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| | #121 | |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Quote:
That's why you will see so many people who after his post say, don't feed the troll.
__________________ Hybrid mixing is the present for some and the future for us all! http://petesplaceaudio.com/ Mark VIII/BAC-500/Electrodyne 501 Mic Pre/511 EQ/Blast Pad | |
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| | #122 | |
| Gear maniac Joined: Feb 2006 Location: Australia
Posts: 288
| Quote:
Yury | |
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| | #123 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
Oh ok? Are you Greek God of DAW's? or are you related to Nostradamus? or Just a person who makes up stuff off the top of his head? DATA? FACTS? Articles...? Seriously give me some DATA not opinion. Lastly maybe I was off topic a bit but I asked the question 'Which tool is more powerful?' not which tool has more bugs | |
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| | #124 | ||
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
big difference Quote:
Disagreement is not always accompanied by argument. the troll thing is a cop out. It's like a 5 year old who wakes up on a Monday morning and doesn't want to go to school Mommy comes in his bedroom so he starts crying to avoid the inevitable? The inevitable here is you guys trying to prove me wrong. AND YOU NEVER DO. Hence the Troll copout we'll call it the Troll Cop out rescue plan. When no facts or rebuttal are available you can always resort to the Troll Cop out rescue plan. Well it doesn't work At this point what difference does it make? My records sound like they sound and your sound like they sound PT or no PT Nuendo or no Nuendo it's a moot point. I have to give you a way out that's the sad part of this. I forfeit! satisfied? But my numbers are posted. The My DAW analysis is published Just try and refute it. Oct 1 2009 250 tracks.......... The day the truth will be told Nuendo topples PTHD and hard. It will be like Vince Wilfork tackling Ryan Seacrest. There will be blood everywhere. It won't be pretty but it will make a statement no doubt. over and out boys. School starts Tomorrow 8am. First class Differential Equations then Assembly language a 10:30 and then advanced Data Structures at 1pm EST. this is my last post until Oct 1.................... I'll hit the books You guys hit the bricks | ||
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| | #125 | |
| Lives for gear Joined: Apr 2006
Posts: 4,918
| Quote:
Can you run Cuemixes with effects as well as HD though? Just askin. I know we have direct monitoring. What I/O are you using BTW?
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| | #126 |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Okay here are some easy to find facts...
If all Allen wanted was facts it takes 30 seconds to find this out on the Digidesign website. Pro Tools|HD Core Systems In the real world Pro Tools goes head to head with every system out there. I've used RADAR. They are sonically better A/D/A than the 192's. But in the real world of making modern records they fall dramatically short. When I work on a RADAR with large scale projects it slows the creative process down significantly. And as for Native systems, you could look at Pro Tools as a Native system or TDM. It works either way. No matter how much TDM processing you use, you still have all the Native horsepower in reserve. So I really don't get people who only tout Native. There will ALWAYS be more power on TDM. And Yuri, my substantial investment as you called it was around $15,000. I spent $10k on the HD upgrade and then another $5k on plugins and computer. It paid for it's self in the first 3 months. That was 5 years ago. There are STILL Mix Plus systems in use today. Hard to believe but they are. People are still getting value out of Digidesign hardware. And IMO if you buy smart, you can get the systems to pay for it's self in no time. So I don't buy this crap about "it's all hype." It might be hype where Allen lives. But where I live, it's my daily bread and butter income. |
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| | #127 | |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Quote:
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| | #128 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
it's just like tape deck deck? It's not all hype here guys make money with it? My mentor out here loves PT users since 93/94. He record Aerosmith demos cut a couple Yes albums so it's very relevant LA is still the musical Capital so if it is what is? I'm just asking which has the edge power wise taking into account price ? that's all folks. Jules will be happy I'm gone for a month............ love you Tony | |
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| | #129 |
| Gear maniac Joined: Feb 2006 Location: Australia
Posts: 288
| Yury was taken when I registered. Yury is correct. BTW when we bought our systems, HD3's were rrp$25kAU. We have 4 of them. Plus HD cards for Auroras (4/system) when we upgraded converters from 192's. Plus 192digital because that was the only way to get Our RADARS loked into PT for traking via digital. Anyway you look at it its alot of money. Not much else works with HD, and whatever does you pary every update it is still supported. DIGI are arrogant and have no regard for their users. I think as more youngsters grow up on cheaper DAWs the current "industry standard" situation will change. I hope its sooner then later. At the end of the day its just a tool (not the best one at that) and in todays state of the industry we need to look after our profits. DIGI models is still based around where studios were in the 80's. Sorry for a long rant Yury |
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| | #130 | |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Quote:
If you have 4 HD systems and you believe there are other systems out there that are better, why not sell them and by a Cubase or Nuendo? | |
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| | #131 | |
| Gear maniac Joined: Feb 2006 Location: Australia
Posts: 288
| Quote:
We are a professional studio. We are in it for profit. The cost of conversion cannot be justified at the moment. We did look at it recently. But the cost of new systems, rewiring, retraning stuff to use new systems, working out new templates.... is uncomfortable for us right now. The studio is booked pretty well, so we cannot go off line easily.But we will have another review in March 2010 and will make a decision then. To make it short its a commercial decision not technical. Yury | |
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| | #132 | |
| Lives for gear Joined: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,096
| Quote:
I work with RADAR, Genex, (and Sequoia).... have never noticed any hinderance for any "creative process"... well, at least how I define "creative process"... I don't make music with the DAW. maybe if the RADAR were to occasionally tell me I suck, yeah it might hinder me...but no difference in that or a DAW, creatively..
__________________ "I would shoot a man if he put me through autotune" - Charlie Louvin | |
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| | #133 |
| Registered User Joined: Nov 2008
Posts: 1,084
|
Is PT HD slowly giving way to McDSP Retro Recorder on the iPhone. That statement is equally ridiculous as this thread. In fact I am banning myself from this thread. ![]() Jules we NEED an INGORE THREAD function . Thank-You!!!! |
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| | #134 |
| Gear addict Joined: Mar 2009 Location: Gearmany
Posts: 370
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A lot of fanboy discussion in here. Yes, PT is clearly the professional industry standard for years now, because they have been doing the right thing for a long time. Whether that still is valid is clearly a very subjective thing - fact is that many clients ask for a PT rig *because* it is an industry standard, not because it is the best DAW. Since the client pays your bills this is self-inflicting over and over again. So, to me, this whole thread is pointless and will stay a fanboy flame war until the apocalypse appears. Or Jules. tutt
__________________ We do what we must because we can. |
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