #13 | |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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| | #14 | |
| Gear addict Joined: Jun 2004 Location: Vancouver
Posts: 421
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| | #15 |
| Gear addict Joined: Feb 2003
Posts: 336
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hey Dasbin im going to PM you.
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| | #16 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,110
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I was in Vancouver last year for RADAR factory training... I was in Quebec a few months ago... so I'm not sure I get your point.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #17 | |
| Lives for gear Joined: Mar 2003 Location: Los Angeles
Posts: 722
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| | #18 | |
| Moderator emeritus Joined: Jun 2002 Location: Nashville, TN
Posts: 3,152
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| | #19 |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
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Man, Canadian Customs people get all freaky for no particular reason at all! ![]() I've ventured to three or four home studios in the past year; in half of those cases, I've parlayed the visit into a little work here and there. At this point, I'm down with just about anything. |
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| | #20 |
| Lives for gear Joined: Oct 2002 Location: Los Angeles
Posts: 1,489
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I hire a mix engineer to come into my home studio to mix film scores and album projects. I've been doing that for years, and a lot of scoring guys here in LA do it that way. Pretty common practice actually.
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| | #21 |
| Gear nut Joined: Jan 2005 Location: Black Diamond, WA
Posts: 78
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I live in Seattle, I would be willing to give you a few hours for a reasonable rate, your room or mine, better in mine as I have lots of toys and plug-ins. Just shoot me a call- anytime,
__________________ Tom Pfaeffle www.thetankstudio.com |
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| | #22 |
| Gear addict Joined: May 2003 Location: Atlanta
Posts: 442
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Anyone in NYC? I'll be getting into mix mode in the next few months and could use some help with a new project.
__________________ Carlos Boll |
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| | #23 | |
| Lives for gear | Quote:
john noll would probably come out
__________________ Lou Gimenez www.musiclabnyc.com | |
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| | #24 |
| Lives for gear Joined: Sep 2003 Location: Los Angeles
Posts: 2,559
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I do it all the time here in L.A. though since I have my own room it's been less and less. I've got one client that has an SSL in his house so that's always nice . . . . .
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| | #25 |
| Lives for gear |
Yes, in L.A. it seems to be common practice. I do it all the time. A lot of people are very good at getting clients and tracking but lack the skill to do in-depth editing and mixing -- yet they really don't wanna dump their s&*t on your hard drive -- that's actually a hassle if you think about it, especially if from their perspective they get to keep you AND the client(s) in their spot (ever notice how clients identify PLACE and TALENT together for some reason?) and the mixes are repeatable in their room in case they need tweaks. As for the "how do I optimize my setup house call," I do plenty, but they're usually reserved for friends or at least friends-of-friends. And, yes, business relationships have emerged from that sort of thing.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #26 |
| Gear addict Joined: Aug 2002 Location: NYC
Posts: 494
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We've got a full blown project studio here in NYC. We'd very much like to hook with any of you pro engineers to help us out with the final mixes. Could you please PM me, if you're interested and in NYC, so we can talk about it further.
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| | #27 |
| Lives for gear |
I've done a bunch of that sort of thing myself. Usually it's kind of fun. Generally they have less gear and DSP juice than I do, so it's a nice challenge to use their gear and make it sound good.
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| | #28 | |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
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| | #29 | |
| MonsterIsland.com Joined: Sep 2005 Location: New York City
Posts: 4,233
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I'd consider it, depending on my availability. | |
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| | #30 |
| Lives for gear |
I'd be happy to do it in town. I'd also do it out of town if the client paid my travel expenses
__________________ _________________ "What is a crossfire hurricane & why wasn't I born in one?" Randy Wright |
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