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| Thread | Thread Starter | Forum | Replies | Last Post |
| Auto Tune help | Hope209 | Music computers | 21 | 15th December 2007 08:06 AM |
| auto tune rack vs. auto tune plug vs VoiceModeler * | FormulaReed | So much gear, so little time! | 2 | 8th August 2005 01:49 AM |
| Auto Tune 4 on the way | XHipHop | So much gear, so little time! | 7 | 19th April 2004 07:46 PM |
| auto tune | Jason Poulin | High end | 7 | 18th September 2003 05:02 PM |
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| | #31 |
| Gear maniac Join Date: Nov 2003 Location: The Netherlands
Posts: 204
| Whatever you do, don't touch Frank. He may be dead, but his crew isn't... ![]()
__________________ Our day's work over Tim, Rawlins and I decided to sharp up for the big night. We went across town to the rooming house where the opera stars were living. Across the night we heard the beginning of the evening performance. "Just right" said Rawlins. "Latch on to some of these razors and towels and we'll spruce up a bit". |
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| | #32 |
| Lives for gear Join Date: May 2003 Location: NY
Posts: 831
| I have never heard a single crow song that wasnt autotuned ![]() |
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| | #33 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| Lemmie guess, you're mad cause she's rich and famous and you're not. |
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| | #34 | |
| Lives for gear Join Date: Mar 2005
Posts: 1,508
| Quote:
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| | #35 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| Hey she makes a product like any other successful business. Would you buy a new car if it wasn't all polished up ?????????????????? That's why they call it "Music Production". They produced finished, good sounding music. If you don't like it, don't buy it. Even diamonds have to be polished. |
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| | #36 | |
| Lives for gear Join Date: Mar 2005
Posts: 1,508
| Quote:
that's just it. i don't relate to music as just another product like suvs or tupperware. so called "finished good sounding" is usually sterile and without texture, personality, soul, or organic qualities. i don't like it and don't buy it. and crowe may well be hot but her music is FAR from diamond like...no matter how much you polish it. | |
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| | #37 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| As with any artist, the music is what it is, and finds it's own fan base with those who appreciate it. If it's not good enough for your precious ears, then don't listen. |
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| | #38 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| Perhaps you would enjoy Kasey Chambers more.....here's a 40 minute studio concert from KCRW , with a short interview....(you'll need Real Player to watch it) enjoy !! http://kcrw.com/smil/mb041105Kasey_Chambers.ram Make sure you catch the last song, the acoustic version of "The Captain"....it's awesome...... |
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| | #39 | |
| Lives for gear Join Date: Jan 2005
Posts: 9,867
| Quote:
__________________ Once I thought I loved you While I really was trying to find A way of touchin', my own reality ooh baby, I'm still tryin' | |
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| | #40 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| It doesn't bother me, I'm all for music production. Taking what is just the ordinary average artist or song and making it something of value. These guys who have a problem with compression, auto-tune, reverb, echo, time stretching or whatever, are trying to take away the tools of which we have to work with by dissing them and the artists that use them to improve the quality of their recordings. Believe me, even the best singers out there go off key once in awhile....I've heard it... It's also very much like makeup. Some women need it, some don't...you'll find out in the morning, where would we be without it ???? It's the producer/mixer's job to make whatever artist he is working with, to sound as good as possible, with whatever tools he has available. |
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| | #41 | |
| Lives for gear Join Date: Mar 2005
Posts: 1,508
| Quote:
