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| | #241 | |||
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
Quote:
Also, i am dislectis. Quote:
(but of course, you, as an adult and as a pro, have nothing to learn anymore....) | |||
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| | #242 | ||
| Gear addict | Quote:
Quote:
Dialing the phone.... Better yet, why don't you give him a call. Phil Demetro | Lacquer Channel Mastering - Toronto Mastering Studios, Canada. Mark
__________________ SharktankPro.com | ||
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| | #243 | |
| Gear nut Joined: Mar 2009
Posts: 101
| Quote:
it has nothing to do with mastering.... your mixes are just too bad, ![]() no mastering engineers can correct your misuse of dynamics and EQs... you dont even know whats mastering do you ![]() come to SAE, you will learn some taaaaaaa ooopps spelling mistake | |
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| | #244 | |
| Gear addict | Quote:
Not a big loss. Mark | |
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| | #245 |
| Gear nut Joined: Mar 2009
Posts: 101
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| | #246 |
| Gear addict Joined: Mar 2009 Location: Gearmany
Posts: 370
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| | #247 |
| Gear addict Joined: Feb 2006
Posts: 362
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Samplitude still sounds great and is a very efficient editing program regardless of all this bitching. Samplitude 11 will be out soon and I look forward to the upgrade. one louder – one better |
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| | #248 | |
| Lives for gear Joined: Oct 2007 Location: Kevin's house
Posts: 736
| Quote:
As far this mplancke=allencollins speculation goes, it's interesting, but I doubt it. Mplancke appears to be sober. Al usually posted when he was drunk.
__________________ This thread is going to turn so bad. -- travisbrown My mileage does not vary. -- RawBeanZen What is your problem? -- Silver Sonya About My Avatar... | |
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| | #249 |
| Gear nut Joined: Mar 2009
Posts: 101
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| | #250 | ||
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
Mind you, i work on a pc with mozilla and have no office installed. Maybe its because of that. Quote:
But the critisisms i have are mostly within the mix. Seen from a mastering engineers point of view these tracks are compromises. You cannot easily lift the high end out of an overall dull track without also hyping some already overhyped elements in the mix, if they are there. You cannot fix badly done compression on individual drums in mastering. You cannot easily remove clipping if it is already processed in to a mix. You cannot fix the way the individual sounds work together. You do broad strokes in mastering. My comments are mostly about the details. Which is basicaly how you have recorded/mixed it. And the mastering engineer has exposed. | ||
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| | #251 | |
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
That's the pro way. But pro doesnt make good mixes per se. | |
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| | #252 | |
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
![]() And if you find it an efficient editor then you should stick with it! No pun intended. Just don't be surprised if there are other tools out there that offer the same audio quality (and some are even free). Quality wise there is not much special about samplitude. But if you say you "just like to work with it" i believe you immediately. | |
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| | #253 |
| Lives for gear Joined: Nov 2006 Location: Greater San Francisco
Posts: 2,142
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....and what software does Mr Demetro use? Samplitude! (Sequioa aka Samplitude) Just thought that was interesting |
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| | #254 | |
| Gear addict | Quote:
Please feel free to deride their tastes at will. I'm certain Phil will be glad to answer all of your questions about my work and we will trust that you will share his unedited comments with the group. Not holding my breath. Where can we hear something you've done? Mark | |
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| | #255 | |
| Gear addict Joined: Mar 2009 Location: Gearmany
Posts: 370
| Quote:
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| | #256 | ||
| Gear nut Joined: Mar 2009
Posts: 101
| Quote:
but you dont wanna piss mark off ![]() Quote:
and apparently i didnt know that | ||
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| | #257 | |
| Lives for gear | Quote:
Yes... since the first one i've been part... same tired arguments. certain daws sound different to me. I am particularly very happy with sonar 8.3.1 really made my day when i installed the last (free) update. Samplitude always sounded pretty nice to me. | |
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| | #258 | |
| Gear nut Joined: Mar 2009
Posts: 101
| Quote:
i was only kidding | |
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| | #259 |
| Lives for gear |
Still waiting to see if anyone's going to talk about the sound quality of DAWs. Particularly interested in hearing from anyone who has actually made enough mixes with different platforms to have a practical basis towards understanding how "difference" in sound can result from the different workflows each DAW interface encourages.
