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| Lives for gear | I'm finally doing it. I'm getting rid of my computer.
Ok, so I'm exaggerating slightly, I'll still own a computer, but I'm pursuing my dream of having a completely computer-less recording set up in 1 room of my house. I'm a 20 year old, digital-age musician/producer, and never in my life have I made music without a little or a lot of help from the digital realm. As an experiment and experience to grow and have a little bit of fun, I'm building a budget, 100% analog recording rig. There won't be a computer in the room whatsoever. (Although, down the hall, I'll still have this little setup. However, I intend on making many recordings on this old school setup completely without the computer involved.) At the center of the rig will be a TASCAM 38 8 tape machine and a TASCAM Series 5 mixer. I need help deciding on what other gear to get. This project studio isn't supposed to sound good, just old. What are some cheap old mic pres and compressors that were common around the time of these two units? The mixer has built in mic pres, so I could use those, the main thing I need is some compression. Not expensive, just old and crappy. Any suggestions? Is the Standard Audio Level-Or an accurate tribute piece? Lo-fi is good. The most expensive piece I'll probably add to this setup is an 1176, since I've been intending to get one for my main rig anyway. At the end of the day, I'm hoping to have a fully functional, completely independent vintage, analog setup for under 1k, although I'll probably go over just to add some other fun stuff. |
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| | #2 |
| Lives for gear |
Im happy for you. I kind of want this too, just that I feel that making good electronic music is really hard without a computer |
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| | #3 |
| Lives for gear Joined: Jul 2007
Posts: 3,005
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You Rock! I'm sure the tape machine will provide you with some suitable compression. Try only using the mixers pres. And if you don't already have one, an analog delay. I'm on the list for your first recording with this new and "improved" setup. thumbsup steelyfan
__________________ Oh no, I like both kinds of music.......Country and Western. Music I'm working on here: http://www.myspace.com/eucalyptuspond Paintings: http://shannonjsimmons.wordpress.com/ |
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| | #4 |
| Lives for gear Joined: Aug 2005 Location: USA
Posts: 1,122
| Good for you. I am impressed to see someone younger who is willing to do the extra work and learn the craft. Best of luck to you.
__________________ If you want to know what god thinks of fame, look at who he gives it to. "Are you following me camera guy?" ~Vince from Sham-WOW "Infernal Device, enjoy your 121!!!" ~RawBeanZen 1-08-2009 on the "MORE FREE STUFF" thread |
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| | #5 |
| Gear maniac Joined: Feb 2008 Location: Northeast Florida
Posts: 294
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Sweet. I plan one day do the same except with HAM radio gear. Just some tips for ya: I suggest either inspecting or hiring some one else to inspect, test, and replace broken or malfunctioning components in your mixer and 8-Track. Best get busy learning how to cut 1/2" tape. Learn how to line up, clean, and care for a multitrack. Get into the habit of writing recall sheets and organizing your work and master reels. Good luck.
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| | #6 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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i think i'll get rid of my fridge and oven and make a root cellar and fire pit
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia |
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| | #7 | |
| Lives for gear | Quote:
My feeling is that the oven is good for most things, but damn, certain things really taste good in that fire pit, as long as it fits in your house. ![]() Good luck on the setup, I'm just delving into tape myself, I scored an Otari MTR-12 really cheap about two weeks ago, learning to use the thing right now, but I'm still gonna track some stuff in the DAW and do edits in the DAW. I really think a hybrid is the best of all worlds, I can't really imagine any benefit to cutting tape unless someone concocts some abstract 'learning the ropes' aspect to it. ![]() In this thread I started the other day, a guy mentioned that he used an old Soundtracs console, not sure what the prices are, but he made it sound like they go for cheap these days.
__________________ Experience: Musician - 20 years, Electronics Tech - 13 years, AE - 5 years Read this stuff: Ethan's Acoustics Guide DIY Bass Traps Plans Drum Tuning Bible Slipperman's Guitar Guide Ermz's Mixing Guide | |
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| | #8 | |||
| Lives for gear | Quote:
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Haha, fire pits rule! | |||
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| | #9 | |
| Lives for gear | Quote:
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| | #10 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,263
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I just looked at your studio pics. dude, you have a lot of expensive gear for someone who's only 20 - did you have a successful hit or did you start selling drugs when you were 11?
