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| | #31 |
| Lives for gear |
I don`t think there is anything besides the transformer (even if there is any) in the AT ribbon mic, and I think it`s just broken based on sample. And actually I don`t believe in burning in ribbons, it`s not like they don`t "hear" anything before you connect it. It can be case with headphones, but microphones hear everything even if they`re in car (low frequencies) or warehouse.
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| | #32 | ||
| Gear interested Joined: Jan 2012 Location: Canada
Posts: 17
| Quote:
Quote:
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| | #33 |
| Lives for gear |
oops, my bad.
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| | #34 | |
| Gear addict | Quote:
![]() Next on my list is acoustic archtop guitar.
__________________ Good trades @ HC: reesecameron, kaeth, Brisco, Metallkasten, SkyhighRocks, sublimeride, lith_power Good trades @ GS: James 'LA' Lugo, jeronimo, climber, tnjazz, Sonic Skip, kelldammit Good trades @ TGP: williamh, MrBoZiffer, EvilPhish | |
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| | #35 |
| Gear addict |
I tried the two mics on an oval hole archtop tonight. Now i can finally hear a difference. The AT 4081 has more information between 3k-5k and the VinJet has a bunch more bass. You can see it in the attachment below, but it is obvious to my ears too. |
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| | #36 |
| Gear addict Joined: Jul 2011 Location: Europe
Posts: 421
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Here is a recording that I recently made with the AT4081 from a clavicimbalum, which is a predecessor of the harpsichord. See more about the intrument here: Harpsi - The Clavisimbalum of Henri Arnaut de Zwolle. Normally this instrument produces a very piercing metallic sound in recordings, when done with condenser mics. This recording was made during a live concert, at a distance of some 80cm above the strings and was meant as a spot mic position to blend with the overall image. No EQ has been applied yet.
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| | #37 |
| Lives for gear |
Nice sound!
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| | #38 |
| Lives for gear | Or the ribbon has been stretched so that it's response is compromised. However, the materials these new ribbons use isn't supposed to be susceptible to that as much... plus, he's tried 3 of them with the same result. My guess is that this particular mic can't handle high SPL that emanates from a cranked, over-driven amp (I've had this with one other popular latter-day ribbon)
__________________ "It's better to be hated for who you are, than loved for who you are not." -- Andre Gide |
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| | #39 |
| Church of UAD |
OP, any word on the issue with AT through Sweetwater?
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| | #40 |
| Gear addict |
I did a quick comparison on an oval hole archtop pointing the Vinjet and AT4081 where the neck meets the body angled about 45° towards the body 15" away. The vinjet seems to have more lows and mid-lows at that distance and the 4081 seems to have a little more transient and upper-end info. They sound very similar though and i think they could work as a stereo pair with the Vinjet on the body getting the meat and the 4081 on the neck getting the potatoes. There are markers in the track but it alternates: 2 bars 4081, same 2 bars again of Vinjet. http://www.soundcloud.com/spiesteleviv/at4081-vs-vinjet/s-dms9r |
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| | #41 |
| Gear interested Joined: Feb 2012
Posts: 11
| AT 4081 continued
I bought the AT 4081 and it's great for classical flute, the trebles are very smooth, not harsh at all. BUT there seems to be a bit of hum in the mic. My condensor mics have a hiss for their self-noise but this seems to have a faint hum. Is this normal for this mic? |
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| | #42 |
| Gear addict | Yes with the active electronics it seems to be the case with this mic. I've mentioned it before and there are previous posts saying the same. It really is one of the few drawbacks of this mic.
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| | #43 |
| Gear interested Joined: Feb 2012
Posts: 11
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Thank you for the reply, Spiral. This is my 2nd one, the first one had a LOT of hum so I sent it back to the dealer and this new one seems much quieter. I'll try it out on a classical violinist this week. |
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| | #44 |
| Gear interested Joined: Feb 2012
Posts: 11
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What are some of the other drawbacks?
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