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| Gear addict Join Date: Jun 2005 Location: AUSTRALIA
Posts: 397
Thread Starter | Exclusive contracts for artists - what's a good deal? Gidday If a production library that sells licenses for your music to be used in film, ads etc wants an exclusive contract, what would make you sign it over having non exclusive deals with a few libraries? Also, what is the going rate - 50/50? My lawyer suggested that if they want the songs exlcusively, then the rate should be higher, since they aren't pursuing things like covers deals, ringtones, sheet music, whereas a full publishing deal (paying the artist more like 70%) would be. LOL - even after a lawyer, I still don't know what I'm better off signing. Anyone experienced with this?
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| | #2 | |
| Gear maniac Join Date: Mar 2007
Posts: 243
| Quote:
I would never sign an exclusive library deal for strictly add, TV and film placements. There are lots of agents or companies that do song by song on a non exclusive basis. But that's just me. On the other hand you could have a composer deal with a firm that does adds, but that's a different deal and much harder to come by. The going rate at the time I was doing this was 50/50. | |
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| | #3 |
| Gear addict Join Date: Feb 2009 Location: London UK
Posts: 404
| Whats the Term of the Exclusive Contract? I would be rather reluctant to sign any sort of long term Exclusive deal for that kind of thing. And would want soem opt out if they do a crappy job and fail to license anything.
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