Quote:
Originally Posted by alphajerk i trust my monitors cause they dont let me down. its sounds out of the room what it sounds like on them... but in a different enviroment. but still the same. if things were way out of wack, then i wouldnt have built confidence in them.
that said.
hyping a mix to me, especially with a lot of modern releases means cutting the low mids, boosting the lows a tad, and bringing up the HF for "detail"... really has nothing to do with the room itself. its part of the mastered CD. |
are you talking about BROAD cuts in the low-mid band?? I too find this to be a very bad policy....I find myself notching a little out of a mix around 200-500hz (small notch somewhere between those numbers) most of the time, but it's a very small cut and is usually targeting a specific problem in that area (so kick and bass guitar don't fight eachother)....I never do that as a rule or guidleine tho...I love the natural sound of intact low mids...I very rarely wind up with the dreaded smiley face curve tho...I almost always wind up with a VERY gradual (6DB/octave) shelf cutting at 16k....and of course I like to HP around 30hz with a 6DB slope.....and usually a bell centered somewhere around 2-4k (think pultec style curve)....I don't know that I have ever actually sent anything out with majorly scooped mid bands....I would certainly be concerned if I starting using a general template EQ curve on my mixes....