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| | #1 |
| Lives for gear Joined: May 2006
Posts: 1,252
Thread Starter | How Many Of You Are Layering SS Snare Samples ?
I've been messing around with this lately and the results have been way better than just using a single Z1 snare sample. I have the 2.0 Elite Mixer Edition, and just last night I layered the Z1 of the Panty Snr. with the Z1 of the Nirvana Snr., just for the chourus section of this song that really speeds up from the verse. This really blew me away and exceeded my expectations! What I did was to clone the trigger snare track, then insert 2 drumagogs and set one for only "cracks" on the Nirvana snr. and the other for only "hard" hits on the Panty Snr. The end result is a very in your face type snare sound that fits the song extremely well. So I am now convinced that this must be how alot of these drum sounds that I'm hearing on records are being acheived these days. The difference of the 2 sounds together is not subtle. It's a creative process and you need to spend some time layering and experimenting and not just settling for that one snare sample for more demanding tracks. Anybody else out there who is into the whole layering thing (especially snares) and has some additional advice to share ? |
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| | #2 |
| Lives for gear Joined: Aug 2007 Location: Sweden
Posts: 2,349
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Yeah I'm doing it all the time! We where working on a song and I didn't know that the chorus would be pretty guitar heavy when we started tracking the drums so the drum track was way too soft for the chorus when I added several layers of rocking guitars. I made a copy of the top snare and added a second snare with more grit and layered it with distortion etc and it worked great! I also added more click to the kick and recorded a second cymbal track to get more excitement... There are some layering on the drums on the soft part to... It's not finished but check it out! http://www.evileyedcherry.com/music/dump.mp3
__________________ DRILL BABY DRILL! ![]() ONLY THE RICH CAN AFFORD TAPE |
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| | #3 |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,756
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Common practice, I would have thought.......play with pitch and envelopes comes to mind....
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| | #4 |
| Gear maniac Joined: Nov 2008 Location: New York, NY
Posts: 237
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| | #5 |
| Lives for gear Joined: May 2006
Posts: 1,252
Thread Starter |
Well, yeah I just generally do that by ear. Just go through the samples until you find the first one that "sounds right", which usually means that it matches the tuning of the original kit's snare that gets captured in the OHs and the room mics. Then layer from there. So I guess this is more "common practice" in major rock/pop productions these days than most would imagine ? In other words, we are basically NEVER hearing just the real snare ? |
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| | #6 |
| Lives for gear |
I usually layer up to 3 snares.....1 mono crack, 1 mono fat and one stereo ambience. I use drumagog and you can tune the sample to the original snare easily with a "pitch" parameter. Mind you, after printing the samples from drumagog, I do spend a rediculous amount of time realigning and listening carefully to make sure evey single snare hit has the best phase relationships with eachother.....when you have 3 samples and a real snare it takes a while. I listen in mono. Once thats done bring up the overheads in mono with the snare " blend" and check the phase with the overheads as once the samples have been addded I find that the snare can sound better having its polarity reversed in relationship to the overheads., even if only the real snares phase was pretty good originally with the overheads. Continue the same process with the rooms as well untill you have maximum impact. Dont be scared that it takes an insanely long time sometimes to get it right. Chymer |
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| | #7 |
| Lives for gear |
I'm doing 3 Snares and 3 Kicks. More control than EQ or Compression.
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| | #8 |
| Lives for gear Joined: Feb 2006
Posts: 705
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Layering is great. Can get some unique sounds that suit on a project per project basis. Much better way of 'shaping' than simply using EQ IMO. Though I must admit for the sake of time I tend to just layer two samples max, along with the natural snare. I don't really want to be checking how well each layer of snares is triggering for hours.
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| | #9 |
| Lives for gear Joined: Aug 2007
Posts: 1,022
| Sometimes I find phase issues with stacking, just some partials or frequencies being masked.... flipping changes things, not always for the better, phase "rotators" like with the IBP provides other combos, but other problems as well.... how you guys all dealing with this? I never need to replace kicks for rock, but when stacking kick samples in dance music, the phase issues are enormous! ... no?....
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| | #10 |
| Lives for gear Joined: Jun 2006 Location: Sweden
Posts: 666
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| | #11 | |
| Gear maniac Joined: Nov 2008 Location: New York, NY
Posts: 237
| Quote:
SoundClick artist: Kalandar Music - page with MP3 music downloads | |
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| | #12 | |
| Lives for gear | Quote:
Is the phase inconsistent for you on different hits? | |
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| | #13 |
| Lives for gear | |
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| | #14 |
| Lives for gear Joined: Aug 2007
Posts: 1,022
| No, it's more about when adjusting an IBP (IMO better then time domain adjustment) on one kick sample with respect to another (i only do this in dance music) there is never a single "best" option. Phase issues as you know are compounded by EQ and when you create little phase holes in the bottom 2 octaves (due to the differing formants in the samples) it is often too time consuming to keep changing phase and re-eqing until you think you have the sound you want. When you do finally get a blend you like, I suggest sample it!
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