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| | #1 |
| Gear nut Join Date: Apr 2005
Posts: 128
| What guitar amp did Ty Tabor use on "Black the Sky" - King's X 1234 |
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| | #2 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,875
| He used one of th early Dual Rectifiers, and he was using a Zion with Joe Barden pickups, strung with 9-42 gauge strings, even for such a low tuning! There's an old interview somewhere... I think it might be Guitarist Magazine found it here!
__________________ :: my band is called protoangel My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums |
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| | #3 |
| Lives for gear Join Date: Oct 2004 Location: manhattan
Posts: 5,911
| that *better* be a dual rec, nothing else sounds like that does it? quadruple tracked, for your pleasure. and one of my favorite guitar riffs ever. gregoire del ubik |
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| | #4 |
| Lives for gear Join Date: Dec 2004 Location: In a house
Posts: 1,214
| I dont know if they do it anymore but I saw KX about 10 years ago and they put sheets over their gear so you couldnt see what was used. I say that these people need to get over themselves. Who cares if someone knows what you use, you're not them and they aint you. |
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| | #5 |
| Lives for gear | I remember talking to Doug during the Mr. Bulbous era (seemed like they were tuning down another half step on each album they put out). He said that they tried switching string gauges -- (they were 9's on gtr and 40-95 on bass) and it really, really just didn't sound as right. Thin picks & strings can sound SUPER heavy -- the touch required is a lot different, though. Y'know, it's just that "some is good, more is better" mentality that f&^ks with people sometimes...
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #6 |
| Gear maniac | I heard somewhere that he used to use those Gibson Lab Series amps...they were his "secret weapon". Not sure though.
__________________ http://armstrongrecording.com |
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| | #7 | |
| Jai guru deva om Join Date: Feb 2003 Location: South Carolina
Posts: 8,474
| Quote:
War ![]()
__________________ Warren Dent (has moved on in business...) The gear website I'm building now, launches soon: www.ZenProAudio.com | |
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| | #8 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,875
| What... cos of the snotty tones they were getting? ![]()
__________________ :: my band is called protoangel My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums |
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| | #9 | |
| Lives for gear Join Date: May 2005 Location: Los Angeles
Posts: 1,104
| Quote:
Those guys freakin' rock! Mike | |
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| | #10 | |
| Gear nut Join Date: Apr 2005
Posts: 128
| Quote:
maybe they were beer guards or something :P In an interview after that album Doug PInnick told, in the most detail I've ever read in an interview of the musicians, what his live setup tricks are. So I really don't think they were trying to hide anything. http://www.kingsx.net/band/articles/bass31999.html | |
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| | #11 | |
| member no 666 Join Date: Jun 2002 Location: Foxboro, MA USA
Posts: 5,806
| Quote:
__________________ Fletcher If you have a question please email me at Fletcher@mercenary.com instead of using the PM system... I very rarely check that system and it could take a while to get a response. I can also be found at either address below: R/E/P the Recording Engineer and Producer forums Mercenary Audio mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light | |
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| | #12 |
| Lives for gear Join Date: Dec 2004 Location: In a house
Posts: 1,214
| Lol. Tissues over the PODS, thats a good one. The tone secrets thing annoys me because it strikes me as the artist being snotty and or insecure. When I lived in L.A. I had a friend who saw Eddie The Drunken Guitarist a.k.a. Ed Van Halen walk into a vintage shop, plug into a pignose and an ordinary guitar and he still sounded like EVH. Friend said he asked the drunk to show him some VH licks and he was cool about it and still sounded like Ed. |
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| | #13 | |
| Lives for gear Join Date: Oct 2004 Location: manhattan
Posts: 5,911
| Quote:
it's an interesting thing. on the one hand, i'm all about sharin' the love, giving it away, putting back out there what was given to me. on the other, in this age of rampant, blatant, unabashed derivatives, where copping a sound and vibe are de facto part of the commercial engine, i can understand an artist who's managed to carve a unique personal niche not wanting every t d &h making a slapdash copy and selling it as their own. what is it, 14 years since 'Ten' was released, and the airwaves are *still* full of vedder vocal knockoffs? y'know, where every vowel is an 'eh' thru the nose bone, neh metter whet? gregoire del ubik | |
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| | #14 |
| Lives for gear Join Date: Jan 2004 Location: Switzerland/New Zealand/guitar case
Posts: 3,682
| I heard they just pray to jesus and he gives them good guitar tone.. narco |
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| | #15 | |
| Lives for gear Join Date: May 2005 Location: Waterbury CT, then Providence, RI
Posts: 1,990
| Quote:
I believe Ty used to use Traynor amps back in the day..... That guy could play through Radio shack 1 watt amp and make it scream..
__________________ Teee hee ha ha .... I wanna play wit chew. Butter's Does Samwell! http://www.dailymotion.com/video/x4y...-in-the-bu_fun | |
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| | #16 | |
| Gear maniac Join Date: Apr 2005 Location: New York City
Posts: 235
| Quote:
So, if anyone else on this thread wants to make fun of King's X, or say anything nasty about them, they're gonna have to answer to ME. Got it? So if you want to step up, bring it on. Otherwise, I expect to see nothing but respectful, admiring, awe-struck posts about King's X. And believe me, you're much better off dealing with me than with Doug. I've seen him get pissed off on stage at a malfunctioning monitor amp. I was standing about four feet from him, and instead of yelling at the monitor engineer or at the crowd (who kept shouting requests and stuff), he channeled all his frustration and rage into singing "What Is This?" Wow... I've never been more scared or blown away by a live performance. Powerful stuff. So you don't want Doug coming after you. Not that he's the kind of guy to do that, he's a total sweetheart - I've met and talked with him several times. Big teddy bear. But when angered, a big grizzly bear. Consider yourselves warned! ![]() | |
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| | #17 | |
| Gear maniac Join Date: Apr 2005 Location: New York City
Posts: 235
| Quote:
On the last tour I saw (fall, 2004), I still saw Ty using Pods. I believe it was a Pod XT Pro, the rackmount unit. Not sure about his guitars. I listened to his tech play through the rig to check it out before the show, and it did not sound anything at all like Ty. And he played a few King's X riffs. It's all in the hands and touch. | |
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