28th October 2009
|
#1 | | Lives for gear
Joined: May 2007 Location: Los Angeles
Posts: 2,914
Thread Starter | Producer RedOne
I am curious to know who knows much about RedOne. Seems to be the quiet achiever in Pop music lately. What I know is that he is former Cheiron camp. He is ripping it apart with lady Gaga, Akon etc.
I am curious to know if anyone knows info on what system he uses, techniques etc. Bring it on SLutz.
|
| |
28th October 2009
|
#2 | | Moderator
Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 16,337
| Quote:
Originally Posted by CJ1973 I am curious to know who knows much about RedOne. Seems to be the quiet achiever in Pop music lately. What I know is that he is former Cheiron camp. He is ripping it apart with lady Gaga, Akon etc.
I am curious to know if anyone knows info on what system he uses, techniques etc. Bring it on SLutz. | Might be a better question for the Hip Hop forum slutz.
|
| |
28th October 2009
|
#3 | | Lives for gear
Joined: May 2007 Location: Los Angeles
Posts: 2,914
Thread Starter |
Yeah ur probably right Tony. Maybe we can see how this thread goes on this and could you please shift it to HipHop Tony if this doesnt get too much info? Maybe there isn't on the guy. But seriously, he is all over KIIS FM and all over the radio in Europe and the rest of the world with all the pop stuff he is doing etc. His work is very mainstream pop with definitely that Swedish influence. Just want to know if anyone out there can shed some light... Quote:
Originally Posted by TonyBelmont Might be a better question for the Hip Hop forum slutz. | |
| |
28th October 2009
|
#4 | | Gear interested
Joined: Mar 2006 Location: San Francisco
Posts: 27
| redone
Met RedOne in Stockholm when I was doing touring work with ATEENS 99-2001. He is a super nice person and super talented. It is about time for his star to shine. That Cheiron school ethic it amazing! He was on Logic at that time with Protools interface. Using a Manley Gold Reference mic and I think he had an Avalon pre.
In Stockholm he was working in a small studio with vocal booth. Kind of a Brill building set up. A long hallway with five or six studios in a row. Each studio shared a vocal booth if I remember correctly.
Keep it up RedOne.
__________________
smokeandmirrors
|
| |
22nd December 2009
|
#5 | | Gear addict
Joined: Jun 2009 Location: Virginia
Posts: 327
|
woah, he must've come a long way. he's been producing for like 10 years i'm sure. i don't think think he was a member of cheiron but he did however introduce Rami and Max which if that didn't occur "It's Gonna Be Me" wouldn't have been made!
__________________
MichaelKhan.com
|
| |
26th December 2009
|
#6 | | Gear interested
Joined: Sep 2009
Posts: 29
|
I really love what he's done. Is there any place where I can read or see an interview? I'd be interested in learning more about his gear and techniques!
|
| |
26th December 2009
|
#7 | | Lives for gear
Joined: Oct 2007 Location: N.Y.C.
Posts: 2,892
|
[QUOTE=lgmr;4922591]I really love what he's done. Is there any place where I can read or see an interview? I'd be interested in learning more about his gear and techniques |
| |
9th January 2010
|
#23 | | Lives for gear
Joined: Oct 2005
Posts: 1,465
|
I used to work a lot with him! He's a logic guy, a softsynth guy... He hated protools i remember.. His vocal production was very clean and tight, he'd tune the vocals immediately following the takes..fast. WIth tracks he just sort of would audition a long list of percussion loops and sounds, very quickly, and throw in anything that worked. I remember thinking "man, i spend ALOT more time considering exactly WHAT I want in my tracks!" Maybe he was just that fast or maybe he just didn't want to overthink I don't know.
At the time the neptunes were HUGE, and Little Jon, and I remember the whole school of thought being kind of a minimal approach, with less sounds that were carefully selected rather then pads and layers, and here's this guy just throwing in sounds upon sounds! He used to tell me the AnRs would say his stuff was too "Euro."
Then of course, he blew the fuk up, and now I'm....yes... layering sounds upon sounds lol...
Couldn't happen to a nicer guy tho.. The guy is just RIDICULOUSLY sweet and kind. I definitely learned a lot, not so much from his musical stuff but just his attitude.. COMPLETELY positive, COMPLETELY sure he would make it. I think that has more to do with his success then anything, and that goes for EVERYONE!
|
| |
9th January 2010
|
#24 | | Lives for gear
Joined: May 2007 Location: Los Angeles
Posts: 2,914
Thread Starter |
man.. thanks for the summary. Its heartfelt. A cubase guy and work in a positive similar work flow (cant stand Protools myself and sometimes overdo layer way too much synths) and have been dissed for it.. now i know its all about the music  thanks!!
