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1st December 2009, 10:09 PM
| #1 |
| Gear maniac Join Date: Feb 2008
Posts: 205
| Room mic compressor choices What would some of your choices be for room or overhead mic compressors when tracking drums? Using ribbons, Coles 4038 and an RCA 77DX. |
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1st December 2009, 10:26 PM
| #2 |
| Lives for gear  Join Date: Oct 2006 Location: istanbul TR
Posts: 750
| 1178 works very well for me on OH's and the drum bus. It also does something nice to room mics. During mixdown I usually save 1178 for the bus and compress room mics with the waves ssl plug. |
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1st December 2009, 10:44 PM
| #3 |
| Gear nut  Join Date: Sep 2007 Location: East Coast USA
Posts: 81
| Room mic comp I like the old black Valley Dynamite. I kinda like all the Valley stuff really. Just make sure it's in good working order---recapped and all. The old black ones and gain brains etc., can sound pretty nasty when the caps are old. If original, long overdue for a re-cap. Ever notice the newer ones with the pinkish / purple lettering sound pretty clean compared to the older ones? Not just the design at work here. Once recapped though, they work like intended, and many, many records used these to great effect back in the day. Big bang for the buck. Blows stuff up, like the name might suggest. In a way nothing else really does. Easily recognizable sound, for me anyways. We have heard it most of our lives on a lotta material. Surprised these aren't talked about more for this purpose...I guess maybe not "slutty" enough? I'll continue on though, making lowend music with my low end Valleys...  J
__________________ "God made dirt, dirt don't hurt...unless it gives you a bacterial, fungal or viral infection."  |
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1st December 2009, 11:44 PM
| #4 |
| Jai guru deva om  Join Date: Feb 2003 Location: South Carolina
Posts: 10,408
| Grab something FET (1176, Daking FET) and rock on. I love the fast grab and smash action... War
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2nd December 2009, 12:10 AM
| #5 |
| Lives for gear  Join Date: May 2009 Location: Raleigh, NC
Posts: 616
| Jbl/urei 7110
__________________ There's nothing rock and roll about 1's and 0's. Recording engineers are not yes-men. www.regularjohnrecording.com www.myspace.com/regularjohnrecordingcompany |
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2nd December 2009, 12:18 AM
| #6 |
| Gear addict  Join Date: Oct 2009
Posts: 363
| Chandler TG 2005 plugin (in hardware one day!) set to limit, either 1,2 time constant. The sound just swells up and gains about a ton in weight and girth. Sounds really 3D but focussed too. Edit: Didn't see you were using a Coles & RCA. TG & LGR's are bestest mates.
__________________ "I wonder sometimes if you are a social experiment from some university, and not a real person." - It doesn't matter |
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2nd December 2009, 12:38 AM
| #7 |
| Gear addict  Join Date: Mar 2009 Location: Nottingham
Posts: 475
 | whatever is available really, most of the time a Drawmer 1960 or DBX 160. |
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2nd December 2009, 03:47 AM
| #8 |
| Gear interested Join Date: Jan 2009
Posts: 19
| Spectra sonics 610 is always good fun on room mics |
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2nd December 2009, 08:00 AM
| #9 |
| Lives for gear Join Date: Nov 2004 Location: Charlotte, NC
Posts: 799
| ADR Compex A good friend of mine swears by a Gates compressor on his mono 4038 overhead. Chris Garges Charlotte, NC
__________________ On tour with Mitch Easter |
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2nd December 2009, 10:53 AM
| #10 | |
| Lives for gear  Join Date: May 2005
Posts: 2,132
| Quote:
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