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| | #1 |
| Lives for gear Join Date: Jul 2007 Location: Groningen, Holland
Posts: 702
Thread Starter | What are ye? Mixing engineer or recording engineer? I find that I'm alot better as a recording engineer than a mixer. Mic selection & placement, instrument/amp selection is my thing as well as getting a great performance out of musicians. However come mix time I get confused with all the delays and compressors, left-right balance and so on. Especially effects that you're not supposed to hear are driving me nuts. It ain't my thing, mixing. I'm trying to get better and hopefully even really good, but I'm just much more of a tracker. It's somehow more challenging because it's the essential part that you can't change later on. There's no way back. I just love getting good sounds from the get go. But having to balance them later on, adding reverb, riding faders... jeez what a bore... Anyway, since I happen to like tracking more than mixing, wouldn't it be good to focuss on it. I have a mci 400 console which according to todays standards isn't really suited for mixing (no groups etc.) but it is a wonderful thing to record with. I never buy outboard gear except for compressors. It's all microphones I'm interested in. So yes, my studio is great for tracking but not a mix heaven. Have any of you people decided on focussing more on one or the other? Why? -C- TstikeB Oulaw
__________________ " The devil made me do it the first time. The second time I done it on my own" - Shaver |
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| | #2 |
| Gear maniac Join Date: Sep 2009 Location: Perth, Western Australia
Posts: 276
| I'm terrible at both ![]() |
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| | #3 | |
| Gear maniac | Quote:
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| | #4 | |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,848
| Quote:
As I hope are you, as it goes......sheesh
__________________ Compress everything so it's amplitude is basically smooth like a square. - Kupiti | |
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| | #5 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,386
| i dont mix my own recordings. They go elsewhere. When I do mix - someone else has recorded it. So it's a bit mutually exclusive for me. Do both - but rarely on the same project. |
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| | #6 |
| Gear addict Join Date: Dec 2006 Location: Germany
Posts: 493
| I mix a lot.... probably %80 of my work and around 14 full length albums a year. I used to record mainly, then I was doing both, and now I mainly mix and Master. I guess more because so many "instant producers - just add plugins" are around. I feel totally at home doing both and I need both. I WISH I would do about %50-50.... But then again I just want to do jobs that are fun! ![]() I also do a lot of drum recording the past few years, mainly because the "instant producers" find it hard to record drums at home in their bedrooms. DW |
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| | #7 | |
| Lives for gear Join Date: Jan 2007 Location: New Jersey
Posts: 5,942
| Quote:
I do love the mixing thing, but one of these days I want to just pull up the faders and sit back and smile.
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child "Holy crap that's LOUD!" vixen2yall "Sometimes invisible are these glistening threads........" Janni Littlepage Orient.....Organize.....Decide......Act Leonard Scaper The JD Leonard Band | |
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| | #8 |
| Gear maniac Join Date: Oct 2007
Posts: 266
| Put bluntly: mixing is more difficult, hence the demand for good mixers. Not sure if there is much of a career as a tracking engineer these days. Seriously... how many full-time professional tracking engineers are there? Not to say there in no art in tracking, but it's much easier to be a proficient recordist than mixer. |
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| | #9 | |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,848
| Quote:
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| | #10 |
| Lives for gear | Hans, great that you bring this up! Combining recording, mixing and producing is not always easy. Those three skills ask for a different state of mind. Switching between details and the big picture during mixing can be pretty difficult. Creating a new picture is nearly impossible when you are overly aware of all recording details and the decisions you made during recording. Your "problem" might also have to do with the lack of a producer, who sets the course to follow and comes up with ideas.
__________________ http://www.legacystudio.nl www.jorampinxteren.com www.facebook.com/joram.pinxteren |
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| | #11 | |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,386
| Quote:
For rock music - defo more tracking people than mixers... in fact I'd say there are more people making a living out of recording than mixing. RnB and Pop? dunno so much. A lot do it themselves at the low end - but on the big records? Still a lot of recordists out there. And mixing - compared to recording properly - is easier. Mixing has it's tough areas - but generally only with poorly recorded stuff. Doing recording of the ilk of movie soundtracks or great sounding rock demands a lot of skill and experience. So does the mixing mind you. | |
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| | #12 |
| Lives for gear Join Date: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,222
| i could be wrong but... i think you need a degree in engineering to be called an engineer. |
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| | #13 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,601
| Quote:
And in audio, on the job training is far more important than a degree these days. With a degree you can start a bonfire. Only part of audio engineering that requires a degree is archving, and that needs a Library Science degree! Many people will tell you a degree in audio is worse than useless, actually gets you nothing in the real world... Does it? L | |
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| | #14 | |
| Lives for gear Join Date: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,222
| Quote:
I have been a full time audio "technician" in the TV industry for over 12 years and I did not go to any kind of school or have any professional training for it. | |
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| | #15 | |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,386
| Quote:
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| | #16 |
| Lives for gear | I like to think I'm good at both, I enjoy tracking and mixing . As far what some of what was said, I think of mixing and for that matter production as an aural film, either you're doing a documentary or you're telling a story and creating an illusion. Figuring out the right ambience sometimes is tough, but when you get it right it's one of the elements that can take the song from a recording to being a "record". I also think to be a good mixer you have to think like a producer.