__________________ -oudplayer ++++++++++++++++++++++++++++++++++++++++ Anatolian oud session player; world/esoteric music recording, mixing, and mastering musiq.com on soundcloud ++++++++++++++++++++++++++++++++++++++++ |
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| | #260 | |
| Gear nut Joined: Mar 2009
Posts: 101
| Quote:
just join the party, ![]() ![]() | |
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| | #261 |
| Gear nut Joined: Mar 2009
Posts: 101
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| | #262 |
| Lives for gear Joined: Feb 2009
Posts: 530
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Btw, my friend used Cubase SX3 and then switched to Samplitude (can´t remember if it was 9 or 10) and said Samplitude sounds better than Cubase. ![]() I myself use Cubase 4. |
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| | #263 |
| Gear maniac Joined: Oct 2008 Location: Santarem
Posts: 162
| impressed
I've been a Cubase user for a number of years and have always loved its ease in work flow. I've always been fascinated in these debates (French word = debattre = to "beat" the other down) on sound quality. I was always comforted by those who assured by mathematics that they are all the same. I just decided to download the demo of Samplitude yesterday and have been quite frustrated when all the cubase shortcuts don't work and having to re-learn everything. However, I can see it has a number of very good features, including some excellent plug-ins. Personally and having done a few ABs I have to say that Samplitude does for whatever reason sound better. Guitars sound clearer, sharper, mix sounds clearer and less hazy, drums sound more punchy and, believe me, the last thing I want to do is have to buy another DAW let alone have to relearn a new programme. |
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| | #264 | |
| Lives for gear Joined: Aug 2007 Location: Turkey
Posts: 1,873
| Quote:
It drove me nuts so I also started to use samplitude. | |
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| | #265 | |
| Lives for gear Joined: Jun 2002 Location: New York
Posts: 9,921
| Quote:
Unfortunately most, if not all, of the people here claiming 'differences' in sound would be stubbornly unwilling to admit that any part of those perceived differences result from visual feedback, GUI, workflow or really anything other than the sounds their golden ears hear. Some of them have such amazing hearing that they can confidently state that "Logic sounded better in Nashville than Pro Tools sounded in L.A. using different mics, different monitors, different preamps and different engineers six months apart" So really asking about what the workflow encourages is just going to get you more stories. My friend says Sonar sounds better. Cubase is warm and punchy ![]() I have recently been thinking along similar lines as you, but in the opposite direction: Something more like a test - and that is to REMOVE the GUI and workflow from the equation and force the user to evaluate only with sound. An interesting test would be to design a plain vanilla software "skin" that would be able to control several DAWs using the exact same (boring) looking interface. The user would be told he is using software A or software B - but that's all. Any features unique to one program would have to be removed. He would have a full set of, say, Waves plugs. so the plugs would be the same on both platforms. Pan laws set the same. I suppose you could also do it with some kind of hardware controller and no screen He could do as many "real world" mixes as he wanted and then he would be presented with software "X" which would be one or the other of A or B. First - he would have to be able to tell whether software "X" was A or B, and then he would be asked which one "sounds" the best. It would be impressive if he could also state with certainty if A or B was Samplitude or whatever his 'favorite' software was. since these differences are "clearly" audible to these guys, I think they would have no problem acing such a test every time. ![]() Or maybe they would complain that the "skin" was "changing the sound"
__________________ . “What you ask about is music. What you like is sound. Now music and sound are akin, but they are not the same.” — Confucius | |
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| | #266 | |
| Gear addict | Quote:
Yes, I hear a clear difference when I use it, just like I can hear a clear difference between mics, pre-amps and compressors. I don't feel the need to convince anyone or justify my choices. YMMV. Mark | |
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| | #267 | |
| Gear nut Joined: Mar 2009
Posts: 101
| Quote:
we are already convinced | |
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| | #268 |
| Lives for gear Joined: Dec 2006 Location: Melbourne, Australia
Posts: 950
| hOW CAN YOU POSSIBLY QUALIFY TO TALK ABOUT AUDIO IF YOU CANT TELL WEATHER THE SPELL CHKR IS IN YOURR BROWSER OR FART OF THE FORUN.. HE MUST BE USING fILEFOX AS A BROWZER. aND HOW CAN HEUSE THOS APO PLUGINS IS BEYOND ME... |
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| | #269 |
| Gear nut Joined: Mar 2009
Posts: 101
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i like this colour yummy ![]() yeeaaa yeaaaa we have dowloaded the samp demo too.... you can run cubsae and samp at the same time, with the same audio card, just make sure you set the same sample rate etc on both.,. and set the pan law to -3 on both.... on samp dont forget the apply all button ![]() stack same tracks on both.... and flip over between, and listen if you hear any difference, its your fart mate,,,, ta very much |
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| | #270 |
| Gear nut Joined: Mar 2009
Posts: 101
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we gonna perform the bloody null test and upload on youtube.... at lest, so some old fats can learn haw to perform a null test.... we have no video camere :( is there any other way i can capture my desk top as video file with audio.... or any cheap internet camera would do the job, i go buy one |
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