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| | #61 | |
| Lives for gear | Quote:
Remember second singles? Remember artist development???
__________________ "I know of several comparisons [right here on this board] where no one could tell the difference between a Martech pre-amp and a Behringer." - Fletcher Darian Rundall | |
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| | #62 |
| Lives for gear Joined: Jul 2002
Posts: 3,433
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I do remember seeing the "Jungle" video quite a bit before "Child" hit, but then didn't they bring it back into even heavier rotation afterwards? -Duardo |
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| | #63 | |
| Lives for gear Joined: May 2004 Location: The Lost Moon of Poosh
Posts: 1,759
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| | #64 |
| Lives for gear Joined: Dec 2002 Location: Santa Fe, NM
Posts: 566
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I got a real chuckle out of this thread, it's amazing what a few years can do to someone. I have lived about 1/2mile from Axl for the last ten years, and while I have never met him, I often see him jogging along the canyon and being that Malibu is a very small town (12K population) it isn't unusual to bump into these folks at the grocery/dog groomer on a regular basis. My wife who is active in the local schools here has met Axl at PTA events and the like and says he's a sweet, very nice family guy who takes pride in his community existence, yada, yada, yada. Maybe a little aging has softened the edge we all associate with GNR era. BTW, I was never a fan and never will be a GNR fan. Surfs Up, Bob |
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| | #65 | |
| Gear addict Joined: Mar 2005 Location: NJ
Posts: 479
| Heh heh, yea yea Quote:
Butthead: "I wonder how Axl Rose would feel if he got his ass kicked by a couple of 14 year olds." Beavis: "Yeah, that would really suck. Getting your asses kicked by Kris Kross. Heh Heh , henh hmm, , ."-- BUTTHEAD: "Axl versus a blade of grass." BEAVIS: "Well, I dunno. I mean, if Axl was real quiet and snuck up on the blade of grass..." BUTTHEAD: "It'd still kick his ass."
__________________ -Jonathan S. Abrams, CEA, CEV, CBNT Apple Certified - Technical Coordinator (v10.5), Support Professional (v10.6) Treasurer, NY Section, AES | |
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| | #66 | |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
| Quote:
Hey Bob, I envy you. It is cold in the east right now. I plan to move to Malibu one day. For the weather and scenery... but not for the Axel Rose jogging part of the scenery. | |
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| | #67 | ||
| One with big hooves | Quote:
Why? Just because he could!!! It’s absolutely brilliant really. The whole saga reads like Spinal Tap & the Mixerman book rolled into one. I’m also a little surprised that with thousands of hours of material accumulated, nothings been leaked. Or, maybe bits & pieces have been leaked and nobody cares. Or, maybe bits & pieces have been leaked and nobody cares. At the very least I'd want to listen out of curiosity and hope it doesn’t kill this cat!
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #68 |
| Gear nut Joined: Dec 2004 Location: Atlanta, GA
Posts: 132
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I purchased my Otari MTR90II from Rumbo in '98. The engineer, whose name escapes me right now, stated that the machine was used for recording the first GnR project. The metal bands that come into the studio love that little tidbit of info when I tell them that. What was truly amazing was the tour I received of the GnR preproduction setup in the studio. The main room was stuffed with cool gear; guitars, amps, drums of all varieties. They had a full PA system setup with an FOH console and separate monitor mixer (in an iso booth) in the main room. They had a separate FOH and monitor mixer during their preproduction rehearsals! I just could not fathom it. All this was just for them to be working out ideas....whenever they felt like it. My guess is that my life savings that I scrimped and miserly hoarded together for years to buy this machine is basically what they (uh, the label) paid for the day of studio time, rentals, etc. that they did not even use that day. So Axl, if you're reading this and you want to come to my place to get back a little of that mojo from the early days on the MTR90 that started it all for you, I'm here. I may not be able to supply a full PA with console, speaker stacks, subwoofers and a separate monitor mixer and console. But I do have a Hafler P1200 and a pair of Tannoy PBM 6.5's for my studio playback and I could press my Mackie 1202 into service for monitoring. I'll even let you use the 7506 headphones that still have both earpieces intact that I hold in reserve for special clients. However, I will have to request payment up front....cash please! |
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| | #69 | |
| Lives for gear Joined: Dec 2002 Location: Santa Fe, NM
Posts: 566
