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| | #1 |
| Lives for gear | How big improvement would S3X-H be over Proac Studio 100? I have Proac Studio 100 with Adcom GFA-555. After reading good reviews about Adam Audio S3X-H I started thinking that maybe it's time for a change to something better, larger, more powerful and better translating. Do you think S3X-H will be a significant improvement to what I use now? Did you have a chance to compare the two?
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| | #2 |
| Lives for gear Join Date: Apr 2007 Location: Arlington, VA
Posts: 617
| I'd consider the amplifier as well. My ProAcs with my Adcom amp aren't putting out the low end I know is there and have heard with ProAcs on other amplifiers. Perhaps that upgrade is the one to be looking at; I'm researching it now myself. |
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| | #3 | |
| Lives for gear | Quote:
I don't want to change the amp. I am trying to figure out whether it is good for me to get S3X-H. | |
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| | #4 |
| Lives for gear | I will repeat my question: Do you think Adam S3X-H will be a significant improvement over Proac Studio 100? Let's assume I'm talking about Proacs powered by the best possible amp. |
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| | #5 |
| Lives for gear Join Date: Jul 2003
Posts: 4,479
| I use both Proacs and Adam s3x'hs... I wouldn't mind working on either of them. Having said that, the new ADAMs are just about the best mixing monitors I've come across so far.
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| | #6 |
| Lives for gear Join Date: Jul 2004 Location: Brooklyn
Posts: 3,553
| You guys did have your Adcoms modded right? If not, you shouldn't even think of ditching your proacs until you do. A stock Adcom amp has no real info below around 80hz. |
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