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| | #211 |
| Gear Head |
@mikeyrad we had a thread about it on duc Pro Tools Metering Accuracy - Avid Audio Forums i hope it will answer your question |
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| | #212 |
| Gear addict Joined: Jan 2008 Location: land of the lost
Posts: 463
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@dot. yes it did thank you for the info |
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| | #213 | |
| Gear nut Joined: Feb 2010
Posts: 77
| Quote:
Chris, thank you for your suggestion but I have already been in touch with the support team (Joe Noël and Justin Shoub) to no avail. If it was a driver issue, how would I remedy that since I am on a Mac? I hope my dealer has a good return policy. This thing has cost me more downtime in the studio than any other piece of gear I've owned. | |
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| | #214 | |
| Focusrite Joined: Aug 2009
Posts: 137
| Quote:
Best regards, Chris Focusrite Support | |
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| | #215 | |
| Focusrite Joined: Aug 2009
Posts: 137
| Quote:
Chris | |
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| | #216 |
| Gear interested Joined: Nov 2011 Location: Massachusetts
Posts: 1
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Im new around hope this is the right forum, Would anyone care to remove the mystery around the settings for LS56 MixControl, Firewire Driver Latency: Short ,Medium Long...or Very Long, ? Do these relate to numeric values somewhere,http://www.gearslutz.com/board/image...s/facepalm.gif |
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| | #217 | |
| Focusrite Joined: Aug 2009
Posts: 137
| Quote:
The FireWire driver latency changes a safety buffer for the LS56's FireWire driver. It's similar to the audio buffer for your software but is another buffer for hardware communication across FireWire. The same principles apply as for an audio buffer: the shorter is the lower the latency but the greater chance of dropouts; the higher it is the higher the latency but lower chance of dropouts. In most situations you should be able to have this on 'short' but if you're experiencing dropouts or glitches you can set it higher. Best regards, Chris Focusrite Support | |
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| | #218 | |
| Gear interested Joined: Jun 2011 Location: Spokane, WA
Posts: 28
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| | #219 |
| Gear maniac Joined: Apr 2009 Location: Houston
Posts: 192
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I'm getting a unit from a friend who used it once for 200$. I'm going to be expanding it with my current Saffire Pro40, should be fun! Any issues with drivers? |
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| | #220 |
| Gear interested Joined: Nov 2011 Location: California
Posts: 2
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Hey fellas this is my first post! I wanted some input and opinion from you knowledgeable gents. I just recently purchased a LS56 and was looking for options to incorporate it in my current setup. Mac Pro 10.6.8, PT10/Logic Pro, digi 002c, Modified Golden Age Pre-73, TLM 103. I mainly produce on my MPC 2500 and Roland Fatnom X6 for now even tho I just picked up a NI Maschine(still learning). I got the LS56 because I wanted to upgrade from the 002 pres. So for my mic I wanted to go in my Pre-73 to a LS56 liquid channel and use the pre emulation. So how do I get this accomplished? Am I able to use the emulation if the 002 is master and LS56 is adat clock source. Or does the LS56 have o be the master and 002 in stand alone? Do both 002/LS56 have to be connected firewire or only one and the other on adat. I would like to keep the 002 control surface, but I have to be able to use the LS56 emulated pres. Is this possible or not so much, I really dont need 28 I/Os 16-18 is good for what I'm currently doing. Any feedback on this matter would be greatly appreciated.
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| | #221 |
| Lives for gear | |
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| | #222 | |
| Gear interested Joined: Nov 2011 Location: California
Posts: 2
| Pros & Cons LS56 and digi 002/003 mixer Quote:
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| | #223 |
| Lives for gear Joined: Sep 2006 Location: Cornwall, UK
Posts: 3,091
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I currently use a Focusrite Saffire Pro 24 DSP here and love it. Great conversion, pres, dsp mixer and fx. It seems to me that Focusrite now have experience in so many areas for them to make one serious killer interface. I would love to see and audio interface incorporating their best of their designs similar to this :- 1/ 2 (or more) channels of their best pres ( ISA ) + DI's 2/ 2 (or more) channels of their Liquid pres + DI's 3/ A/D + D/A quality from their ISA converter cards 4/ Liquid Compressors on all channels that can be used to record into DAW or used purely for monitoring or both (similar to the dsp compressor idea in the pro24 dsp) 5/ DSP Reverb for monitoring (from the pro24 dsp) 6/ VRM (from the pro24 dsp or VRM) 7/ similar dsp mixer from the current saffire range 8/ line inputs that bypass the pres 9/ multiple monitor outputs controlled by a monitor select button 10/ talkback mic/input Focusrite are producing most of this stuff already in separate products and if there is a way to pack all this goodness into one product I fell they would have an awesome product!? |
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| | #224 |
| Gear addict |
Yesterday I had opportunity to record through Liquid 56, so I tried liquid pres. After some testing I found that Millennia emulation {New Age 1} is really killer sounding. Especially on rap.
