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| | #1 |
| Gear maniac Joined: Oct 2007
Posts: 266
Thread Starter | Fatso: On mix bus or drum bus?
For all the Fatso owners, which do you prefer when mixing rock?
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| | #2 |
| Lives for gear Joined: Jan 2008 Location: san francisco
Posts: 850
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In true gearslutz fasion: Just buy another one and you can do both. I'd say I prefer drum bus, but I mix on an SSL so I use the quad bus on the mix, I would consider throwing it on the mix if I didn't have this available. Also great for vocals sometimes |
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| | #3 |
| Lives for gear Joined: Nov 2007 Location: Minneapolis MN
Posts: 3,188
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For rock these are my usual starting patches: DURING the mix I prefer strapped across the drum SAMPLE + OH's & Rooms buss paralleled against the full kit. At the end I will print the mix and then run the entire mix through it. When you have two I will do this: During the mix One on drum sample + OH & room bus and one on any synthetic or piano instruments After I print the mix I will send it through Mid-side style. |
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| | #4 |
| Lives for gear Joined: Jan 2008 Location: san francisco
Posts: 850
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I should have said that I usually use it parallel on drum bus (or summit DCL 200)
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| | #5 |
| Gear maniac Joined: Oct 2007
Posts: 266
Thread Starter |
Wow, so you guys ike the unit so much you prefer to use it for the drum bus and master bus. << At the end I will print the mix and then run the entire mix through it. >> Doesn't that change the mix radically? If find that even when hitting the comp lightly and warmness on 1 or 2 that the low and high end are pretty different. |
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| | #6 |
| Lives for gear |
I would say sub bus of various types. In addition to drums, it sounds excellent on electric guitar bus and synth bus, and sometimes vocal & acoustic guitar bus.
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| | #7 |
| Lives for gear |
I started using it on the drum bus, now it's permanently on my mix buss. The "spank" is a great limiter, you can compress the hell out of a mix with no audible artifacts having that ultra-aggressive distressoresque character. You have to have it on your bus from the beginning though, even a few dB of compression may call for adjustments.
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| | #8 |
| Gear maniac Joined: Oct 2007
Posts: 266
Thread Starter |
<< I would say sub bus of various types. In addition to drums, it sounds excellent on electric guitar bus and synth bus, and sometimes vocal & acoustic guitar bus. >> Maybe I'll try this on my next mix instead of using it on the master. I'm starting a mix tomorrow that has a sort of "G Love and Special Sauce" (bluesy, organic rock) sort of sound. Perhaps I'll use the Fatso on a misc bus (drums, gtr) and the SSL or Ren comp on master. What do you all think? |
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| | #9 | |
| Lives for gear | Quote:
Bluesy and organic is percect for the FATSO. If you only have one Fatso, just process DAW - D/A/D - DAW on a few different things. You could even do a lighter version with less color to two tracks and a heavier version on a seperate pair of tracks and then turn those on and off on the song where appropriate (since you'll already be set up for drums or guitars or whatever). Then use the SSL lightly on the two bus. | |
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| | #10 |
| Gear maniac Joined: Oct 2007
Posts: 266
Thread Starter |
Thanks for the tip Nathan! Gonna start the mix tomorrow.
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| | #11 |
| Gear interested Joined: Feb 2005 Location: Nashville
Posts: 23
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