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| | #1 |
| Gear Head Join Date: Aug 2007
Posts: 33
Thread Starter | Question about Near-Field Monitors Hello All, I am looking into buying near field monitors (and doing acoustic treatment to my room). I am looking at the Yamaha HS80m monitors, mainly because I am in Egypt and there aren't many music stores with a lot of variety around, but there is a Yamaha dealer. I am leaning more towards these than the smaller HS50m, mainly because from reviews I've read they have more low end and sound better. There is something I am confused about though, which is listening distance from monitors. I read in a previous post on one of the cakewalk forums: quote:My room is small and I currently record drums in it, and drums obviously occupy a lot of space So my question is: will the HS80m monitors be too big for my room? Is the 6' minimum something that is completely necessary, or can I listen to them from a 3' distance, for example? If someone can explain to me why the bigger monitors require a further listening distance, that would be very helpful. |
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| | #2 | |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
quote:That's just silly. Get the larger speakers. --Ethan
__________________ Ethan's audio book is coming! | |
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| | #3 |
| Gear Head Join Date: Aug 2007
Posts: 33
Thread Starter | Thank you Ethan! Will the larger speakers be problematic if the room is too small? My room is 14ft x 11ft x 8ft, and has a drumset so it is currently a bit crowded. What distance do u recommend I place the speakers at, and how far should I be for a good listening position? |
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| | #4 |
| Lives for gear Join Date: Mar 2005 Location: L. A.-ish
Posts: 2,158
| Regardless of the woofer size, most people have their near-fields closer than 6'. You should worry more about the character of the speaker (how balanced, transient response, etc) than the specs.
__________________ Michael David Nielsen - Composer / Producer / Lover ...of gear http://michaelnielsenmusic.com/ |
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| | #5 |
| Lives for gear | I believe the HS80m's are by far the best monitors in their price range. I paid $400, used them for a few albums, then spent nearly $4000 upgrading. It was pretty much necessary to spend 3-4000 to get a significantly better monitor! You wont be disappointed with the HS80m's. |
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| | #6 |
| Gear Head Join Date: Aug 2007
Posts: 33
Thread Starter | thank you audiomichael, everyone seems to agree on this, that distance from the speaker has nothing to do with woofer size. steveschizoid, yes they seem to be getting good reviews everywhere, more so than the smaller ones. i'm probably gonna go with those. |
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| | #7 |
| Gear Head Join Date: Aug 2007
Posts: 33
Thread Starter | Ethan, I just watched your a cello rondo clip on youtube. Truly amazing! Great video, amazing music... and so much fun. Great stuff!!! |
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| | #8 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Thanks very much. Vimeo hosts much higher quality versions of my videos, and if you sign up (free) you can even download the files: Ethan Winer's videos on Vimeo --Ethan |
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| | #9 |
| Gear Head Join Date: Aug 2007
Posts: 33
Thread Starter | cool, will definitely check them out, thanks! |
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| | #10 |
| Lives for gear Join Date: Jan 2004 Location: Portland Oregon
Posts: 1,260
| In fact, there is some truth to this. Larger drivers are more directional in their upper frequency range. Also, a larger woofer diameter will typically necessitate a wider spacing between the woofer and tweeter centers. Both these factors make a larger 2-way speaker more directional than a smaller speaker, especially in the octave or so just below the crossover frequency. More directivity means a smaller "sweet spot" at closer listening distances. So indeed, you might want to be slightly further away with a larger 2-way in order to avoid greater sound variations at different working positions (i.e. rolling your chair from left to right). Of course, these recommended distances that he listed are totally exaggerated. But it's not a completely silly idea. Btw, this extra directivity in the upper range of the woofer is also one of the reasons why large 2-ways tend to have a somewhat recessed or "sucked out" midrange quality. They have a natural dip in their power response since they radiate less energy off-axis in that frequency range. Hence, the recessed midrange. Thomas |
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| | #11 | |
| Lives for gear Join Date: Mar 2008 Location: Sweden
Posts: 3,861
| Quote:
There are also other ways of dealing with increased directivity of the midbass in a typicall 2-way speaker, such as not having the driver pointing "on axis" and balancing direct and diffuse sound that way. As for dip in power response, a MTM layout is far more prone to this effect than a MT layout.. ;-) /Peter | |
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| | #12 |
| Lives for gear Join Date: Apr 2006
Posts: 2,198
| Hmm… last time I checked the directivity of a driver depends on its size and not much else. It appears to be a geometrical problem regardless of cone material or vc diameter. |
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| | #13 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
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| | #14 |
| Lives for gear Join Date: Mar 2008 Location: Sweden
Posts: 3,861
| Can we make that 30Hz.. ? :-) /Peter |
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| | #15 |
| Lives for gear Join Date: Nov 2003
Posts: 1,209
| Nice thread. It inspired me to try a new distance between my Mackies HR824 and me. I don't have a problem with my farther NS10s but I'm using the 824 only for the low end checking. I'm wasting those. Definitely, I'm checking on a new distance right now! Thanks
__________________ Insomnio |
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| | #16 | |
| Lives for gear Join Date: Mar 2006 Location: Chicago
Posts: 1,433
| Quote:
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| | #17 | |
| Gear nut Join Date: Jul 2007
Posts: 90
| Quote:
...resulting in a too loud monitoring level at too close a distance. I haven't articulated this very well but do you see what I'm getting at? | |
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| | #18 | |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
--Ethan | |
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| | #19 |
| Gear maniac Join Date: Jun 2005 Location: Tehran
Posts: 233