holy crap, i think that actually sounds right. then again what defines "as good as possible" is highly debatable and sometimes the tools that are used for this objective squeeze what little personality there is right out of the music and you are left with something that has nothing unique or organic about it because it is so tuned (with autotune or 20 takes comped together. or both) and metronomic (because of clicks and beat detective) and lacking in dynamic range (because of all the compression and limiting and static quality of the arrangement/playing). sometimes it is the flaws and semi-intentional variations that keep us in touch with the fact that we are listening to a human being making music and that helps make it powerful. some of my very favorite recordings have lots of funky bits in them and i think they only add to the impact because it puts that actual, real brilliant and technically polished parts of the performance in such stark relief. you think "will they pull it off?" and then they do. that's exciting. | |
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| | #42 | |
| Lives for gear Join Date: Nov 2002 Location: Basel, Switzerland
Posts: 3,416
| Quote:
I hated it even then and never understood why people felt the need to adopt this production style to be 'contemporary'. I said it before, if AutoTune really would make things better then I'd be all for it. But it just gives you the illusion of perfection. I got a CD version of Sinatra's 'In the wee small hours' where the liner notes talk about how Sinatra would use the slight weakness in his voice in a certain register for expressional purposes. A slightly shaky note might be a means for expressing 'doubt' or 'heartbreak'. The problem is that the modern producer never even would consider such an artistic solution in the first place i.e AutoTune in permanent insert. The 'AutoTune' syndrom is EXACTLY the same thing as the loudness race. 'Perfect' intonation and 'maxed out' mastering are achieved now. So where do we go from here? It's a situation that has no winners. The ones who rightly refrained from using these 'techniques' will be put under pressure by the 'industry' or even their peers: 'Your record isn't loud enough', 'Your singer isn't in tune' and eventually will join the crowd. And friggin' why is it so damn important to have 'perfect' vocals when everything else is most certainly NOT pefectly in tune? What about Bass? Guitars? Horns? Andi www.doorknocker.ch
__________________ Andi www.doorknocker.ch 'My ambition is to someday have my signature line quoted as someone else's signature line. ' - DesertDawg | |
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| | #43 | |
| Gear maniac Join Date: Sep 2004
Posts: 200
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| | #44 | |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| Quote:
This is where YOUR mixing skills become art. Discerning what sounds right and good....if a singer hits a squeeky note, sometimes that adds charature to the voice, and should be left in..... If you listened to the above Kasey Chamber's video, every so often you'll hear a little sqweak, but overall it sounds great and that becomes part of "her sound"......which in her case, is a great feature.... | |
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| | #45 |
| Lives for gear Join Date: Oct 2004 Location: m a n h a t t a n
Posts: 5,082
| not a particularly exciting tale, but true nonetheless: while working on my last song, one of the strongest, most important, most emphasized words in the tune was off pitch. not even close; i doubt the waveform would have ever crossed over the correct note on an autontune display. the word was 'cold', and hit at the tail end of the phrase, 'leaves you cold'. so i searched for that word / phrase in the other takes, and found several that were done well. but when i comped them in, something very real and very important got lost. it wasn't an editing or continuity thing, i can comp with the best of them. there was just something about that off pitch delivery that gave the whole line a dramatic payoff. despite my discomfort at leaving such a glaring 'mistake' in such a prominent position, i had to leave it in. ironically, the ME specifically commented to me, 'some of those lines get a little pitchy, maybe they should be re-tracked?' to which i could only respond, 'i know, and apparently they shouldn't'. now any time i get fearful about leaving that stuff in, i just drop in some zep or some sinatra and breathe easy. perfection is the death of creativity. gregoire del ubik |
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| | #46 | |
| Lives for gear Join Date: Oct 2003 Location: Beantown
Posts: 2,464
| Quote:
The singers that he DOES like were/are probably rich and famous as well. Stevie Wonder was rich and famous he just didn`t suck. I do think Sheryl has her charm though and I`m not a hater at all.
