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| | #1 |
| Lives for gear Join Date: Dec 2004 Location: Athens, GA- US
Posts: 2,322
Thread Starter | Best Reverb Plug for PT I know the answer from many will be nada, but I am curious what everyone's using. Mainly Vox and snare
__________________ Me- "You know he's not playing in key right?" Unnamed Producer A- "Really?....Uh, Does that matter?" Me- sigh...."In all other cases, Yes, in this one...I guess not so much." http://pigpenstudios.net http://www.myspace.com/pigpenstudios |
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| | #2 |
| Lives for gear | So far, Revibe works the best for me, I lliked a lot Lexiverb back on MIX OS9....
__________________ ![]() http://www.mozartstudio.com ME: Every microphone IS made to record vocal, but, not every vocal is for the microphone... tutt |
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| | #3 |
| Gear maniac Join Date: May 2005 Location: LA
Posts: 201
| I still have OS9 and love the lexiverb... |
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| | #4 | |
| Lives for gear Join Date: Aug 2005 Location: Atlanta, Georgia
Posts: 1,138
| Quote:
BTW, the trick to D-Verb is to gate snares into it. Also put an EQ after it or even before it. Change what it is hearing. It makes a world of difference.
__________________ If you don't spank it, you can't crank it! | |
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| | #5 |
| Lives for gear Join Date: Dec 2004 Location: Athens, GA- US
Posts: 2,322
Thread Starter | Cool, I am on OS9 as well...use the Lexi too. I, unlike most, dig the D-Verb. Thought I was crazy until I read an article with Neal Pogue and he said he uses it religiously. I don't really dig the Waves verbs too much either. What else we got? |
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| | #6 |
| Lives for gear Join Date: Jan 2005 Location: Los Angeles
Posts: 1,978
| how about waves ir1 and eventide 2016? |
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| | #7 |
| Gear maniac Join Date: Feb 2004
Posts: 189
| I'm using Trueverb more and more lately. I use Altiverb pretty heavily, and I'm thinking of picking up IR1 as well. Dante |
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| | #8 |
| Gear Head Join Date: Mar 2004 Location: Auckland, New Zealand
Posts: 62
| Sony Oxford Reverb and Altiverb. Both cool and easy to find good settings. |
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| | #9 | |
| Gear maniac Join Date: Jun 2005 Location: Austin, TX
Posts: 214
| Quote:
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| | #10 |
| Lives for gear Join Date: Nov 2002 Location: Vancouver
Posts: 746
| I thought I was the only one but Sony Oxford Reverb here also. They are finally porting it over to the TC Powercore also. thumbsup Shane
__________________ "Music should be performed by the musician, not by the engineer." Michael Wagener 25th July 2005, 02:59 PM _____________________________________________ Pro Tools Power User Editing - The Skunk Works Project |
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| | #11 |
| Lives for gear Join Date: Aug 2003 Location: Sydney Australia
Posts: 1,289
| TL Space At first when I loaded the demo I was not too sure if I should buy the real deal or something else. I took the chance and bought the full version of TL Space and downloaded the whole library.....it was definately the right choice, especially the digital verbs and the plates. Try the demo first, but you will need PT HD and doesn't have to be an Accel version. Nick |
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| | #12 |
| Lives for gear Join Date: Oct 2003 Location: Beezers' Nook
Posts: 777
| altivrb |
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| | #13 | |
| Lives for gear | Quote:
The first plugin reverb that made me turn off my hardware ones. I haven't tried the Eventide or Oxford yet. | |
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| | #14 |
| Gear nut | What works for me: - TL Space (excellent, even though it eats 4 Accel chips for no latency operation - worth it) Download the freeware IRs like the Lex 480 and TC 6000 impulses, nice... ALso if you have Logic, you can import the Space Designer IRs - Revibe (a very pleasant surprise, this reverb is really great) - Reverb One (still used sometimes) But me too, I do miss Lexiverb dearly. |
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| | #15 |
| Lives for gear Join Date: May 2005 Location: Nashville, TN
Posts: 912
| Im loving TL Space too. great rooms and spaces. |
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| | #16 |
| Lives for gear Join Date: Mar 2003 Location: Norway
Posts: 3,079
| I've made some presets with Reverb One that's something special thumbsup TL Space Princeton (both) ruudman |
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| | #17 | |
| Lives for gear Join Date: Jan 2005 Location: Los Angeles
Posts: 1,978
| Quote:
as far as convolution verbs go, ir1 has the best sounding library, imo
__________________ "Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep"... --Scott Adams | |
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| | #18 |
| Lives for gear | Eventide reverb is my favorite at the moment. |
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| | #19 | |
| Gear maniac Join Date: May 2005 Location: LA
Posts: 201
| Quote:
Care to share some of those presets? Tim | |
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| | #20 | |
| Lives for gear Join Date: Apr 2005
Posts: 812
| TL Space demo versus full package? Quote:
A little to my own surprise I'm finding that ReVibe leads the evaluation pack. Seems to be denser, wider, deeper, and more easily tweakable than TL Space, the Oxford, or the other Digi verbs. I've just spent the weekend bashing on these demos and I wasn't expecting this result. | |
