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| | #1 |
| Gear nut Join Date: Jan 2008 Location: NC
Posts: 125
Thread Starter | Most colored mix buss compressor plugin? Thinking perhaps API 2500? What about any of the 1176 or Fairchild emulations, or maybe the EMI TG12413? Anyone use these on mix buss sucessfully? And for the love of all that is sacred and holy, please do not derail this thread with the "no plugin" crap. tutt |
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| | #2 |
| Lives for gear Join Date: Oct 2007 Location: Texas
Posts: 565
| I have never used the EMT but I like all the others you listed. I don't think I'd call it colored but the Waves SSL is a solid choice on the mix buss, you can really squash the hell out of it. |
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| | #3 |
| Lives for gear Join Date: Feb 2007
Posts: 1,350
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| | #4 |
| Gear nut Join Date: Jan 2008 Location: NC
Posts: 125
Thread Starter | Anyone else? |
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| | #5 |
| Lives for gear Join Date: Jan 2007 Location: Terra Firma
Posts: 5,955
| Although neither sacred nor holy.....I use RComp. |
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| | #6 |
| Lives for gear Join Date: Jul 2006 Location: Puerto Rico
Posts: 1,092
| My go to plug for colored mix comp is usually the API. The EMI is extremely colored but a little bitchy to set up for the whole mix. I just tried the t-racks Fairchild and instantly fell in love with it. The Stillwell Rocket is also great. The style of music has a pretty strong influence on what I'll use. Hope this helps |
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| | #7 |
| Gear interested Join Date: Sep 2008 Location: London
Posts: 5
| I've been using the Waves SSL Buss comp a lot lately and really love continuous soft-knee compression it gives, but I wouldn't call it colored though. My colored option would have to be the Fairchild 670 plug and I absolutely love it on the Drum Buss or overheads, just recently got my hands on the JJP version but somehow couldn't get the same results?! I've heard good things about the EMI but haven't had the chance to try it though. Any thoughts about that?! Hope this helps! Cheers
__________________ www.myspace.com/gerald_mix |
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| | #8 |
| Gear nut Join Date: Jan 2008 Location: NC
Posts: 125
Thread Starter | |
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| | #9 |
| Registered User Join Date: Nov 2008
Posts: 1,084
| Abbey Road EMI |
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| | #10 |
| Gear nut Join Date: Jan 2008 Location: NC
Posts: 125
Thread Starter | |
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| | #11 |
| Gear addict | The EMI can be tricky, at least for me, because there isn't an input gain. So if you just want to take off a few dB on the bus, you have to lower the bus trim or gain down on an earlier plugin on your mix bus and usually to an extremely low level. I think the EMI is great on parallel drum compression, where you really have to squash it. Maybe someone can explain a better way to set it up, because I've always wanted to try it.
__________________ CHECK OUT MY MUSIC: modernhumanmusic.com WATCH MY WEEKLY VIDEO BLOG: Modern Human TV |
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| | #12 |
| Lives for gear Join Date: Sep 2007 Location: NYC
Posts: 1,171
| I'd say UAD Neve 33609. |
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| | #13 |
| Gear addict Join Date: Apr 2008 Location: canada
Posts: 388
| API 2500 Zen limiter Alta moda unicomp DW Fearn VT7 Oli |
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| | #14 |
| Lives for gear Join Date: Nov 2007
Posts: 805
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| | #15 |
| Lives for gear Join Date: Jun 2004 Location: London
Posts: 2,030
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| | #16 |
| Lives for gear Join Date: Mar 2004 Location: Cincinnati, OH
Posts: 736
| Maybe not the most colored - but I think I know what you mean.. Check out the "Badbussmojo" from the wellspring that is Stillwell. - Not technically a "compressor" proper - but it gives you more of something going out than you had going into it.. |
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| | #17 |
| Lives for gear Join Date: Sep 2006 Location: internet
Posts: 1,485
| I've been using the Reacomp lately on my mixbuss... |
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| | #18 |
| Lives for gear Join Date: Sep 2007 Location: M I A
Posts: 591
| UAD SSL Bus Comp inserted after the URS Saturation (saturate to taste). The key is mixing through it from the start, not adding it later. Get it, use it, love it! |
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| | #19 | |
| Gear nut Join Date: Oct 2008 Location: Kingston, Canada
Posts: 91
| Quote: I usually don't do a lot of mix buss compression anyway. I usually just place a UAD Precision limiter over the buss with the input left at unity and threshold at 0.1dBu to prevent overs. It rarely yields any gain reduction. | |
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| | #20 |
| Gear addict | Stillwell Rocket The Rocket | Stillwell Audio - It's About The Sound MajorTom Major Tom | Stillwell Audio - It's About The Sound but I prefer the cleaner; dominion though its more like a transient designer plug digitalfishphones.com - free audio effects plugins
__________________ ------------------------------------------------------ A compressor is a "voltage turn it downer". You can determine when it begins to turn it down and when it resumes from turning it down, even how quickly it does it's "turn it down" and by how much it turns it down so you can push more voltage into it to be turned down and then make up for gain lossed from turning it down. ![]() Bart Nettle |
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| | #21 | |
| Lives for gear Join Date: Nov 2008 Location: Boca Raton, FL
Posts: 2,342
| Quote: Thanks!!
__________________ Julian Ear Candy Studios www.earcandystudios.com It's the indian, not the arrow... | |
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| | #22 |
| Gear interested | Waves v ersies compr. The V series from Waves has great color but remember with on all analog emulations you need to pad the output so you don't over load the plug in. I use Pad at -10 db that way I can over drive the output on the plug ins like a real console and get that fuzz i need without over loading the plug in output. ![]()
__________________ Contact me for Pro Audio and Pro Video: www.marshallgraphics.com info@marshallgraphics.com ![]() Thanks, Kurt Howell 615-399-8896 MGS |
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| | #23 | |
| Gear nut Join Date: Oct 2008 Location: Kingston, Canada
Posts: 91
| Quote:
Most of the UI features you are looking for (Pop-ups with knob values) are not there. Ratio is ratio, it is not harder or easier than any other. | |
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