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I used to live in the east, one trip here in '84 and I made the move, never regretted it one bit. | |
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| | #70 | |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,081
| Quote:
After Baywatch, everyone wants to move here! Me and Bob have nice places at the beach, remember, if you come, bring your gold card, 'cause you're gonna need it! Jim Williams Audio Upgrades | |
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| | #71 |
| Gear addict Joined: Jul 2005 Location: Dexter/Ann Arbor, MI
Posts: 312
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Back to the Velvet Revolver thing... has anyone else noticed how blatant a marketing riff their name is? Just get a dictionary: Revolver - One of the various types of GUNS. Velvet - Soft & smooth, like the flower petals on ROSES. Get it? GUN? ROSES? Corporate marketing dweebs burn up hundreds of thousands of dollars thinking stuff like this up. It's almost as if the record company said, "Hey, if we can't get G & R back, we'll make as close a copy as we can. Boys, get to work!" Adam drawingroom
__________________ "(People) believe that solutions emerge from judicious study of discernible reality. That's not the way the world works anymore. We're an empire now, and when we act, we create our own reality. And while you're studying that reality - judiciously, as you will - we'll act again, creating other new realities, which you can study too, & that's how things will sort out. We're history's actors... and you, all of you, will be left to just study what we do.'' - Senior Bush advisor, NY Times, 10/17/04 |
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| | #72 | |
| Lives for gear | Quote:
really, really bad "pocket recorder" quality stuff. like a 50/50 signal to noise ratio. best Sean
__________________ Sean McDonald Sofa King Music Services Website http://www.seanmcdonald.com http://www.facebook.com/SeanMcDonald...gMusicServices | |
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| | #73 | |
| Gear nut Joined: Mar 2004 Location: Boston
Posts: 139
| heavens back door Quote:
i hear ya. i miss the way they used to do it- back in the afd days. it kicked some major ass! illusion version- not so much. (cool solos though) and what was up with the telephone thing? the song wasn't so bad 'till they put that crap in. i do recal hearing some tracks that were leaked a year or two ago...and trust me, you don't want to hear what i did. i guess they could have been fakes, but i don't know. scary stuff. | |
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| | #74 | |
| Gear Head Joined: Sep 2005 Location: Southern California
Posts: 31
| Quote:
I always assumed they did it as a dis, with a nod and a wink to tweak Axl a bit and to trade on Slash's history, as he owns some of the GnR songs so they can play them live without having to get permission.
__________________ ...will get you high tonight The secret to creativity is knowing how to hide your sources. - Albert Einstein | |
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| | #75 | |
| Lives for gear Joined: Jul 2002
Posts: 3,433
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-Duardo | |
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| | #76 |
| Gear addict Joined: Jul 2004
Posts: 318
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| | #77 |
| Gear maniac Joined: Mar 2005 Location: Santa Monica CA
Posts: 237
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"NO NEWS FOUND" ...no news is good news |
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| | #78 |
| Lives for gear |
Well, if you join the mailing list, you can receive updates on your cell phone.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #79 | |
| Lives for gear Joined: Oct 2004 Location: right coast
Posts: 3,857
| Quote:
Interesting... Actually I took it as: "Velvet" a pun on STP's hit that made them, "Plush" since plush is an adjective usually used to describe fabric like velvet. "Revolver" is the obvious part. I love that album. More then the last GNR and STP album. (Spaghetti Incident and Shang-ri-la-de-da) AW's mixes are awesome. Tight, in-your-face punch with the focal frequency being the lower midrange. The brightest thing in the single, "Slither" is Weiland's lead vocal. There is a top end on his voice that is brighter then the cymbals. The lower midrange focus is awesome. The album is clear and fat in one place. The Hi-Hat and Lead Vocal are the brightest part of the songs. Well done. Looking forward to the follow up. | |
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| | #80 |
| Lives for gear Joined: May 2003 Location: NY
Posts: 1,142
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I eeeee I Live and let die ee ii (puff on crackpipe) sweet child of my ee ii |
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| | #81 | |
| Lives for gear Joined: Dec 2005 Location: Brasil
Posts: 755
| Quote:
I did read in web which Axl Rose want make an album better than The dark side of the moon. What ego ! tutt
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| | #82 |
| Lives for gear Joined: Jan 2004 Location: California....??
