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| | #1 |
| Gear maniac Joined: Jun 2005
Posts: 188
Thread Starter | Recording/mixing for friends. Free of charge?
Hello. This is a difficult situation for me. A friend wants to record and mix a few songs. He wants me to do it. I want to do it, too, because he is such a nice guy and I know what kind of sounds he is looking for. Problem is, I am doing this for a living, so lots of other "regular", "paying" sessions going on these days... So, what is the right thing to do? What would you do? When you record or mix for friends, do you do it completely free of charge? Or do you ask for some money for your time? Thank you for reading this. Any input appreciated. |
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| | #2 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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Definetly ask for some money, give a good price.. Real friends understand you make a living out of it. This may create a distance which I think you'll need. I don't like working for friends outside the buisness. I've experienced delicate situations that affected my friendship. ruudman |
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| | #3 | |
| Gear maniac Joined: Jun 2005
Posts: 188
Thread Starter | Quote:
I feel awkard just typing this... Do you think asking for half the usual rates is a good price? | |
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| | #4 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,878
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I've always found the only time relationships remain clean is when your friend has offered to pay full price or when you are offering to work for free. Everybody tends to walk away from the middle ground feeling ripped off from doing something they couldn't afford to do.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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| | #5 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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Actually, you have a point there, Bob. In that case, I'd charge the regular rate. ruudman |
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| | #6 | |
| Gear maniac Joined: Jun 2005
Posts: 188
Thread Starter | Quote:
Problem is: -I can't afford to work for free at the moment (too many expenses to take care of) -Something tells me he won't offer to pay full price... So, what can I do? I don't want to offend him. He is a nice guy and a gifted musician. | |
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| | #7 | |
| Gear maniac Joined: Jun 2005
Posts: 188
Thread Starter | Quote:
I know what you mean about doing stuff for free...I don't want to be in this kind of situation... I don't want to be misunderstood- I am not a greedy person. I just have to pay the bills... | |
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| | #8 |
| one man, ONE mic pre Joined: Jan 2004 Location: New York
Posts: 2,303
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In my oopinion there's nothig wrong with doing a favour for a friend and I cannot imagine charging for it if it's only a favour. on the other hand... if the friend will commercially profit form it, then that's a business arrangement and you should get paid. and if you really (REALLY) don't have time to do it, because you need the work, then it's only reasonable to say so to your friend. "I'd LOVE to do it but right NOW I just don't have the time" certainly a friend would understand that.
__________________ William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield...) prorecordingworkshop.lefora.com thewombforums.com |
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| | #9 |
| Lives for gear Joined: Sep 2003 Location: Ottawa
Posts: 917
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Just be honest up front.... Give him a few days (or however long you're prepared for the project to take) gratis and tell him that if it goes over that the project will have to be billed at normal rates for any excess time. The real concern with doing free projects, in my experience, is that often the artist will not be as prepared as when they would be paying, and will be far more picky about sounds...leading to the project taking way too much time. If there's no pressure to complete a project, it's likely to take forever, so you need to be clear to your friend about how much time is available, and that its going to have to cost if it goes over-time. Cheers, Kris |
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| | #10 |
| Gear nut Joined: Mar 2005
Posts: 76
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I do my work for my friends for free. My friends are such that It comes back to me in other ways. I am not money motivated (wrong business I know - or right one depending which you look at it) So I'll happily sacrifice my time for them. Even if it means for a couple of long days. But then I believe in Karma so it makes sense to me. I have always found that whenever i give from the bottom of my heart honestly and openly without judgement or attachment it comes back ten fold. Sorry for the hippy speak, but thats how I handle it |
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| | #11 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,185
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This is a really tough one. I've done a special friends one-week special. I've decided to not do that anymore because I either get worked really hard because the band thinks "we're never gonna get cheap time again." And like previously mentioned without putting out real money, people don't always prepare. I do owe a friend a favor, and I went out to his home studio yesterday and tracked all day (and brought some mics). I'm going to track vocals and mix the project in my room for a discount.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel |
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| | #12 |
| Lives for gear |
I just bumped a friend of mine for a paying session. I'm not going to charge my very close friends, but they understand that a paying session takes precedent. I give discounts to friends of friends so they feel like they are getting something. ymmv, Rob
__________________ www.carvelstudios.com "I like my women the way I like my scotch, 20 years old and mix up in coke." |
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| | #13 |
| Gear maniac Joined: Dec 2004 Location: Germany
Posts: 272
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...you can't imagine how many friends I have - if they need something done in the studio. What I do is simple: I do free work for people that do something in return (be it working on my car, doing metal work for speaker stands or something else...) Cheers, Stefan
__________________ http://www.proaudioart.com http://www.mixingonly.com http://www.masteringonly.com |
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| | #14 |
| Lives for gear Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,881
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One thing NOT to do, is give your friend an open ended commitment. Recording a few songs can take a day, or months. "Hey, can I come back and re-do those guitars?" "Sorry it is taking me so long to do the vocals, I should have practiced more before coming in. I'll get it next time." Only give away what you can afford to be without. A real friend will not ask for more that that. One more option is bartering, if he is a good musician, maybe you can put his services in the 'bank' for future use. Good luck.
__________________ -David R. "An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way." - C. Bukowski |
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| | #15 |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
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I've been in this same situation many times before, and if it's a serious project, (not just a couple guys that want to screw around in a studio for free for the afternoon), I just tell them that I do this to make money, and if it's going to be free, they are going to be your LAST, LAST, LAST priority. I think most serious musicians understand your investment and that your time is valuable, so they should agree to pay something. The best album I've ever done was a friend of mine's band, and was paid for with $100, and having all the band members come over the day before and paint my entire studio for me. So if part-time slavery is an option.....
