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| | #31 |
| Gear addict Joined: Oct 2007
Posts: 474
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First things first the whole track needs to be 100% solid. Edits, everything needs to be hitting together. Now onto mixing itself -- 1. If you know how to EQ properly the mix should work. Volume of individual tracks will be sitting properly, things will be cutting, etc. bass management is particularly important. 2. panning. it's really creating the sound stage for the track. Lots of guitars? Pan them. 3. stereo issues -- what is in mono -- (should be most tracks!) and maybe one or two elements can be stereo. Drum OH, percussion maybe. If everything is in stereo it will be way harder to mix. finally time -- really you have to make lots of mistakes and develop this skill for years and years before you know what you're doing.
__________________ Dave Ahl Producer, Engineer Stepwise Sound LLC http://www.stepwisesound.com "Your Music...Brought to Life" |
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| | #32 | |
| mymixisbetterthanyours! Joined: Oct 2006 Location: Berlin
Posts: 1,759
| Quote:
With major acts playing live, it's partly that way because - the lead singers often come only to the last part of the soundcheck. Especially with in ear monitoring and recallable monitor-desks. Professional backline-engineers can play the instruments with a very similar loudness-level as the 'start' later will play. But they never sing. - While auditioning kickdrum, the PA-tech can check the fullrange/sub-behavior and has more time to tune the system. BTW, the most important thing for me is getting levels right. Many people spend too much time on compression, eq, FX while their levels are all over the place.
__________________ www.just-mix-it.com | |
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| | #33 | |
| Lives for gear Joined: May 2007 Location: London
Posts: 2,801
| Quote:
__________________ File-sharing is killing home-taping | |
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