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| | #1 |
| Gear maniac Join Date: Jan 2005 Location: manchester UK / helsinki
Posts: 160
| hiphop & rnb mastering looking for good mastering, can you guys recommend good mastering studios/engineers for hiphop and rnb - in the UK or in the USA. many thanks also if you know of the price range please post it.. for album projects. cheers! |
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| | #2 |
| Lives for gear Join Date: Jun 2003 Location: Gotham City
Posts: 640
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| | #3 | |
| Gear maniac Join Date: Jan 2005 Location: manchester UK / helsinki
Posts: 160
| Quote:
i remember sterling sound nyc from a lot of 90s stuff.. whos the don these days? and how much would someplace like sterling sound charge? | |
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| | #4 |
| Gear addict Join Date: Sep 2004 Location: Central FL. Londrina, Curitiba, PR, Brasil.
Posts: 436
| For hip hop (or anything else) you CAN'T go wrong with Brain "Big Bass" Gardner. http://bigbassbrian.com/index.htm Do a search on artist direct.com and look up his name. He had done plenty of Hip hop. Dre gave him the name "Big Bass". Hope this helps. Peace
__________________ Antonio |
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| | #5 |
| Lives for gear Join Date: Apr 2005 Location: Virginia Beach
Posts: 1,600
| Herb Powers NYC
__________________ We are creating enemies faster than we can kill them. |
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| | #6 |
| Gear maniac Join Date: Jan 2005 Location: manchester UK / helsinki
Posts: 160
| thanks dudes... is this the same herb powers who is credited on a lot of disco records? |
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| | #7 |
| Lives for gear Join Date: Apr 2005 Location: Virginia Beach
Posts: 1,600
| the same... look for his signature and comments between the last track and the label on the old 12" vinyl. One man's disco is another's R&B ![]()
__________________ We are creating enemies faster than we can kill them. |
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| | #8 |
| Gear maniac Join Date: Jan 2005 Location: manchester UK / helsinki
Posts: 160
| e yeah i remember theres some writing on unique "what youve got is what i need"... fat sounding cut!! real loud and fat soundthe only thing i find with even the fattest disco masters,maybe the sound systems were different back then but these days musics got a lot more subs and seems a little more "full spectrum".. but i love early 80s nyc stuff it sounds sick |
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| | #9 |
| Lives for gear |
__________________ Interface: MIO 2882 PreAmps: Averill 1272, Fletcher P10 Compressor: Smart C2M, EL Fatso Summing Mixer: Sumo Monitors: Klein & Hummel O300 Microphone: Audix D6, Audix i-5, Audix OM-2s, CAD E-350, Beyerdynamic M160, Beyerdynamic MC930, Peluso 22 47 Outboard FX: Lexicon PCM 81, PCM 91, Ensoniq DP4+ DAW: Intel Mac, MOTU DP 5, Apple Logic 8, Cubase 4.1, Ableton Live 7, Celemony Melodyne 3, URS & Waves Plugins |
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| | #10 | |
| Lives for gear Join Date: Jul 2005 Location: USA - Indiana
Posts: 774
| Quote:
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| | #11 | |
| Lives for gear | Quote:
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__________________ Interface: MIO 2882 PreAmps: Averill 1272, Fletcher P10 Compressor: Smart C2M, EL Fatso Summing Mixer: Sumo Monitors: Klein & Hummel O300 Microphone: Audix D6, Audix i-5, Audix OM-2s, CAD E-350, Beyerdynamic M160, Beyerdynamic MC930, Peluso 22 47 Outboard FX: Lexicon PCM 81, PCM 91, Ensoniq DP4+ DAW: Intel Mac, MOTU DP 5, Apple Logic 8, Cubase 4.1, Ableton Live 7, Celemony Melodyne 3, URS & Waves Plugins | |
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| | #12 | |
| Gear interested Join Date: Sep 2006
Posts: 19
| Quote:
Statikat your avatar.....that the bad guy from that kungfu movie with bruce leroy? el debarge was in that movie. so good! havent seen that in ages. ...."I got the GLOW!!" gotta go find that one. | |
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| | #13 | |
| Lives for gear | Quote:
Brian "Big Bass" rocks. I've had albums mastered by him incl. some wide-release hip-hop stuff. Check out Louie Teran at Marcussen marcussenmastering.com Believe it or not, he was heavily involved with West Coast hip-hop before he went into mastering. The tracks I brought him turned out superb, although his discography shows more soundtrack & rock work (Snow Patrol, Da Vinci Code, Dave Matthews Band). Highly recommended. Can't go wrong with either of those guys. And, if you do go to Big Bass, have them make you a cappuccino while you're there. Bernie Grundman's has the best cappuccinos in town.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html | |
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| | #14 | |
| Lives for gear | Quote:
Sorry you forced me to say that! BTW: Your track Alone on your myspace account is real nice, to me! Any more informations about that project?
__________________ Interface: MIO 2882 PreAmps: Averill 1272, Fletcher P10 Compressor: Smart C2M, EL Fatso Summing Mixer: Sumo Monitors: Klein & Hummel O300 Microphone: Audix D6, Audix i-5, Audix OM-2s, CAD E-350, Beyerdynamic M160, Beyerdynamic MC930, Peluso 22 47 Outboard FX: Lexicon PCM 81, PCM 91, Ensoniq DP4+ DAW: Intel Mac, MOTU DP 5, Apple Logic 8, Cubase 4.1, Ableton Live 7, Celemony Melodyne 3, URS & Waves Plugins | |
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