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| | #1 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter | JuicyLime's manifesto for the home recording musician.
There are many experienced musicians/engineers/producers here on Gearslutz that are more qualified than me to offer advice. But sure I'm not going to let that stop me! I've published my own facetious manifesto as part of a blog on my website and thought I'd share it here too. 1/ No matter how good or expensive it is, your gear will not make you a better musician/songwriter/engineer/producer. 2/ Internet forums about making music will take time away from making music. Oh yes they will. 3/ Music gets better the more you work on it. Working and working and then reworking stuff is what pro's do and amateurs don't. 4/ More people make money from teaching people how to record on over priced courses than there are people who know how to record well. 5/ Don't be fooled by vintage being better. Some gear is better just because it is, not because it's old. 6/ Great gear costs a lot of money. 7/ Good gear doesn't have to cost a lot of money. 8/ You don't need great gear to make great music. 9/ If you're not great on an instrument get someone else to do it and don't trust MIDI to be your saviour. 10/ Don't trust stock samples to sound great in 10 years. 11/ Buying €500 worth of recording equipment because 1 day in the studio costs the same is very, very bad maths. 12/ Write in your home studio then record and/or mix with the pro's. And finally: 13/ Despite what you think, you probably already have enough gear to make all the music that is in your head/heart/loin. So get off the internet and do it. Please add your own too! Original blog right here: Hamlet Sweeney blog
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| | #2 |
| Gear addict Joined: Apr 2006 Location: Reality
Posts: 308
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Agreed! All good points. Van |
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| | #3 |
| Gear nut Joined: Dec 2006
Posts: 120
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11 is debatable, but everything else is spot on.
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| | #4 |
| Lives for gear Joined: Sep 2006 Location: Toronto
Posts: 1,081
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awesome! Thats pretty much my philosophy. 11 is definately debatable within reason though. your home studio should have a good pre or 2 and some converters and sweet speakers and a bit of room tweaking because there is nothing wrong with recording parts of an album at home if you want plus good equipment helps make demos sound better which for me anyways is great for inspiration.
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| | #5 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter |
11 is not debatable! Many musicians honestly think that they can buy the cheap versions of pro gear for the same price as some studio time and achieve the same results. This is not true!
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| | #6 | |
| Gear maniac Joined: Aug 2008 Location: Santa Monica CA
Posts: 221
| Quote:
#1- I have used some awesome guitar pedals that have allowed me to play my guitar in a different way, obtain a different sound, and in my opinion, made my guitar playing better. #3- In some cases, music gets worse the more you work on it. I have a tendency to over work my songs until they have lost the inspiration they were written with. #12- Write in your home studio, track/mix sessions at a pro studio... make sure to watch the engineer and make it a learning experience. Eventually, your "demos" recorded in your home studio will get better and better.. | |
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| | #7 |
| Gear Head Joined: Oct 2008 Location: London, UK
Posts: 64
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cheers for this post! but... 2 & 13...amazing irony. it's about balance....there are solutions to problems i could never dream of...which is why i come here. i can sit there for hours trying to work something out or i could search here and take a shortcut. |
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| | #8 | |
| Gear nut Joined: Dec 2006
Posts: 120
| Quote:
Time is money. | |
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| | #9 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter |
Oopps...missing points 4 & 5 now added.
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| | #10 | |
| Lives for gear Joined: May 2004 Location: Atlanta, GA
Posts: 2,980
| Quote:
"-) seriously though, good stuff. thumbsup | |
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| | #11 | |
| Gear Guru Joined: Mar 2005 Location: Long Beach, CA
Posts: 15,099
| Quote:
With the possible exceptions of numbers 3, 11, and 12. #3 -- I've done a lot of sessions with pros and with not-so pros -- and a few with rank amateurs. I'd say amateurs can have terrible problems knowing when to stop working on what is essentially a sow's ear. For some folks, every song they write and record is some kind of world-busting masterpiece. And they spend days, weeks, months, trying to refine something they should have been done with in a few hours -- because it should have just been a stepping stone, a learning stage. Take your lessons quickly and move on to the next. #11 & #12 -- Many folks -- maybe most folks -- should not waste their money in a professional studio. They have no chance whatsoever of recouping that expenditure. They would be far better off putting the money and time into learning how to record themselves and so be able to get better without busting the bank, so that, when they're ready for a pro studio, they'll know what to do, have solid material and chops, and the whole project won't end up as spaghetti sliding down the wall. The exception to that would be an experienced artist with solid material that's is ready for the studio and has some chance of paying back on its investment, on some kind of level. (Many on the talent side of the glass would be shocked to find out how many not-ready-for-the-studio projects come into affordable studios -- and even really expensive ones.)
__________________ day job | A Year of Songs | music and social stuff | mutant pop on facebook | roots acoustic on facebook | |
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| | #12 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter | |
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