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| | #121 |
| Lives for gear Join Date: Jan 2008 Location: Rheden
Posts: 550
| I Just bought one. I agree its a lot of money, but the total recall is really something else...wont find that on any other lunchbox/module from another brand. Thats where the money is anyway.... |
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| | #122 |
| Lives for gear Join Date: Jan 2008
Posts: 763
| Sorry to be dumb! But the point of this product (other than a daft trend) just totally passes me by - what exactly are you supposed to do with the 8 faders? Set them to zero and mix in your DAW ! Duh. Or stem out your mix and really get into the vibe of mixing on a "baby SSL" with your 8 faders without automation - whoopee, endless minutes of fun! Summing into a hardware compressor and maybe EQ on the stereo bus, I get and do myself (through a HEDD192) but ..... Nope I just don't see the point on an X - desk, please enlighten me, and don't try to convince me 8 channels of ananlog summing is better than just the stereo bus because I've proven to myself you get the same effect just summing the two bus (= observed by Bob Katz and many others by the way) The point of the X desk is .... ? Thanks TMY
__________________ "Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us." (quote) Bill Watterson |
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| | #123 |
| Lives for gear Join Date: Apr 2006 Location: Haarlem, Holland
Posts: 1,381
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| | #124 | |||
| Lives for gear Join Date: Aug 2006
Posts: 4,131
| Quote:
No console, no Summer - whats next? - in which you recently wrote: Quote:
![]() - not to mention this innuendo from above: Quote:
![]() - back to the competition... maybe you and Jim W. have something coming out, too? ![]() | |||
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| | #125 | ||
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
| Quote:
Quote:
I'll be buying a pair of these for my own setup. | ||
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| | #126 | |
| Gear maniac Join Date: Feb 2006 Location: Dudley, UK
Posts: 172
| Quote:
I like its usability in a tracking setup, but with only 8 inputs?? 16 channels would have seemed a more sensible starting point. To be honest both the X-desk and the Audient Zen have just confirmed to me that I either should buy a "real" console, or stay entirely in the box. | |
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| | #127 | |
| Lives for gear Join Date: Feb 2009
Posts: 2,492
| Quote:
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| | #128 | |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
| Quote:
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| | #129 |
| Lives for gear Join Date: Apr 2005 Location: UK
Posts: 1,142
| If you cascade two of them, is all that user real estate, comms talkback and buss control redundant on the second one? Seems like an expander with 12 channels would be better... -T |
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| | #130 |
| Lives for gear Join Date: Mar 2007 Location: Sweden
Posts: 2,750
| Jim, I'll drop by and have a look at it. Hopefully you'll be there and demo it. I won't talk to anyone else after last year ![]() |
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| | #131 | |
| Gear maniac | Quote:
I think with the 8 faders you have many options and the 'straight line' fader option is certainly one of them! An example I personally have is a lot of my clients would have some choice outboard gear, maybe an 1176, a Distressor, a Manley Vari Mu, an SSL Bus Comp and a Bricasti M7 or similar. With an X-Desk all can be integrated into a mix (and more), coupled with Fader adjustment if you chose to use it. (Don't forget the fader to tape option too!) One of the comments we as dealers had when we were introduced to the X-Rack was " Pity it doesn't have a whole 'Centre Section' option". That wasn't really an possibility in the confined rack format of the X-Rack. So, a client still needs a unit for cue system, talkback etc. Any High Quality 'Centre Section' costs a Grand and the rest I think you'd agree. However, it is built into the X-Desk. 2 monitor controls , Talback etc. Cut/Dim ... exactly as you'd use on a big console. So now, as well as being a summing Mix tool doing a job similar to 16 chans of summing (utilizing both inputs per chan, 8 on faders - more if you include Aux Returns), it also is a tracking tool with auxs for headphones and aforementioned talkback etc. It is, of course, a scaled back unit, but not on sonic quality. The main area it's scaled back on is price. Don't forget the expandability options as a last cherry on the cake. | |
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| | #132 |
| Gear maniac | |
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| | #133 | ||