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| | #16 |
| Gear addict Joined: Feb 2005 Location: where there are blue skies 315 days a year
Posts: 460
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ive have spent the last couple of days bailing out a friend (another studio owner) who has gotten himself into some trouble doing work for friends. where he diffinatly screwed himeslf was by not setting a firm timetable for his friends recording sessions, and taking on a second friend project before the first was fininshed. in the first session was a band that there man in charge has OCD, and to make it worse he is attending a major university pursuing a degree in media arts. he has taken a lot of courses on music production and thinks because of that he know what hes doing, in all reality hes has no clue. that guy broke down the sessions and brought them to a grining hault. Because my friend did not want to offend this kid, he could not change the vibe in the studio to get things going again. well to make a long story shorter i had to take over both projects, iam only gettin paid his friend rate wich is about a 5th of what i usualy make and i have ocd boy asking for my cell number to ask questions, thank God my friend refuses to give it to him. there are only to good points to all this. 1 the second project rocks the guy is a total pro, hired first call players and really great person to work with 2 i dont have to mix the first project. moral of the story. i just think that once a session starts dont let your friend walk all over you. you cant be affraid to tell your friend how it is. if he/shes a real friend they will understand. and dinner should be included after every session |
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| | #17 | |
| Lives for gear Joined: Sep 2004 Location: CHILE-Miami
Posts: 1,199
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WOW!! This Forum is incredible!! I'm having the very same dilemma... just talk to a friend this afternoon, cause he also wants his next album to be recorded at my place!? I have to agree with Mr. Olsson Quote:
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| | #18 |
| Lives for gear Joined: Apr 2005 Location: nyc / london
Posts: 3,510
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i am bartering studio time with an excellent chilean carpenter as i read this post... |
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| | #19 |
| Gear nut Joined: Mar 2005
Posts: 76
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If we are talking albums then, I think I'd haver to at least for something near cost - plus some points. A doy or two for a demo is one thing but an album can seriously compromise your income. I'd break down a reasonable cost of rent electric etc, and then work for free so it isn't costing me anything. Again as has been metioned so many times - make it clear this is a business, you can help, but you can't be expected to bank roll the project. It's kind of like meeting in the middle. And set firm time limits - it really does inspire preparation when they know the clock is ticking. Sometimes, if I know I have enough work for four months of money without having to worry, i'll juggle the time so a large slot is available and because I know it's already paid for I'll let a friend pick it up for next to nothing. But If I was full every week of every month I'd have double to triple what I need. Shame I'm not! |
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| | #20 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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Individual friends, I take care of in my spare time. Friend's bands pay about $25 per hour. They always appreciate it, and I always like doing it. But I schedule it at my convenience so I am not the one who feels shafted by taking it on. Good friends always understand and never ask for too much. War |
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| | #21 | |
| Lives for gear Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,881
| Quote:
Wow! A bartender spilled chilli on my carpet as well. Oooops. Sorry about that. | |
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| | #22 |
| Lives for gear Joined: Jun 2002 Location: New York
Posts: 9,921
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the trouble with doing your friend's project for free is that when they finally have some money, they will take their next project to a "real" studio. tutt
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| | #23 |
| Lives for gear |
If a friend needs help painting his house, I'll pitch in. If he needs help working on his car, I'll lean on a fender. If he needs to record something, he pays card rate. Does your friend let you walk into the music store during his shift, pick out a nice Les Paul and walk out with it? If you think those are two different things, you're not in the recording *business*.
__________________ "If you never did, you should. These things are fun and fun is good." |
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| | #24 |
| Gear addict Joined: Feb 2004 Location: Easy Bay, California
Posts: 474
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If you worked at a bank would you give them money for free? If you were a hooker would you give them free blowjobs? What would your pimp say about that? Have them take care of your girlfriend's cat while you're out of town. That's what I did. |
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| | #25 | |
| Lives for gear Joined: Sep 2004 Location: CHILE-Miami
Posts: 1,199
| Quote:
...great music & carpentry comes from my beloved homeland!! Please salute my fellow compatriot | |
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| | #26 | |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
| Quote:
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| | #27 |
| Gear Head Joined: Aug 2004 Location: Buffalo, NY
Posts: 45
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I received some good advice from a graphic arts friend of mine once... I have a special "friends and family" discount that I don't stray from. I normally charge $50/hour in my studio, but my f and f discount is $30/hr. That way I can easily cover my expenses and make a little profit and they're still getting a great deal. So far no one has complained and I don't resent it because I'm not cutting my own throat. Hope this helps, Ken Rutkowski www.OuterLimitRecordingStudio.com |
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| | #28 |
| Lives for gear Joined: Aug 2002 Location: maui, hi. USA
Posts: 668
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good friend, give him 1 or 2 days free after that, pay, whatever rate u decide this will motivate the sessions and if it all goes well maybe earn u a dime or 2 whatever it is, spell it out that way no one has hard feelings i like to charge, at any rate so as it is valued and people are prepared |
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| | #29 |
| Gear Guru Joined: Mar 2005 Location: Long Beach, CA
Posts: 15,095
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Way too many people who should know better don't respect what they get for free...
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| | #30 |
| Gear maniac Joined: Apr 2005
Posts: 264
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I have a best friend who comes around and records. I dont charge him a thing. In return, he might do me the odd favour...but he also sends paying customers in my direction. So thats great. Another thing, because I'm working for free, I tend to experiment on his stuff more. I can either palm him off with a lackluster production...or I can be all creative and experimental on his songs...using him as guinie pig ahaha. kinda like a free hair cut by a trainee. |
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