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Mixing vs Recording Consoles
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Freedomof81
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9th November 2009
Old 9th November 2009
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Mixing vs Recording Consoles

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Last edited by Freedomof81; 28th December 2009 at 08:35 PM.. Reason: Wrong Post
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9th November 2009
Old 9th November 2009
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Quote:
Originally Posted by Freedomof81 View Post
Most SSl's are primarily for mixing and do not have pre's. .
Who ever told you this, is a person you should no longer rely on or trust for information about recording.

There is no difference between a tracking and mixing desk. Some people prefer one brand for tracking and another for mixing, many people prefer to use the same console for both.
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Freedomof81
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9th November 2009
Old 9th November 2009
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oh. Well I just noticed that there's a few models of SSL's that do not have pre's... Matrix, AWS 900+,...

These are some nice boards that are just for mixing.
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9th November 2009
Old 9th November 2009
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Quote:
Originally Posted by Freedomof81 View Post
oh. Well I just noticed that there's a few models of SSL's that do not have pre's... Matrix, AWS 900+,...

These are some nice boards that are just for mixing.
not positive about the AWS 900, but the Matrix is intended to use with outboard pres.

I think the question at hand should be, why some people prefer various boards for mixing vs tracking
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Freedomof81
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9th November 2009
Old 9th November 2009
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yes absolutely which console and why?
also, how are they routed for mixing vs recording?
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9th November 2009
Old 9th November 2009
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The AWS has 24 mic pre's and is a wonderful tracking desk. its nice for mixing too.

I think someone is dishing you mis information based on what they heard and not what they experienced. However, back in the olden days before cellular telephones and when people still used these things called tape machines, i used to prefer tracking on an old neve and mixing on an SSL, though the mixes did actually do on old Neve's often sounded wonderful, and the tracking i did on SSL's wasnt half bad either.

I think the person behind the desk makes about 1000% more difference in the quality of the mix than the gear does, but dont get me wrong, gear matters to an extent. but great gear in mediocre hands will usually produce mediocre results.

Further to your question, i think a weel rounded studio should have a console that can do both tracking and mixing well. most good consoles cover that spread.
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9th November 2009
Old 9th November 2009
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Many people move rooms between tracking and mixing because:

- it can be more expensive to rent a room with a large tracking space if you're not actually going to use it.

- some studios aim themselves more towards tracking - for example, if a room has lots of great mic pres/compressors/eqs, but not many outboard delays/reverbs etc, you might not want to mix there.

- some boards don't have automation - less necessary now maybe than previously, but many people still want it.

- some consoles have total recall, which can be important for some, especially if you're a dedicated mix engineer working for big name clients who expect tweakability.

- some people just like to be in a different space, with different monitoring etc.

As for "which console", people like SSLs for recall, dynamics section, EQ, mixbuss compressor, overall sound, flexability in routing etc. Other people like Neve consoles for the same reason (although modern Neve dynamics sections probably aren't held in the same regard as the SSL dynamics, at least not with the engineers I know).

Some are prepared to sacrifice the flexibility of recall, automation etc for the sound of a vintage console (often used as a big eq-able summing amp).
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9th November 2009
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Quote:
Originally Posted by Freedomof81 View Post
how are they routed for mixing vs recording?
recoridng:

mic pre - channel path (eg eq/dynamics/insert point) - routing matrix - tape/daw.
output from tape/daw to monitor path - mix buss

mixing:

output from tape/daw - channel path - mix buss - two-track machine.

routing matrix can be used as extra FX sends or subgroups.

that's the basics...everything else varies from person to person.
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