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| | #21 |
| Lives for gear Join Date: Mar 2003 Location: Norway
Posts: 3,079
| What's your favorite dinner, is your favorite dinner. Nothing wrong with that. ruudman |
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| | #22 | |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,802
| Quote:
I dig the hardware 2016 a lot; they haven't ported the plugin to RTAS (it's TDM only) so I haven't been able to try it (as I actually run "Amateur Tools", also known as Pro Tools LE.) In case you're looking for TDM plugins, they also have a plugin version of the Ursa Major Space Station. If the plugin has any of the vibe of the old hardware Space Station, that would almost be reason enough to upgrade from PTLE, to me. I've been using the UAD EMT 140 even though it's a total pain to use UAD plugins in RTAS. I also use D-Verb more than I used to (nice to see D-Verb users coming out of the closet; now maybe more people will admit that they use the ugly little Compressor II that comes in the Digirack. )Finally, there's Altiverb. I was hesitant to try it because it seemed a bit 'high tech' and I'm something of a luddite as far as reverbs go. Before the EMT emulation, I rarely used any. I really didn't want to like Altiverb, for some dumb reason, but dangit, it sounds really good. What turns me off about a lot of digital reverb is that it often sounds less like 'reverberation' as like some kind of sheen-y noise mucking up the track. But I've been able to get Altiverb to make some really tight, fat and warm sounds. I put some on a drumkit that was recorded in a dead, small room and it gave it real weight in the way that a good room can and a reverb usually can't. I know this is starting to sound like an advertisment, but it really does the job. | |
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| | #23 | |
| Lives for gear Join Date: Apr 2005
Posts: 812
| Quote:
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| | #24 | |
| Lives for gear Join Date: Mar 2003 Location: Norway
Posts: 3,079
| Quote:
ruudman | |
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| | #25 | |
| Lives for gear Join Date: May 2003 Location: Chicago
Posts: 1,434
| Quote:
Could you elaborate a little? I'm about to buy the wrapper and do the UAD/RTAS thingy. What are some of the problems you are experiencing? Thanks, Bill. ![]() | |
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| | #26 | |
| Lives for gear Join Date: Nov 2002 Location: Vancouver
Posts: 746
| Quote:
I'm kinda in an anti-plugin phase so I'm gradually replacing my ITB sends with OTB sends. Takes a big load off of the CPU also since I am host based like yourself. I'm still diggin the Sony Oxford Reverb though. They will be porting it to PoCo soon which is good news for us host based guys. Shane | |
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| | #27 | |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,802
| Quote:
With compressors and EQ's, you put one on a track and compensate with the Delay Compensation plugin; straightforward and works great. The compensation plugins don't cost any CPU according to UA. But with reverbs, it's like this; (and this is true only when using a reverb bus, which is the only way I use them; it doesn't apply to putting a reverb on the track you want to effect, as if it were any other plugin.) You have the original track; say a vocal. Then a reverb bus with a UAD reverb plugin on it. The 'verb bus has latency, so you should compensate the original vocal track for that latency, right? Only problem is that the signal you're sending the reverb bus is now late due to the delay compensation. You can verify this by putting a reverb plugin on a bus and setting it to 100% dry. The only solution is to mult. You have to set the original vocal track to 'no output' or mute it, then bring it up in another aux trak; that will be the dry vocal that you'll hear. Then you set up your reverb bus as usual, but don't send the signal from the Aux to the reverb; use a send from the original track to get it there, otherwise you'll have defeated the purpose of the mult. The reverb bus gives you the 'reverberated' signal with latency due to the plugin. The dry auxiliary vocal track now needs a delay compensation plugin set to '1 plugin' (the UAD plugins all have the same latency; the delay compensation plugins work in multiples of plugins, except for the Pultec Pro which delays: "one plugin and thirteen samples", or is it eighteen? I'd have to look.) Since there's no processing cost in PTLE for using an extra bus, all you've done is use up one of the sixteen busses. It sounds like a pain, but I don't really notice it anymore. Weirdly, I've never seen anyone refer to this. Could be that people don't use 'verb busses as much as I think; also could be that they're hearing the reverb effect with the delay caused by the 'verb plugin and not noticing that it's not part of the effect. If you're using UAD's in RTAS, and you're running a 'verb bus without doing this, you're adding delay to the reverb. There'll be a test on this later. So should you buy a UAD card if you're using RTAS? I think so. I sure wouldn't want to NOT have the Fairchild, the 1176, the LA2A, the EMT and the Precision Limiter. In fact, I have two UAD cards. Incedentally, it would be better for us RTAS users who have fast systems to have RTAS native versions of the UAD plugins; I think the PCI ones hit the cpu harder than my native RTAS plugs. | |
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| | #28 | |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,802
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