Love the J Brazil stuff man... Best since Cyndi!!!! Keep it up!! Quote:
Originally Posted by filterayok I used to work a lot with him! He's a logic guy, a softsynth guy... He hated protools i remember.. His vocal production was very clean and tight, he'd tune the vocals immediately following the takes..fast. WIth tracks he just sort of would audition a long list of percussion loops and sounds, very quickly, and throw in anything that worked. I remember thinking "man, i spend ALOT more time considering exactly WHAT I want in my tracks!" Maybe he was just that fast or maybe he just didn't want to overthink I don't know.
At the time the neptunes were HUGE, and Little Jon, and I remember the whole school of thought being kind of a minimal approach, with less sounds that were carefully selected rather then pads and layers, and here's this guy just throwing in sounds upon sounds! He used to tell me the AnRs would say his stuff was too "Euro."
Then of course, he blew the fuk up, and now I'm....yes... layering sounds upon sounds lol...
Couldn't happen to a nicer guy tho.. The guy is just RIDICULOUSLY sweet and kind. I definitely learned a lot, not so much from his musical stuff but just his attitude.. COMPLETELY positive, COMPLETELY sure he would make it. I think that has more to do with his success then anything, and that goes for EVERYONE! | |
| |
9th January 2010
|
#25 | | Lives for gear
Joined: Oct 2005
Posts: 1,465
| Quote:
Originally Posted by CJ1973 man.. thanks for the summary. Its heartfelt. A cubase guy and work in a positive similar work flow (cant stand Protools myself and sometimes overdo layer way too much synths) and have been dissed for it.. now i know its all about the music  thanks!!
Love the J Brazil stuff man... Best since Cyndi!!!! Keep it up!! | LOL thank you man!
|
| |
23rd January 2011
|
#26 | | Gear Head
Joined: Dec 2010 Location: Los Angeles, California
Posts: 32
| redone Quote:
Originally Posted by filterayok I used to work a lot with him! He's a logic guy, a softsynth guy... He hated protools i remember.. His vocal production was very clean and tight, he'd tune the vocals immediately following the takes..fast. WIth tracks he just sort of would audition a long list of percussion loops and sounds, very quickly, and throw in anything that worked. I remember thinking "man, i spend ALOT more time considering exactly WHAT I want in my tracks!" Maybe he was just that fast or maybe he just didn't want to overthink I don't know.
At the time the neptunes were HUGE, and Little Jon, and I remember the whole school of thought being kind of a minimal approach, with less sounds that were carefully selected rather then pads and layers, and here's this guy just throwing in sounds upon sounds! He used to tell me the AnRs would say his stuff was too "Euro."
Then of course, he blew the fuk up, and now I'm....yes... layering sounds upon sounds lol...
Couldn't happen to a nicer guy tho.. The guy is just RIDICULOUSLY sweet and kind. I definitely learned a lot, not so much from his musical stuff but just his attitude.. COMPLETELY positive, COMPLETELY sure he would make it. I think that has more to do with his success then anything, and that goes for EVERYONE! | what does he use to tune vocals? melodyne or auto tune?
|
| |
24th January 2011
|
#27 | | Lives for gear
Joined: May 2007 Location: Los Angeles
Posts: 2,914
Thread Starter | Quote:
Originally Posted by BrettEffinThomas what does he use to tune vocals? melodyne or auto tune? | I would think his ears first 
Then either or.....I personally hear Melodyne in there. Autotune is usually sounding more colored.
|
| |
11th February 2011
|
#28 | | Lives for gear
Joined: Jan 2006 Location: US/UK/Switzerland
Posts: 586
|
resurrecting this thread,
funny thing I become interested in Redone the day I knew he is coming from my origin country Morocco, from a little town called Tetouan , and migrated to Sweden later on.
You have to imagine for US based people it's like if a Peru guy arrives to L.A without any connections or money and did become famous because of its talent and nice positive attitude.
The American dream somehow!
Good thing now he is supporting cultural program in our country (for French speaking people you can read here his contribution RedOne - Génération Mawazine )
Looking forward to see how he will evolve in this businessthumbsup Well done "khouria" (brotha' in Moroccan language)
|
| |
11th February 2011
|
#29 | | Lives for gear
Joined: Dec 2007 Location: Sweden
Posts: 1,354
| |
| |
9th August 2012
|
#30 | | 3 + infractions, forum membership suspended.
Joined: Oct 2010 Location: stockholm
Posts: 1,196
| Quote:
Originally Posted by CJ1973 I am curious to know who knows much about RedOne. Seems to be the quiet achiever in Pop music lately. What I know is that he is former Cheiron camp. He is ripping it apart with lady Gaga, Akon etc.
I am curious to know if anyone knows info on what system he uses, techniques etc. Bring it on SLutz. | cheiron camp? can you explain more
and who is better/ doctor luke or red one!!!!! hm?
|
| | | |