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What is the compressor/limiter used on the old movie previews/movies
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Old 4th September 2008   #1
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What is the compressor/limiter used on the old movie previews/movies

Hi. Whenever I hear old movie previews their is a certain sound its bassy and sounds like makeup gain from some old compressor or another. Maybe it is the sound of tape or the sound of tape on a movie reel hitting a compressor. Anyways it is a common sound. It sounds like the way they used to make stuff pop up in the mix.

It has that crackle in the voice, "all the presidents men" preview on itunes has it, "the sting" has it. Those spaghetti westerns have it. Can you hear the crack of a gunshot and the compressor pumping the hiss ? To my not so fantastic ears it sounds like VCA. Anyways, I hear that sound and it went away in the late 80s early 90s and it started right around technicolor and I am wondering what it is.

Surely somebody knows right ?

Basically, I want that sound if it is some box. If it is tape then so be it but I have ran tape and never heard it quite like that on my reel to reel 8 track and reel to reel 4 track.

I have a kind of a fetish for older sounds. I use alot of ribbon mics and band passed stuff. This sound kind of reminds me of my DBX 163x only more high freqs make it through.

Anyways. What is it ?
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Old 4th September 2008   #2
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Originally Posted by firby View Post
Hi. Whenever I hear old movie previews their is a certain sound its bassy and sounds like makeup gain from some old compressor or another. Maybe it is the sound of tape or the sound of tape on a movie reel hitting a compressor. Anyways it is a common sound. It sounds like the way they used to make stuff pop up in the mix.

Anyways. What is it ?
Having recorded a lot of voice-overs for radio and television, I can tell you that you are asking the wrong question if you believe that sound (or any vocal sound) is due to just a particular compressor. You will never hear the sound you are looking for without considering ALL the following factors:

1) The 'talent' - a person who's voice has all the qualities required ALREADY IN IT - snappy, crackly, bright, bassy, warm, energized, engaging. A person who also has an excellent sense of modulating all these traits into the microphone, consistently.

2) The microphone - matched to the persons style and voice. Anything from an RE-20 to a high end Neumann to an AKG C414 to an SM-57. Again, it depends primarily on #1, and MOST of 'that sound' has to do with the 'talents' ability to work a microphone.

3) Precise and clinical EQ - while not difficult to learn, it is an artform getting a voiceover to be the only thing of any interest over all the backgound material. Usually the mids are mildly scooped, and lows and highs/high mids slightly emphasized, and sibilance is actually emphasized to some extent. Experienced voiceover people will almost never need a de-esser...

4) Finally, the compressor - what you are shooting for here is a good squashing, almost any compressor pretty much at overdrive levels will do the job - tubes are a little more retro sounding. You are attempting to get a sound at the monitor as though the voice is INSIDE the listeners head or whispering right at the listeners ear (even if the talent is yelling!!!). You run the EQ FIRST, to control proximity effect and other frequency artifacts. The voiceover track uses all of the dynamic range available, and should be the track that is setting the limiters off and driving any ducking.

What you are hearing on the older recordings is broadcast style over compression / over limiting to make maximum use of broadcast wattage and bandwidth - just get everything else right and compress the snot out of the result so that the final signal pumps the limiter...

So, the steps REALLY are:

1) Write a script.
2) Practice reading the script, paying attention to diction and detail in your voice.
3) Find a mic you like and learn to work it. Headphones help.
4) Record, rinse, repeat until you have found your particular formula...
5) Do bad, naughty things to the audio the way BROADCASTERS do, not STUDIO people...



- h.
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Old 4th September 2008   #3
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Hi. I am not really talking about voice overs here. I don't want to do voice overs.

The old movies have this sound, not necessarily the voice over.

There is an old sound on those spaghetti westerns and what not and that is what I am trying to capture.

Thanks for the information about the voice overs themselves but, that is not what I am going for. I want to know about the finishing aspects of the sound for those older movies. The have really changed quite a bit. The new movies from the late 80s on sound lots different from the old movies. Maybe that is the influence of THX and what not.

Anyways that is the conversation that I am trying to spark up.

Regards.
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Old 6th September 2008   #4
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There are also the eq curves inherent to film recording media and theater playback which affect the perception.
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Old 6th September 2008   #5
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There are also the eq curves inherent to film recording media and theater playback which affect the perception.
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Last edited by soupking; 6th September 2008 at 05:49 AM.. Reason: I can't spell
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Old 5th November 2008   #6
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I always figured part of this sound is from the early optical soundtrack process.
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Old 5th November 2008   #7
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I always figured part of this sound is from the early optical soundtrack process.
yeah the warmth of optical!

As a kid watching movies in school, I used to love that sound when the projector started snagging and the audio sounded like it was underwater.
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Old 5th November 2008   #8
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I have a kind of a fetish for older sounds.



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Old 6th November 2008   #9
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Doris Day...wow thanks for that.
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Old 9th November 2008   #10
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Movie scene from 1956

YouTube - Louis Armstrong - High Society Calypso
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Old 9th November 2008   #11
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briliant that made my day....awesome voice....
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