__________________ |
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| | #225 | |
| Gear maniac Joined: May 2009 Location: san fran
Posts: 297
| Quote:
__________________ bassist...so just how funky u wanna make it?? ![]() The Basschakra Lucid Soul Trip i7 Builds/Results for PTLE/PT9/PT10 | |
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| | #226 | |
| Focusrite Joined: Aug 2009
Posts: 137
| Quote:
It's separate to the audio buffer size but I wouldn't say it significantly increases the overall latency, especially when on the shortest setting. The device you're currently using most likely has something similar even if the settings aren't apparent to the user, so you should be able to achieve similar performance. Best regards, Chris | |
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| | #227 | |
| Gear maniac Joined: May 2009 Location: san fran
Posts: 297
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| | #228 | |
| Focusrite Joined: Aug 2009
Posts: 137
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| | #229 |
| Lives for gear Joined: Nov 2011 Location: Durham, UK
Posts: 536
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At the risk of going off on a tangent... Does anyone know how to set the bit-depth (16-bit, 24-bit) on an LS56? Is it actually possible to do it or does it just run at 24-bit all the time? Or does it pick up bit-depth from your DAW via the ASIO driver? (Or something even more complicated - like my old Yamaha n12 that, apparently, automatically runs at 16-bits if its sample rate is set to 44.1/48 and 24-bits if the sample rate is set to 88.2/96, or so Yamaha/Steinberg told me). Also, does anyone know whether a Focusrite VRM box will happily coexist with an LS56? And, if so, are you better off connecting the VRM to the computer via USB for its audio or connecting it to the LS56 via S/PDIF for its audio? (I assume that it will need to be connected to the PC via USB for control purposes anyway, but am wondering about the audio side of the connection.) Thanks in advance for any help folks. |
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| | #230 |
| Gear maniac Joined: May 2009 Location: san fran
Posts: 297
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| | #231 | ||
| Lives for gear Joined: May 2006 Location: Midlands, UK
Posts: 666
| Quote:
Quote:
Chris, can you recommend anything for this application?
__________________ Ashley Smith Tech Support Specialist - Slate Digital | Steven Slate Drums Sound Engineer, Musician and Producer, and Guitar Tutor Website: Seattle Underground CV: http://www.box.net/shared/fpeobmn4k4 - (latest) Reference: http://www.box.net/shared/l0s2frm11e Affiliates and Endorsers include: - Slate Digital, Steven Slate Drums, Avid/Digidesign, FXpansion, Platinum Samples, Native Instruments, Overloud, and many more Multi Platinum ProTools Affiliate | ||
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| | #232 |
| Gear interested Joined: Jan 2012
Posts: 10
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I am using logic 9 with liquid saffire 56. I am having a lot of latency issues. When I play to a track or just the click from Logic it is hard to play with. I am tracking 8 channels of drums. I was hoping someone here knows how to get Logic 9 and liquid saffire 56 optimized for zero latency. I set the software from the saffire to zero latency and moved my buffer down to 32 in Logic. My gear is a Mac Pro 2.8 quad core 4 gigs of Ram |
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| | #233 |
| Gear Head |
Logic buffer set to 32 can be a problem with Firewire, try 64 or 128. Do you use any plugins/ software instruments when recording? Can you add more RAM? |
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| | #234 |
| Gear interested Joined: Jan 2012
Posts: 10
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Yes, I have it at 32. Can that make for latency? I dont use any plug-ins when recording.
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| | #235 | |
| Lives for gear Joined: May 2006 Location: Midlands, UK
Posts: 666
| Quote:
Bump!! | |
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| | #236 |
| Gear addict Joined: Jan 2008 Location: land of the lost
Posts: 463
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@chris from focusrite or anybody that knows. I'm trying to use my ada8000 for hardware inserts, will it work or can only use the outputs from my ls56? Tried it last night with no luck, but didn't have alot of time to work on it. If someone has done it with an adat interface, lemme know how thanks!
__________________ Mike Radzimski- FULL LENGTH AUDIO "Cause Sound Matters!"...Owner/Operator |
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| | #237 | |
| Focusrite Joined: Aug 2009
Posts: 137
| Quote:
You'll need to set up Saffire MixControl for this routing. I recommend contacting us here if you need help with this: The Official Source for Focusrite Product Support and Information .: Focusrite Answerbase Please let us know exactly how the ada8000 is connected to the Liquid Saffire 56. Best regards, Chris Focusrite | |
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| | #238 |
| Lives for gear Joined: May 2006 Location: Midlands, UK
Posts: 666
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Hey Chris, Any word on hooking up a guitar to the liquid pre's via a DI Box with variable impedance control? |
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| | #239 |
| Gear Head Joined: Feb 2011
Posts: 48
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Hey Chris, Any future plans for focusrite to bring out any new or mkII models of your interfaces? I'd jump on a Liquid 56 with built in reverb, being able to midi control mix control, and to have more then 18 channels in mic control! Just thought I'd ask. |
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| | #240 |
| Gear Head Joined: Feb 2012 Location: Tucson, AZ
Posts: 46
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Not a Liquid Saffire 56 MkII already , I haven't had mine for very long. I just got over seeing the UA Apollo and wishing I could own that one.
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