__________________ - Kev | |
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| | #47 |
| Lives for gear Join Date: Jun 2002 Location: New York
Posts: 3,723
| I think it is fascinating that pop music seems to be moving in the direction of greater and greater "sweetness" in terms of pitch. So much so that even presumably competent singers are feeling compelled to digitally tighten up their intonation to the point of sounding like a vocoded robot. And yet, at the same moment in history, rappers are selling millions speaking their lyrics without any pitch and mashing together samples from songs that are in different keys without a care in the world. Some heavy bands are composing songs consisting mostly of feedback with hoarse screaming. ![]() |
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| | #48 |
| Lives for gear Join Date: Jan 2005
Posts: 9,867
| Live 8 stars get hi-tech help for a tuneful DVD http://entertainment.timesonline.co....743834,00.html IT is live, but not as we remember it. Pop stars on the forthcoming Live 8 DVD will have their performances “improved” with computer trickery, attracting charges that the official record of the concert is being faked. During the long hot day of July 2, several singers, including Bono of U2, went briefly off-key while the performance of others, such as Pete Doherty of Babyshambles, was dismissed by critics as an embarrassment. Blushes will be spared thanks to a computer program called Auto-Tune, described by some as “Botox for the vocally challenged”. “By cutting up and reassembling notes it can erase the wrinkles and bum notes and make a karaoke drunk sound like Frank Sinatra,” said one technician, who declined to be named. -- Hahaha ![]()
__________________ Once I thought I loved you While I really was trying to find A way of touchin', my own reality ooh baby, I'm still tryin' |
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| | #49 | ||
| Gear maniac Join Date: Mar 2005
Posts: 192
| Quote:
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| | #50 |
| Gear Head Join Date: May 2005
Posts: 54
| what about jazz...they must have been drunk too. |
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| | #51 |
| Gear maniac Join Date: Apr 2004 Location: Montreal Canada
Posts: 199
| All I can say is when I heard her cover D'yer ma'ker by Zeppelin she wasn't autotuned and man was that awful. Her pitch was terrible. They should of autotuned her to death cuz that sucked big time! |
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| | #52 | |
| Gear nut Join Date: Sep 2004 Location: Inside
Posts: 84
| Quote:
F'n terrible. | |
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| | #53 | |
| Gear addict Join Date: Apr 2004
Posts: 403
| Quote:
__________________ But, whatever you do, don't go with cheap XFMRs, you may have to use them someday. - Remoteness | |
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| | #54 | |
| Gear Head | Quote:
final thing they way i look at music is how you perform is what you get it's our job to make it sonically better but quantizing shit and autotuning the hell out of stuff is bogus and fake period. ok rant over ![]() | |
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| | #55 | |
| Lives for gear Join Date: Aug 2004 Location: Los Angeles
Posts: 800
| Quote:
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| | #56 | |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| Quote:
Hey you guys are the one's trashing people over their music......there's lots of music out there I don't like, but I don't post about it. It's you guys that are attacking people.....knock it off. Maybe I should make a thread about music that makes me cringe, but I really don't want to do that. | |
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| | #57 | |
| Lives for gear Join Date: Jan 2005
Posts: 9,867
| Quote:
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__________________ Once I thought I loved you While I really was trying to find A way of touchin', my own reality ooh baby, I'm still tryin' | |
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| | #58 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| oh baloney.......you guys have been trashing anybody who doesn't fall in to your clique. bad mouthing an artist or a product seems to be the norm here on gearslutz....geez even the name gearslutz is making me cringe....... |
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| | #59 |
| Motown legend Join Date: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 5,062
| The important thing to understand about AutoTune is that it screws up the timing of the vocal and that really can ruin the "feel" of a performance. VocAlign is one solution but that has its sonoc problems too. Of course a great deal of contemporary tv star vocal phrasing sucks enough that most people don't notice... but that's a different problem... |
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| | #60 |
| Lives for gear Join Date: May 2005 Location: Northeastern Ohio
Posts: 2,174
| and the next thing you guys will be sqwaking about is "Oh no, they applied eq to the voice and it really changed the charaturistics of the natural sound, this is phony, terrible......why can't they do it like they did in the old days. Quick, somebody give me some old Frank Sinatra albums to listen to......boohoohoo, Frank Sinatra never used eq.....why should today's artists use it, I'm really worried about the new talent nowdays, using eq to enhance their voice, it's just not right....boohoohoo.....I must have the same pre-amp and mic Frank Sinatra used.....to get that gloriuos sound......everything else is chopped liver....." ![]() It's not the shoes dudes. |
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