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| | #1 |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 6,978
Thread Starter | Sad Moments In Audio History Young band being given a studio tour. Upon surveying the control room, a member excitedly marvels over the console. Grabs a fader and moves it up, just for the sensation. Exclaims "It's like Pro Tools, but... in physical form!" No joke. You are now free to hang your head in shame. - c
__________________ now chirping at twitter.com/beautypill www.soundcloud.com/beautypill |
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| | #2 |
| Lives for gear Join Date: Oct 2009 Location: Cardiff & Bath, UK
Posts: 1,280
| But he's right you know... ![]() |
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| | #3 |
| Gear nut Join Date: Jun 2004
Posts: 134
| How about this... Young band insists to help engineer in the vocal booth, and sets up a mic they know by themselves. Engineer, staying in the control room, then sets up the gain etc. and orders "take"... Vocalist begins to sing but suddenly gets all grumpy and starts a scene, complaining that the mic sounds terrible on his voice and demands a mic change. Upon hearing that strange but familiar sound, engineer rushes into the booth and twists the mic around, and gives young vocalist guy the wink... The mic was facing the wrong way... |
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| | #4 |
| Gear addict Join Date: Apr 2007 Location: poland
Posts: 404
| I would never let any band go any where near my mics. |
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| | #5 | |
| Lives for gear | Quote:
Yeah, it figures. We've gotten to that point, haven't we. ![]() dfegad ![]() ![]() ![]()
__________________ (after a train wreck take): (producer/talkback mic) "Did anyone hurt themselves?" ![]() Kinetic Sound Recording Studio Website coming soon! | |
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| | #6 |
| Lives for gear | Omg, it's not the end of the world, you know... Seriously..."sad moments in audio history"? Get over it already. ![]()
__________________ @gorillainthemix |
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| | #7 | |
| Lives for gear | Quote:
__________________ Larry DeVivo Silvertone Mastering, Inc. 518-581-8141 www.silvertonemastering.com To see some of our work please click on any of the visual trailer montages located at... http://robertetoll.com/ (all music and sound effects were mastered by Silvertone Mastering). | |
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| | #8 |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,871
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| | #9 |
| Lives for gear Join Date: Sep 2006
Posts: 500
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| | #10 |
| Lives for gear | happens every once in a while... i setup a side address mic for vocals and then the vocalist twists it so it's facing him... i then tell the vocalist not to touch any microphones... ever... |
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| | #11 | |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,464
| Quote:
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| | #12 | |
| Lives for gear Join Date: Jan 2008
Posts: 763
| Quote:
SS, my boy Isaac is 7 years old, I bought him "The Battle Of Britian" on DVD (it's an old WW2 movie) Anyway the into scene is a couple of beautiful Spitfires swooping down out of the sky and over the camera man at a low level .... fantastic stuff. My boy turns to me and says "Wow fantastic graphics dad" I just hang my head. TMY
__________________ "Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us." (quote) Bill Watterson | |
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| | #13 |
| Lives for gear Join Date: Nov 2007
Posts: 2,230
| Using samples instead of real instruments is much sadder, actually. And nobody comments on that anymore.dfegad
__________________ "You've got to Dig it to Dig it, you Dig?" Thelonious Monk |
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| | #14 |
| Lives for gear Join Date: Sep 2007 Location: Birmingham/UK
Posts: 1,072
| I had a young lad come into my studio and ask me what i did with all those guitars hanging on the wall , i say play them of course ! his reply was "oh i thought they were for decoration " ![]() ![]() |
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| | #15 | |
| Lives for gear Join Date: Jun 2002
Posts: 1,443
| that's no "engineer" . . . . if he let's someone else set up the vocal mic or at least doesn't check to make sure it's set up properly before they do a "take". The vocal is 'semi' important. *smile* Quote:
__________________ Knox | |
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| | #16 |
| Gear Guru Join Date: Mar 2005 Location: Long Beach, CA
Posts: 14,279
| Well... that certainly cuts down on plosives and prox effect. And they help break up early reflections.
__________________ day job | A Year of Songs | music and social stuff | mutant pop on facebook | roots acoustic on facebook |
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| | #17 |
| Lives for gear Join Date: Sep 2007 Location: Birmingham/UK
Posts: 1,072
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| | #18 |
| Lives for gear Join Date: Dec 2003 Location: NYC
Posts: 573
| When I was 18 I would have done anything to have pro tools at home in my bedroom. As it was, I occasionally had the opportunity to use studios (stand back, don't touch). I was stoked to see a four track tape machine. Young guy sees pro tools before he sees a large desk. I don't think that's particularly sad. |
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| | #19 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
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| | #20 | |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,871
| Quote:
__________________ Compress everything so it's amplitude is basically smooth like a square. - Kupiti | |
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| | #21 | |
| Gear nut Join Date: Sep 2009
Posts: 75
| Quote:
Depends on the context at least. I've often heard of people recording real strings or horns and processing/editng it to make it sound more like a sample. | |
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| | #22 |
| Lives for gear Join Date: Dec 2003 Location: NYC
Posts: 573
| Except this guy did just get to see a real desk. There is no less chance of any kid seeing a real desk. In fact if he enrolls onto one of these courses you hear about, he can spend 3 years all over a real desk. |
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| | #23 |
| Gear Guru Join Date: Nov 2005 Location: S.Carolina
Posts: 11,066
| Now that I think over the many years, I don't either, they are under lock and key every time they are not being used. Other than my drum mics that stay in place at all times.
__________________ Don't Fu*k with my Tone !!!. I need a spell check app ![]() API~ Dan Alexander~ Fuchs~ John Hardy ~JLM ~Studer 089 Fuchs Amps = Amazing Tone !! |
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| | #24 |
| Registered User Join Date: Nov 2008
Posts: 1,084
| the master is great, but can we get it louder? We would like it mastered louder than any other CD. |
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| | #25 | |
| Lives for gear Join Date: Jun 2006 Location: Massachusetts
Posts: 6,406
| Quote:
Atleast you can get mixdown out of a DAW | |
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| | #26 |
| Lives for gear | A guy samples my record, then sues a group that samples his sample of me......and they pay him instead of me. |
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| | #27 | |
| Lives for gear Join Date: Jun 2006 Location: Massachusetts
Posts: 6,406
| Quote:
Is that like taking a photograph of a photograph and then when someone uses the photograph of the photograph without permission? Man your case could go to the supreme Court. That's some serious legal philosophy to undertake. | |
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| | #28 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
| not that side of sampling. The "buy the East west crappy strings and make a symphony" kind..... |
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| | #29 | |
| Lives for gear Join Date: Oct 2006 Location: london
Posts: 5,871
| Quote:
Daniel Lanois Interview (insight for the independent artist) | |
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| | #30 | |
| Lives for gear Join Date: Sep 2005 Location: St. Louis MO
Posts: 2,636
| Quote:
Why are you hanging your head? Your 7 year old has a complex enough vocabulary to use words like "fantastic" when describing what he thinks are video game or computer generated graphics. Must be a pretty incredible WWII film if he thought the "graphics" were that "fantastic". | |
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