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| | #1 |
| Lives for gear Join Date: Sep 2003 Location: Ottawa
Posts: 822
Thread Starter | Any DAW with post-aux send channel inserts? Maybe a weird question, but I was thinking this morning that a cool effect to try would be to use a single reverb on an aux, but to have individual pre-delay control from the various channels being sent to the verb. I think this would give much better control over the position that an instrument occupies in the reverb space...better than just individual wet/dry level and global pre-delay. BUT, how would you accomplish this in a typical DAW mixer? Sees to me that you'd need a short delay available to insert on each channel's aux send prior to the summing point for the aux buss. I haven't looked at tons of DAW software, but don't imagine this is a typically available insert point for plug-ins. I'd rather not have to mult every track that I want to try this to in order to send individually delayed signals to an aux. There's gotta be a way..... Any ideas? Cheers Kris |
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| | #2 |
| Lives for gear Join Date: Dec 2006 Location: Dallas
Posts: 1,044
| In most DAWs you could just copy the regions to another track - pre-delay that track and send it to the reverb pre fader and then mute the channel the signal is being sent from. Programs like Logic offer a lot more flexibility in routing and would offer other solutions
__________________ "Don't even pick up the phone to book me without porn in your socks" - Me |
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| | #3 |
| Lives for gear Join Date: Jul 2006 Location: B'ham, AL
Posts: 998
| Reaper. Does this with ease. |
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| | #4 |
| Lives for gear Join Date: Dec 2006 Location: Dallas
Posts: 1,044
| Cool. I've heard nothing but praise for Reaper. |
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| | #5 |
| Gear nut | It would be a bit of a headache for multiple tracks but you could do an aux send from your source track to a bus with a delay plugin and route that to your reverb. |
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| | #6 |
| Lives for gear | If I understand what you're doing correctly, you would set up separate auxes for each delay and have sends from your tracks going to those. Then it would simply be a matter of routing the outputs of the delay auxes to another aux with a verb on it, no? Or if you really wanted to get complex you could mute the outputs of the delays and use prefader sends to send a different volume from each delay to a couple or more different reverbs I suppose. You could do that easily in Pro Tools or Harrison Mixbus/Ardour (which has the most flexible routing I know of). I imagine this wouldn't be hard to do on most other DAWs either, I'm just not familiar enough with all of them to say. |
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| | #7 |
| Lives for gear Join Date: Aug 2008
Posts: 2,442
| The best solution would be if someone just came up with a multi-input plug-in format. Why in this digital age are we still using the mono/stereo paradigm for plug-in inputs, when so much more is possible? Edit: You read it here first folks, I expect a free copy of any plugs released with this technology ![]()
__________________ "No, I'm playing all the right notes, just not necessarily in the right order" |
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