| Lives for gear Join Date: Aug 2006
Posts: 4,131
| Quote:
![]() - snubbed like this? Quote:
here, perhaps?Seriously now, I think the X-Desk will be a nice product - probably not for everyone, but what is? And you'll never please a hater. I'd like to have the X-Desk, but I've already started down the X-Rack summing road, and when I break it down, that better suits my needs... except for sends, which is the tradeoff here. If I need sends, I can go out to another mixer and that's fine. - still may get one though, just to be cool... after the U87, Avalon, and Digi002, of course! ![]() In closing, here is one of my most favorite Plush quotes... not that I really agree with it, but it is funny: | ||
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| | #134 | |
| Gear maniac | Quote:
Those SSL guys think of everything ..... But seriously, I do think an expander unit, maybe 12, maybe 16, is a good idea seeing as the interconnectivity is an 'open ended' D-Sub. However I've seen or heard nothing of this or similar mentioned at the factory. | |
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| | #135 | |
| Gear maniac | Quote:
We represent Audient in Ireland too. These products and the ideas they represent, reflect the real world, certainly in Ireland. Most of my guys here have a PTools or Apogee Symphony rig with Apogee or SSL converters. Some are using X-Rack for summing, some Sumo, a few ITB. A few have SSL or Audient consoles including colleges. Most would have a few choice bits of outboard gear inc Mic pres. The X-Rack, Matrix, X-Desk and Zen represent the integration or 'pulling together' of all those strands. So too does a regular console you say? - well yes, but with repetition in functions that costs you in these difficult times. Why pay for 24 mic pres on your console that you may not use ? - use that money more wisely somewhere else. Similarly with EQ, you have it in your DAW, why pay for it again in your console if you're on a budget ? These new consoles represent stretching your bang for buck whilst maintaining audio quality. | |
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| | #136 |
| Lives for gear Join Date: Jan 2008 Location: Rheden
Posts: 550
| You have 20 inputs, 2 on each channel, each 2 inputs on every channel can be routed to the mixbuss, just like on a Matrix is what I think....+ 2 stereo aux returns. |
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| | #137 | |
| Gear maniac | Quote:
Lads - my advice is when you get on the plane leave the egos at home. The Knights of SSL treat every man with respect. Jim, Damien and Richard (the new kid) will be running flat out like lizards all Frankfurt MusikMesse. Give them, and all the other reps a bit of leeway, they need water and sleep like the rest of us. If you can't wait a few minutes you're not REALLY interested are you? | |
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| | #138 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
| I just bought one for myself, and will probably get a second one at a later date. We are also taking pre-orders as of today. X-Desk The following just sealed it for me: The cue send can be used as an additional input (assignable to either the tape return or the main I/P) and has a PAN on it (therefore you have gain and pan for an additional 8 channels). So, this becomes a 16 channel console if you are only using it at mixdown. |
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| | #139 |
| Lives for gear Join Date: Jul 2004 Location: The Deep End
Posts: 1,327
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| | #140 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
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| | #141 |
| Gear maniac | |
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| | #142 | |
| Gear maniac Join Date: Feb 2006 Location: Dudley, UK
Posts: 172
| Quote:
So lets say I want to record drums, and give a cue mix to the drummer. Not enough inputs. For those recording one thing at a time, this seems like overkill, but for any multitrack work it wont deliver without expansion. Realistically you have to buy two to make it practical, making it a four grand summing mixer. | |
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| | #143 | |
| Gear maniac | Quote:
The console by its design is a compromise, but not on quality ... | |
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| | #144 | |
| Lives for gear Join Date: Jan 2006 Location: London
Posts: 1,434
| ![]() Quote:
In all honesty, I have no need for faders. And I'd rather they weren't there and save 3 units rack space. But this mixer still does more than any other thats currently available for the price. And its an SSL. I might hold on and see what Tim at Buzz comes out with before biting the bullet on this. But, it'll be tough for anyone to compete with the price here though. | |