| All said about smaller vs larger speakers, I heared hs50s $ 80s a couple of months ago. First when I heared hs50s I was satisfied a lot whith the sound. So I was going to recommend them to a friend who was looking for monitors. But when I heared the hs80s I was disappointed. The tweeters seemed to be even harsher than my ns10ms. It delivered realatively good buttom when we compared them against tanoy reavesl-6s (don't remember the exact name) which were the only other thing we had in that shop. However the mids seemed to have that hollowness which somebody ( sorry don't remember the name) mentioned earlier in this thread. He 50s had a way smoother highs and tighter mids and perhaps were more successful in what they did deliver. So that mid range argument maby relevant about small nearfilds. |
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| | #20 | |
| Lives for gear | Quote:
Would you recommend an MTM design with two 6.5" woofers, over an MT design with 8" woofers? I'm just trying to make sure that the MTM design will be suitable for my 11'x12'x8' room. Hope you're somehow still subscribed to this thread. Thanks, Dakhil
__________________ "I can tell you what's gonna happen when you patch it in for the first time and squeeze your voice into submission: you're gonna cuss, then a split second later you're gonna laugh. A few seconds after that, you'll wonder out loud wtf took you so long. Then you'll get back to it, and within days you will begin to think about which compressor to get next, and how long it'll take to scrounge up another $1500" - UBK | |
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| | #21 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| I'm not subscribed, and I'm so busy working on my audio book that I barely have time to check in here, but I did see this just now. ![]() I don't know what MT and MTM stand for, but as far as I know what matters is total woofer surface area. So I guess two 6.5 woofers have more area than one 8. Then again, all that really matters is the LF -3 dB down point. And in a room like that you need bass traps just as much as good speakers. --Ethan |
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| | #22 | |
| Lives for gear | Quote:
I believe the monitors with two 6.5" woofers go lower in the frequency response (37 hz vs 42 hz), so they might be the ones to go with. I was just a bit concerned that my room is too small, since many people suggest not even going with 8" or 8.5" monitors at all. I definitely have a treated room, and plan to do more very, very soon! Reflection points taken care of, rear wall taken care of, corner traps taken care of. Side question: what are your thoughts on absorbers/bass traps behind monitors? | |
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| | #23 |
| Lives for gear | Actually, it looks like the 8" monitor of a particular model I'm looking at goes down to 42 hz at -3db, and the two 6.5" woofer model goes down to 45hz at -3db. The manuals do say that the dual 6.5" model has a wider sweet spot, and better mid-range clarity (less forward, more legit, is what users report). Would you advise one over the other, based on these specs? Is that 3 hz difference worth losing some mid-range clarity? Thanks Ethan. Dakhil |
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| | #24 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Sorry, I'm so busy with my book I haven't been visiting here much. I disagree with the advice that this or that speaker is too big for a given room. What matters most in that regard is the LF response. Bass traps are good almost anywhere, but mid/high frequency absorbers behind speakers is not usually warranted. More: Front Wall Absorption I'm a huge believer in specs, but when it comes to speakers, and wording like "wider sweet spot," I'd want to hear them in lieu of hard data showing off-axis response at many angles. Plus, a near-field setup doesn't necessarily benefit from a wide sweet spot unless you move around the room a lot while mixing. --Ethan |
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| | #25 |
| Lives for gear | Thanks for replying Ethan. I actually ended up going with the dual 6.5" monitors, since the deal on them was so outstanding. If I hate them, I'll resell them for more than I paid, and grab something like the Focal CMS65. I eventually wwant to get a pair of Event Opals, so I'm really just biding my time, while saving. I'm definitely going to see how bass traps sound behind monitors, as I was advised by Bryan Pape from GIK to try a setup without front wall traps, and then judge whether I need them or not. I've read that article on front wall absorption a few times, but always still feel that the need for trapping behind monitors is not really explained as either a sure thing, or unnecessary. I eventually will have to do a room analysis, and hope I can understand what I'm reading, haha. As a side question, do I need both an spl meter and a room mic (dayton emm-6) to do a room analysis and calibrate monitors, or can one of them be used for both analysis and calibration. I've been trying to figure this out for months, but have gotten no answer. I wouldn't want to buy an spl mete and a mic, if having one or the other will take care of both room analysis and monitor calibration. Thanks Ethan, Dakhil |
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| | #26 |
| Gear addict | Happy with my Focal CMS 65's.Check out this episode of Dave Pensado's place. Hope this helps! - Pensado's Place - #21 - The secrets behind tuning your room! - YouTube |
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| | #27 | |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
You do not need an SPL meter to measure your room. Any decent SD omni will show you the basic response. In case you haven't seen this yet: Comparison of Ten Measuring Microphones --Ethan | |
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| | #28 | |
| Lives for gear | Quote:
So, can an omni mic be used for calibration of monitors as well? That was my real concern (whether I needed an omni for room measurement, and an sple meter for monitor calibration). When you mention normal box speakers, what do you mean? What if the speakers have a rear port? What about a bass reflex port? Thanks, Dakhil Sent from my T-Mobile G2 using Gearslutz.com App | |
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| | #29 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| ^^^ Yes, any decent SD omni can be used to calibrate speakers, but to calibrate their levels you need a reference. Maybe borrow a good SPL meter, then mark with grease pencil on your preamp's trim where 85 dB SPL is when using a given mic at a given distance from the speakers. Bass ports in the rear don't radiate high frequencies, so that's not affected by thin absorption on the front wall behind the speakers. |
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| | #30 | |
| Lives for gear | Quote:
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