__________________ Lou Gimenez www.musiclabnyc.com |
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| | #17 | |
| Lives for gear Join Date: Jan 2007 Location: New Jersey
Posts: 5,942
| Quote:
That is the part I do so enjoy..........finding a place for everything, polishing the edges and bringing out the inherent goodness that may be hidden a bit. That part just becomes so much more effortless with better tracking. There's a catch 22.......by becoming a better recording engineer I'll give myself less of an opportunity to do something that I really enjoy. ![]() | |
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| | #18 | |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,848
| Quote:
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| | #19 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,601
| Quote:
Engineer is more like a train driver and less like a college graduate to me. Colloquial it may be but live depend on the engineer driving the train! The wiki definition says " The term is derived from the Latin root "ingenium," meaning "cleverness"." Years of school may be required for a degree like EE, but we who have spent years in training can use the term too, without the capital letters. Then there was the term domestic engineer for housewife, but that is a bit too far off. L PS to Jeff - I send equipment to a technician for repairs, but do not consider myself that. There is just too much art to doing sound for it to be merely technical to me. In studios I have worked in, the engineers made recordings and the technicians fixed the gear. Producers did nothing but handle people and concepts. Without the hands-on they are not engineers, to me. L | |
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| | #20 |
| Lives for gear Join Date: Jul 2007 Location: Groningen, Holland
Posts: 702
Thread Starter | That´s just it. What´s there to mix, man! |
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| | #21 |
| Lives for gear | I think my strong suit is definitely tracking, as i just have this knack for mic choice and placement and other elements of "getting the sound". I'm also a good "coach" so to speak, and i think i have a good personality to coax that special performance out of a musician. I'm also a big believer in tracking things in a way that when you push up the faders to do the mix, a lot of the work has already been taken care of in terms of the tone of the recorded tracks, and with certain things (vocals, bass) even the dynamics. For me, mixing is an ongoing learning experience. I get better all the time. I go back to old sessions that i did years ago and think to myself "what the hell was i thinking?" in terms of the routing, plug-in setup, gain staging, reverb choices and level, overall mix levels, etc. I also love watching other people mix to see how they approach various things such as EQ and compression, routing and levels/headroom. It's always an eye-opener when you see someone put together a bangin' mix using techniques that you've never even thought of before. Theres just so many ways to "skin the cat" so to speak. At my studio, we generally do about 50/50 i would say, which i am very happy with. I love both sides of the coin. thumbsupthumbsup
__________________ (after a train wreck take): (producer/talkback mic) "Did anyone hurt themselves?" ![]() Kinetic Sound Recording Studio Website coming soon! |
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| | #22 |
| Lives for gear Join Date: Aug 2009 Location: Toronto, ON
Posts: 858
| I feel I'm quite adept and creative at both, I am however trying to focus more on mixing and production than tracking, mainly because my facility is small and I cannot really do more than overdubs.
__________________ ![]() Michael Marucci Producer•Mixer•Engineer michaelmarucci.com michaelmarucci@gmail.com 519 476 4407 |
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| | #23 |
| Lives for gear Join Date: Feb 2005 Location: Montreal Qc
Posts: 1,498
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| | #24 | |
| Gear addict Join Date: May 2009 Location: Austin,TX
Posts: 391
| Quote:
Then why dont you go tell all the mojority of the "ENGINEERS" in the recording business that they are not really ENGINEERS since they didnt go to school and get an engineering degree. ![]() So what would you call "US"? ![]()
__________________ Ralph Waldo Emerson once famously wrote “If a man can write a better book, preach a better sermon, or make a better mouse-trap than his neighbor, though he build his house in the woods, the World will make a beaten path to his door.” | |
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| | #25 | |
| Gear addict Join Date: May 2009 Location: Austin,TX
Posts: 391
| Quote:
I also know plenty of people who own businesses and didnt go to school and get a business degree.Does that mean that they are not really a business owner.I think you are getting into semantics. | |
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| | #26 |
| Lives for gear Join Date: Feb 2005 Location: Montreal Qc
Posts: 1,498
| Call yourself soundguys.......... i hope you are not to confused |
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| | #27 |
| Lives for gear Join Date: Feb 2005 Location: Montreal Qc
Posts: 1,498
| Not the same, they don't call themeself ''business degree'' in there field. |
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| | #28 |
| Lives for gear Join Date: Aug 2009 Location: UK
Posts: 1,424
| Huh? I thought everyone was a "Producer" these days... |
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| | #29 |
| Lives for gear | |
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| | #30 |
| Lives for gear Join Date: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,222
| your right, if they own a business then yes, they are a "business owner" but that doesn't make them an MBA |
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