Posts: 761
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well. AXL has always been a ******....Fu*K ROCK STARS dfegad |
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| | #83 |
| Lives for gear Joined: Aug 2005
Posts: 2,076
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A very interesting article! I think this is what actually happened. At first they had really great success and earned more than they could handle. At the end of the tours they wanted a period for relaxing, taking drugs, partying etc. As the time went by unexpected things happened and things got more complicated. I bet Axl was still not in a really pleasant situation in life and personally needed to sort things out before continuing with his career. During this maturity accumulation period the record label started pushing Axl to start deliver again, something he felt he was forced to do. On that moment in time Axl was not in a very good mood and without the right amount of inspiration, resulting in a situation when he wanted to make things right before doing anything. That's when the loop of inefficieny started. He looked for new inspiration, found it in the talent of other musicians, but personally he was struggling with his own talent and situation, he simply didn't know himself good enough due to all the events taking place at the time. As time went by he more or less felt he was pushed to do something, so he did. He ended up in a difficult decision making trap: "There are only these alternatives, I have to choose one." During all this inefficiency, the record label got trouble too, because of their bad decision making. That made everything even harder for Axl, that was struggling more and more. I bet Axl in some point was so pushed from all sides, that he sooner or later needed more rest to even be able to further handle the situation. That's when the record label finally ended the project with Axl, it was all becoming too expensive. So all of a sudden Axl stands there finiding himself totally trapped after a series of bad decisions and inbalance. |
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| | #84 |
| Gear interested Joined: Sep 2005
Posts: 22
| re:Guns N' Roses : The Most Expensive Album Never Made
Now we know where "Mixerman" got the bulk of his very funny, but utter bullshit book content from. I guess he must have actually known someone involved. Ya think? |
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| | #85 | |
| Lives for gear Joined: Apr 2005 Location: East Coast, Sweden
Posts: 1,491
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Yeah well there are tons of bands with names with that type of contrast. Led Zeppelin for example. Led=metal. Zeppelin=light, flying. And Iron Butterfly. Even Iron Maiden although that name was actually taken from the old torture machine. Even Alice in Chains has a little of that contrast thing going on. Basic. Quote:
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| | #86 | |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
| Quote:
I thought the name Velvet Revolver was an attempt to cash in on the underground hipness of the Velvet Underground and the timelessness of the Beatles' Revolver album. Doing something like naming your band 'Velvet (anything)' should be considered off limits, not because it's offensive, but because it reeks of 'we can't think of anything' lameness. Hey, Weiland, how much is a gallon of milk these days? | |
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| | #87 | |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
| Quote:
I remember watching the 'Jungle' video early in it's life. I was with a friend. We mostly listened to stuff like Stooges and 'Superfuzzbigmuff' and 'Nuggets' at the time. We both got the feeling that the end was near for bands like Warrant and Tesla. Soon Faith No More and Jane's Addiction would arrive. In 1990 in Los Angeles, I heard 'Nothing's Shocking' blasting out of more cars and shops than everything else combined. You could hardly walk by Tommy Tang's on Melrose because of all the kids waiting outside for Slash. We went to a G&R show (comp, of course) and were totally floored by Soundgarden. I think around '92 I saw Steven Adler's ad in the Recycler. He was giving drum lessons. | |
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| | #88 | |
| Lives for gear Joined: Dec 2005 Location: Brasil
Posts: 755
| Quote:
In 90sm GnR did play here in Brazil, Maracana Stadium for 100.000 crowd. Guns was in Cocacabana Palace Hotel, one of the most luxurious of world, and Axl down with TV monitors through windows. Ppl with fear ...hahaha funny and sad too. l
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| | #89 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,768
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I was never that impressed with G & R's A few good biker rock tunes and that's about it. Soundgarden kicks their ass for real talent and imagination. |
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| | #90 | |
| Lives for gear Joined: Apr 2005 Location: East Coast, Sweden
Posts: 1,491
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I think it was Keith Moon actually who said that about "The New Yardbirds" as they called themselves back then. My dad actually saw them in '68, before the name change. Quote:
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