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| | #11 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| Quote:
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| | #12 |
| Lives for gear | I was briefly on Island Records, I sold a decent number of albums, and I've toured pretty much non stop for 3 or 4 years.
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| | #13 |
| Lives for gear Joined: Mar 2007 Location: Saskatchewan / Canada
Posts: 1,946
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I checked out yer my space - cool stuff!
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| | #14 |
| Gear Guru |
Hey, Zepplin used a firepit on some of their albums.
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| | #15 |
| Lives for gear |
One thing to remember about older gear. Some multi tracks have photo sensitive controls. That means, when sunlight hits them, they have a habit of turning themselves off and on. I'm not sure if your tape deck does, but the Klark Tekmis i started on did and it caused much head scratching till i noticed that, when someone walked in front of the window blocking the sunlight, the tape started up again..
__________________ http://www.myspace.com/tubilahdog |
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| | #16 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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| | #17 |
| Lives for gear | |
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| | #18 |
| Lives for gear Joined: Dec 2002 Location: CARMEL
Posts: 1,547
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Still no real PC/Mac in our studios --- the Roland VS Daw is about the speeed of a 24trk 2in --- so not going any further with the computer world ---- Music should take time to create --66 bus speed / DOS & slow scsi drives >> gives the clients plenty of time to catch their breath and collect their creativeness ...........wish our clients could afford tape --- would fire the Tascam 38 back up ////
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| | #19 |
| Lives for gear Joined: Oct 2004 Location: Chichester UK
Posts: 3,025
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| | #20 |
| Gear maniac Joined: Feb 2006
Posts: 187
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Still got my old splicing blocks, and a splicing tape dispenser. I don't have a 2" but I still have a 38 and a 32. I've really been thinking of selling my DMX R100 and going back to an analog console. AS far as recording I'm really happy with Nuendo but I think I would be happier with great converters and a great console to go with my out board gear. I'm getting really close to pulling the trigger. SOMEBODY STOP ME BEFORE I GO WAAAY IN DEBT! Every piece I have is paid in full. When I think of dropping a 100 G's I get weak in the stomach. Especially since this is my private play house! Larry
__________________ www.larryhoward.com |
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| | #21 | |
| Lives for gear Joined: Mar 2006
Posts: 6,131
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Btw, the sound you'll get with Tascam won't be the sound of studios of the day ...but the sound of home studios of the day ..just to let ya know. | |
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| | #22 |
| Lives for gear Joined: Apr 2007
Posts: 827
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dbx 16* Fnd why don't you build yourself a plate delay of some kind? |
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| | #23 |
| Lives for gear | I wasn't expecting it to sound great, but can you elaborate further on this? Super dark? Super thin? How would you describe the sound?
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| | #24 |
| Lives for gear Joined: Jul 2003
Posts: 4,536
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Or you could check around to see who's got analog decks they wanna get rid of. Recently a friend of mine got THREE Studer A827's for the price of 'please get rid of these for me'.... so they're out there... lol MCI JH-24's are pretty simple and easy to maintain, I'm told.... and cheap too.
__________________ THE MPCIST ![]() |
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| | #25 |
| Gear addict Joined: Jul 2008
Posts: 353
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Great tracks on myspace, wanna hear the tape ones!
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| | #26 |
| Gear addict Joined: May 2009 Location: Texas
Posts: 460
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Hunter this is quite a rad untertaking ! cant wait to get a hold of the analog rebellion cd |
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| | #27 | |
| Lives for gear | Thanks! Oh you'll hear them. And you'll say "WHAT IS THIS RUCKUS WITH TAPE HIS AND NO HIGH END??" Quote:
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| | #28 | |
| Lives for gear | Quote:
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| | #29 |
| Lives for gear Joined: Nov 2009
Posts: 880
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Really, good luck with that. There are days I'd love to toss the computer in the bin...but then if you're talking a Tascam series 5 mixer from the 80's. I worked on those many years ago. And you are correct in assuming it's probably not going to sound good. L. |
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| | #30 | |
| Lives for gear Joined: Mar 2006
Posts: 6,131
| Quote:
"Dangerous" ditty below was recorded on cassette Portastudio, SM57, and mixed on headphones. | |
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