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| | #1 |
| Gear Head Joined: Jan 2005
Posts: 46
Thread Starter | how would you treat these rooms?
Hey project studio owners and acousticians! I have a new house which I'd like to convert into a project studio. I'd like one control/mix room and a room for tracking drums and such. This is what I have: room 1: 10 x 10 room 2: 10x 11 ( these two rooms are separated by 1 wall which i may put a plexiglass window in, to adjoin them visually) Both rooms are carpeted with one window. room 3: living room with hardwood floors and sliding glass door that opens into a kitchen....20 x 12 room 4: The garage with vaulted ceilings about 20 x25 I could run a snake with inputs anywhere around the house, so any arrangement or configuration is cool! HOW SHOULD I TREAT THESE ROOMS FOR ACCURACY, BALANCE AND TRAPPING? Would you treat the small room for drums or just use the living room and garage?Thanks guys. Jay |
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| | #2 |
| Gear Head Joined: Jan 2005
Posts: 46
Thread Starter |
here is a funky diagram to give you better visuals... Thanks guys! Jay |
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| | #3 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
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Jay, > room 1: 10 x 10 < Ouch. The only shape worse than square is a cube. Please don't tell me the ceiling is 10 feet high! > room 2: 10x 11 < Barely better. Not only because it's nearly square, but it's also very small. The only way to get usable recordings in a room like that is to make it mostly dead with lots of absorption. > room 3: ... 20 x 12 < Now you're getting close. That's at least large enough to mix in, given enough bass trapping. > The garage with vaulted ceilings about 20 x25 < If you can get by with only one room for recording and mixing, this is the one to use. > HOW SHOULD I TREAT THESE ROOMS FOR ACCURACY, BALANCE AND TRAPPING? < See my Acoustics FAQ: www.ethanwiner.com/acoustics.html It's a lot to read, but it explains pretty much everything you need to know about this. Then feel free to ask any follow-up questions here. --Ethan
__________________ Ethan's audio book is now available! |
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| | #4 |
| Gear Head Joined: Jan 2005
Posts: 46
Thread Starter |
Hey Ethan! I'm glad you replied...thanks alot! Wow, so i'm dealing with some difficult parameters huh? Well, I would prefer to use a bedroom for monitoring/mixing, but I guess that's not my best option? Hmmm. I thought the larger living room with hardwood floors and asymmetrical structure (furniture/tables/sliding glass doors) would be detrimental, but you think it could work better? what about a controlling and mixing in the 10x 11 room and tracking in the living room and garage? |
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| | #5 |
| 500 series nutjob |
i wish Ethan Winer was my neighbor. and best buddy. |
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| | #6 |
| Gear addict |
Since you have considered putting a window between rooms 1 & 2, would you consider knocking down the wall between them (or most of it)?
__________________ cellist, recordist, acoustics geek |
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| | #7 |
| Gear Head Joined: Jan 2005
Posts: 46
Thread Starter |
I was thinking about that, but only if it was of immense benefit...Ethan?
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| | #8 |
| More cowbell! |
asymmetrical=better yes, listen to Ethan |
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| | #9 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
|
Jay, > what about a controlling and mixing in the 10x 11 room and tracking in the living room and garage? < You can use any room, but the smaller it is - and closer to square - the more bass trapping you'll need to reduce the resonances and other low frequency problems. Also, Jonah's suggestion is excellent, if that's practical. --Ethan |
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| | #10 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
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Pan, > i wish Ethan Winer was my neighbor. and best buddy. < I can offer you one of those! ![]() --Ethan |
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