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| | #1 |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
Thread Starter | Mastering with Pro Tools
Ok, so here's the deal: I'm looking to start doing some mastering, and I'm a using a Digidesign 001. I plan on going Digital out of the 001 into a Cranesong HEDD, into a Manley Vari-mu, back into the crane song, and into the digital in of the 001. My question is this: Will this completely bypass any potential quality loss the 001 could add to the sound? Is there anything else the 001 will be putting into the sound that might be of comprimising quality? I know there's plenty of people that would like to say "The 001 sucks, get rid of it", but I would like a technical reason as to why the 001 would affect the sound quality.
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| | #2 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
| Pro Tools
A little Q off the track, but by mastering; do you include encoding PQ's and ISRC's and so on? If you are, PT is no solution yet. ruudman |
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| | #3 |
| Lives for gear |
I think the original question is about mastering as in sweetening-and-adjusting-volumes-and-compression as opposed to mastering as in authoring the master CD with embedded codes and hidden tracks etc. In answer to the original question, No. Going digital in & out of the 001 will impart no sonic signature on your sound. However, give a little thought as to where you are going to monitor in your chain. Personally I think the 001 is a good unit but you may find that its DA section is not on a par with some of the high end analogue gear & converters you have listed. Lastly, when mastering with Pro Tools remember that you have two excellent RTAS plug-ins for mastering available for free, the POW-r dither included in the Digirack and Inspector. Have Fun!
__________________ neil. |
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| | #4 |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
Thread Starter |
Thanks for the input guys. As far as PQ codes and all that, I will only be using pro tools for getting the wav files prepared as far as EQ, compressing and limiting. I will be using other software for the PQ coding and actual burning of the masters.
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| | #5 |
| Gear maniac Joined: Feb 2004
Posts: 189
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What is PQ coding? sorry if thats a dumb question Dante |
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| | #6 | |
| Moderator Joined: Dec 2002
Posts: 3,389
| Quote:
More info can be found at www.promastering.com in the tech talk section. | |
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| | #7 | |
| Lives for gear | Quote:
-dg | |
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| | #8 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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The Sonic looks great BTW ruudman |
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| | #9 |
| Lives for gear Joined: Nov 2002 Location: Bucks County/Philly, PA
Posts: 2,344
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Has anyone heard about pricing on SonicStudio DDP?
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| | #10 | |
| Moderator Joined: Dec 2002
Posts: 3,389
| Quote:
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| | #11 |
| Gear maniac Joined: Aug 2004
Posts: 200
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Has anyone else around here ever had an experience where you suspected that Roxio Jam doesn't burn masters very well? I had a couple of questionable ones on 2 different macs with different kinds of burners. Enough to make me go, hmmm, is that what it sounded like? After comparing the cd with the source material playing off the same computer thru the same d-a chain, there was an obvious difference. Jam was murky and lacked presence, size, and apparent volume. I didn't do any measurements b/c I'm not really sure what to look for . I just decided to avoid Jam from then on. Anyone out there still use MASTERLIST! Damn that was a good program. Is there a good Mac 2 track editor/cd authoring program out there anymore?!?!?!?! |
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| | #12 | |
| Moderator Joined: Dec 2002
Posts: 3,389
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| | #13 |
| urumita Joined: Nov 2002 Location: Spoleto, Italy
Posts: 2,381
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Yeah, I had a huge problem with JAM so I use TOAST which is fine for most things. I haven't investigated what happened but I will soon. The difference wasn't Subtle, I master MP3s (320kbs, tweakhead) that have Subtle differences, this was just plain ruined. What kind of settings could be engaged to ruin you're audio? Where do find them and shut them off?
__________________ love and light |
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