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| | #1 |
| Gear nut Join Date: Mar 2009
Posts: 103
Thread Starter | I'm working with a female singer that have a acute voice. Almost like a child voice... She sing very well But to mix it is complex My vocal chain is : Mic: Rode NT2-A (wich I had a Neumann U87) Pre-amp : Summit Audio 2ba-221 Do you have any tips on mixing a acute voice?? |
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| | #2 |
| Lives for gear Join Date: Jun 2006 Location: Simi Valley, CA
Posts: 516
| We may need more information. Maybe post an example of what she sounds like. Is the voice bright (edgy)? Then EQ will tame it down a bit. A plugin channelstrip or tape/tube warmer plugin could also soften it. If it's weak (childlike?), try doubling or cloning the track and adding some delay or chorus to the second track. Good luck. |
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| | #3 |
| Lives for gear Join Date: May 2008 Location: France
Posts: 1,740
| What do you mean ??? Something like Cindy Lauper ?? ![]() |
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| | #4 |
| Gear nut Join Date: Mar 2009
Posts: 103
Thread Starter | Sorry I can't provide sample since it's copyrighted but Yes It is even more acute then cyndi lauper. I tough about removing some mids in the EQ. Since it's the major problem. I'm looking to mix her voice as the primary object in the song So I try to put her voice as confortable for the listener even at a high volume. I have tryed the WaveArt Tube Saturator It's good. But it seem like a can't make the voice standing out with little spralkle (great voice detail and nice clear high frequency). if I remove the mids, and if I don't remove it it's hard for the hear. |
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| | #5 |
| Gear addict Join Date: Dec 2008
Posts: 473
| If you have time to re-record, try a ribbon mic. Might just be the ticket. If she's really acute, post some pics... |
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| | #6 |
| Lives for gear Join Date: Jun 2002 Location: New York
Posts: 9,248
| Instead of EQing, how about a de-esser tuned to the mids that you find painful? it could kick in when they got to be too much and stay out when they were normal.
__________________ . “What you ask about is music. What you like is sound. Now music and sound are akin, but they are not the same.” — Confucius |
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| | #7 |
| Lives for gear | Is she cute? Shrill voices....hard to deal with. You don't want to change her sound so much that she's unrecognizable, but you might try a multiband or sidechained comp to treat just the frequencies where she's too cutting. You might try getting a vocal coach in to coach her through shaping her sound for these performances. Scooping her voice with EQ alone might just take the guts out. Hard to tell without hearing it, though.
__________________ I'm not a producer, but I play one on Gearslutz.com |
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| | #8 |
| Lives for gear | I find that shrill 'pain' lives somewhere between 2.5-4k. Maybe set a de-esser down there to keep the piercing stuff down. And as someone said previously, doubling may soften & warm her up. Compression |
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| | #9 |
| Gearslutz.com admin | A FOCUSRITE 115 series eq is good for removing 2 seperate mid frequncies at a narrow enough eq on a female vocal to still leave some of it left. I would say it could be a great hardware repair tool for this situation.
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #10 |
| Gear nut Join Date: Mar 2009
Posts: 103
Thread Starter | Do you think buying a neumann u87 will resolve the problem? I tryed to work the eq on voice sample of the u87 here on gearslut And it's really easy to bring the details without the mid starting to have a "phone effect" |
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| | #11 | |
| Lives for gear Join Date: Jun 2002 Location: New York
Posts: 9,248
| Quote:
you will get another vocal done and you will learn if the mic works on your problem in fact go to a studio that has a selection of nice mics -including some ribbons | |
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| | #12 |
| Lives for gear Join Date: Aug 2006 Location: Rapid City, SD
Posts: 596
| here is some Ideas: 1. have one mic has the primary mic she sings through, and have another one (like a condensor of any size, but different or even an SM57 if you have a good enough preamp for the gain required.) on a guitar stand below the other mic pointing up (45-60 degree from horizontal ) tack it in, Eq and compress the tracks differently if you need to. 2. duplicate track in the DAW, compress and EQ differently
__________________ In live sound, we make the band one with the environment, In recording, we define the environment in which the vision of the song is recorded. |
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| | #14 |
| Lives for gear Join Date: Jan 2008 Location: Philly/New York
Posts: 4,795
| NT2A will probably exacerbate the problem. There's a brassiness living in the 2.5-5k zone, which seems to be common of rode mics in general. Not good if she's concentrating her frequencies into that range. Acute Female vocalist. Askher if she's single? Hahahahaha. Stupid pun. Stupid stupid pun.
__________________ I have a new website - check it out: www.Weiss-Sound.com Member of The Pyramid Recording Collective. Grammy Nominations, Platinum & Gold credits, yeah... we got that. |
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