10th March 2009
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#1 | | Gear maniac
Joined: Feb 2009 Location: Sweden
Posts: 196
Thread Starter | Waves q10 vs Waves REQ
which sounds the best? What are the differencies in sound?
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10th March 2009
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#2 | | Lives for gear
Joined: Aug 2007 Location: Turkey |
the req. eq's have a more tight/stressed sound compared to the q series. Could be considered as the poor mans sll eq |
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10th March 2009
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#3 | | Moderator
Joined: Jun 2006 Location: Sydney via London
Posts: 18,879
| Quote:
Originally Posted by cooker the req. eq's have a more tight/stressed sound compared to the q series. Could be considered as the poor mans sll eq  | Ren EQ sounds and feels nothing like the SSL EQs.
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10th March 2009
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#4 | | Gear maniac
Joined: Feb 2009 Location: Sweden
Posts: 196
Thread Starter |
Is the software SSL better than the REQ? I'm trying to pick up on different sounds in eqs but sometimes it feels to subtle.
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11th March 2009
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#5 | | Moderator
Joined: Jun 2006 Location: Sydney via London
Posts: 18,879
| Quote:
Originally Posted by fixitinthemix Is the software SSL better than the REQ? I'm trying to pick up on different sounds in eqs but sometimes it feels to subtle. | "better"? it's better at sounding like an SSL console. It's better at some tasks.
not a "better" notch EQ...it's really a personal thing, demo both and find out which you like.
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11th March 2009
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#6 | | Gear addict
Joined: Jul 2008
Posts: 421
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The SSL eq's are a lot more 'in your face' and run hotter than most other eq's you have probably tried (though not as hot as the real thing.) If you want an EQ with a very unique sound, try the API's.
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11th March 2009
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#7 | | Moderator
Joined: Jun 2006 Location: Sydney via London
Posts: 18,879
| Quote:
Originally Posted by roadsweeper The SSL eq's are a lot more 'in your face' and run hotter than most other eq's you have probably tried (though not as hot as the real thing.) If you want an EQ with a very unique sound, try the API's. | Much as I like the APIs, I find the SSLs at least as characterful. Hell, just get the entire studio collection while you're at it - the neves are great too!
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11th March 2009
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#8 | | Lives for gear
Joined: Nov 2007 Location: Minneapolis MN
Posts: 3,188
| Quote:
Originally Posted by cooker the req. eq's have a more tight/stressed sound compared to the q series. Could be considered as the poor mans sll eq  | Um... I dont think that they are similar AT ALL.
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11th March 2009
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#9 | | dudeguykhed.
Joined: May 2005 Location: Slum-a-ville, Mass
Posts: 6,459
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Heh, my smart-ass reply:
Ren EQ: sounds bad
Q10: sounds worse |
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11th March 2009
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#10 | | Lives for gear
Joined: Dec 2007 Location: Sweden
Posts: 1,354
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Compared to the Q series, I seem to sense that the RenEQ sounds a bit more soft, almost dull, woody and slightly hissy. But that's talking very small nuances indeed.
__________________ "Listen through the equipment, not to the equipment" - Bill Putnam |
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11th March 2009
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#11 | | Lives for gear
Joined: May 2005 Location: Lisbon
Posts: 1,229
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I use them everyday. Completly different.
Ssl, like already said, great for in you face, punchy sounds. I like it for snare, specially with the compressor on top. Not that good for cleaning up.
Ren, good for much more detailed dips and I like it also for smooth boosts in the mid and high freq area. For example, boost 8k/ 12k on vocals, or a more soft snare sound. Its a pretty smooth eq.
Q10, I find it a bit harsher than the ren. Not good for smooth boosts, but very very good for super detailed cuts ( the q factor on those plugs goes insanly narrow) and maybe boosting for roughness, say bass, or if you want to ruin something....
All good.
APIs very good too. Not detailed at all, mid to large paint brush. Killer on drums. Good presets, as starting points.
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11th March 2009
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#12 | | Gear maniac
Joined: Feb 2009 Location: Sweden
Posts: 196
Thread Starter |
Okay so generally speaking ( I need to speak generally to get a grip of everything. Its as I stated before subtle to my ears)
q10 for narrow cuts, tends to sound harsh when boosting
REQ - sounds kinda soft. Too soft sometimes. I could boost highs with this one
What would you say the 7-band eq3 is good for? I'm on Pro Tools. Better than REQ on a lead vocals? (let's be general!)
The LinEQ sounds better? The delay on that one really makes it hard to work though.
Investing in Oxford eq is a good move for a poor ITB-producer?
Thanks again
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11th March 2009
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#13 | | Lives for gear
Joined: Dec 2007 Location: Sweden
Posts: 1,354
| Quote:
Originally Posted by Dog_Chao_Chao Q10, I find it a bit harsher than the ren. | +1 on that. I too find it a bit hard, almost like ... dunno ... nasal.
And as for the post above mine .. if you're looking for a general usage EQ, tracking EQ, the difference between EQ isn't that dramatic. There was even a thread here not too long ago that claimed that you can emulate the effect of every EQ, with another EQ, most EQs in fact, no matter what price or pedigree. Regardless if it's true or not, it's still a very relevant point. The functionality, flexibility and how immediatly comfortable you find yourself with an EQ, is still just as important. I've tested myself many times, using different EQs and adjusting the same track with them. You'd be surprised to know how much the GUI controls how you tweak your EQ, and I tried very much to let my ears guide me. But my ajustments were different from EQ to EQ and I think most of that was because of how the GUI made me hear things I really didn't hear etc
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11th March 2009
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#14 | | Gear Guru
Joined: Jun 2004 Location: NYC
Posts: 14,965
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To me, the Q10 is for precision surgery and the Ren is for broader sound shaping.
__________________
To doubt everything or to believe everything are two equally convenient solutions; both dispense with the necessity of reflection.
-Henri Poincare
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11th March 2009
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#15 | | Lives for gear
Joined: May 2007
Posts: 907
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The q10 is more surgical than the Ren series.... though in most cases I'll opt for the Digi Eq 3 over either of these for cuts and corrections. I find the Ren eq smears things quite a bit, depending on the source. I hate it on crunch guitars. Boosting with either of those is a nightmare to my ears, especially the treble regions.
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11th March 2009
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#16 | | Gear maniac
Joined: Feb 2009 Location: Sweden
Posts: 196
Thread Starter |
Can you actually hear a direct difference when A/B-testing eqs? If they are doing the same boosts? If I posted something done with different eqs all settings the same. Would you hear which was which?
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11th March 2009
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#17 | | has all the gear he needs
Joined: Jan 2007 Location: Terra Firma
Posts: 7,232
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For me.......
Q10 for surgery.
RenEQ for mild boosts and HPF work.
EQ3 gets the most use.
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child
"i was not looking at what it was doing, i just kept going till it sounded full." jamesyeah "Sometimes invisible are these glistening threads........" Janni Littlepage Leonard Scaper......Like Dominoes (We Fell) |
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11th March 2009
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#18 | | Motown legend
Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 12,060
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The REQ. was co-designed by Hutch of Manley at the same time the Massive Passive was being designed. I always thought they have a bit in common sound-wise. Great for some things and not so great for others.
REQ was the very first double precision EQ plug-in back when DSP economy was absolutely critical. The fact that lots of people still use it after more than a decade speaks volumes.
The Q-10 was the very first plug-in. I still use it from time to time at 96k which avoids the problems mentioned.
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