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| | #145 |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 1,599
| hi again please read my post above (page 4) where I described the features, functions and basic uses of the new X-Desk. I can sort of confirm now everything I wrote there (though wait till wednesday for more detailed stuff). I forgot to add that this mixer sports the same bus connector as the XRACK, which means several X-Desks and/or XRACKs can be connected together sharing all common busses. Of course that doesn't mean it's only compatible with SSL stuff, on the contrary, the mixer is designed to integrate with any kind of gear from any manufacturer. As for what the X-Desk does and what doesn't, don't forget we're talking about a €2k (incl VAT) piece of equipment (designed and built in the UK by SSL, btw). Consider that for this amount you'd usually get just a monitoring controller (of equivalent quality). To offer all the features present in this new SSL mixer at such a price point (again, at this quality level) is quite an achievement IMO as until now products offering the same amount of features (mostly lego-like systems) cost x2,5 to x5 times more. The X-Desk won't suit everybody, just like an API 1608, a Duality or a Neve 88R won't either. But the X-Desk has many more applications that one can see at first glance, and at this price point I can hardly see anything else that can even touch it. If you want a description of the X-Desk in a nutshell: A compact, hi-resolution "Superanalogue" 7U or table-top professional line mixer from SSL, for both tracking and mixing, with 8 fully featured channels (dual input, gain, insert, direct out, st cue, 2FX, pan, solo+cut and 100mm fader) and a comprehensive "big desk" master section, that can also mix up to 22 channels at mix time. |
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| | #146 |
| Lives for gear Join Date: Jul 2005 Location: Canada/Mexico
Posts: 1,797
| Daaaaaaaaaaamn! Very intresting Mixing console from SSL? Wooooooooooooooow!! Very happy to see this thread and the new about this new baby SSL X-desk!! I was just about to buy a Allen & Heath mixer 14 or the 16 or something like that but now seeing this, i think i might wait a bit because it could reaaaaaaally fit my setup!!! Can't wait to see more screenshots of this!!
__________________ MY Music Producer, Mix Engineer, Entrepreneur http://soundcloud.com/absolutmy www.myspace.com/absolutmy |
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| | #147 |
| Lives for gear Join Date: May 2005 Location: Seattle
Posts: 4,247
| OK, so....more info is coming on Wednesday right?!?! Man, I don't come to GS for a day or two and look what happens! If this thing can really get 16 inputs on mixdown, plus aux returns....... and is cascadable........ and is around $2.5K, then (2) of these could be a pretty nice solution for me. There doesn't seem to be any obvious grouping features, which is a bummer..... but maybe there's some kind of "record buss" or something? I guess with direct outs, one could always snag a Folcrum or something as a 3rd party bussing solution. Definatly going to keep a watchful eye on this thread. I really, REALLY like the fact that this is a rackmount design and one can easily put together a console frame with their favorite EQ's directly above this "X-Desk" which is HUGE IMO. That's one thing that really bums me out about products like the Audient Zen. Where are you suppose to put your EQ's? I guess in a rack off to the side........which then IMO really hurts the idea of the console being a main "center stage, command station" where most everything should be within reach without having to roll your chair over to the rack. IMO, great job SSL. Can't wait for more info!
__________________ http://myspace.com/mysteriousredx www.mysteriousredx.com "Sorry man I played guitar instead of going to school." -- James Lugo |
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| | #148 | |
| Lives for gear Join Date: May 2005 Location: Seattle
Posts: 4,247
| Quote:
![]() Now I'm wondering where all those 22 inputs come from, and if you have 2 X-Desks cascaded together, will you actually get 44 inputs? Or will some of those inputs not be available on the "slave" unit, like aux returns maybe? So stoked for more info! | |
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| | #149 | |
| Gear maniac | Quote:
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| | #150 | |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 1,599
| Quote:
In esence, at mix time, on a single X-Desk: -8 mono chs with gain, balanced insert point, pre/post direct out (think ext bussing), 2FX sends, pan, cut, solo, 100mm fader -8 mono chs with pan+level -2 st channels with pan+level and mono, AFL, to mix and to CUE switches -st mix insert point that can be turned into a st input to mix | |
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