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| | #1 |
| Lives for gear | reflections behind speakers
My monitors are about 6 inches from the wall. Do I need to treat it for reflections?
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| | #2 |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
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Yes! Ideally the absorbtion should be good for the frequency of first destructive interference. Below that the reflection are constructive which means the direct and reflected sound will be in phase. A speaker should be designed for a specific distance from the wall and absorbtion should be used for that specific situation. /Peter |
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| | #3 | |
| Lives for gear Joined: Feb 2008 Location: Calgary, Alberta
Posts: 871
| Quote:
It's best to make sure there are no nearby reflective surfaces either by designing the room that way in the first place or by using broadband absorbers in key locations. So to answer the original poster's question, yes. | |
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| | #4 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
Front Wall Absorption Also, speakers close to a wall can be a problem at low frequencies, but sometimes it's better to be very close than farther away. An overall LF boost from being very close is often better than the severe peaks and deep nulls that happen when the speakers are a few feet away from a wall. --Ethan
__________________ Ethan's audio book is now available! | |
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| | #5 | |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
| Quote:
Oh, and if you do not want constructive "interference" from any walls you may have better luck (and even less problems) if you listen outdoors. Now, read my first post again, think a lot more than you did and write a new repsonse pretending you never wrote your first. Then maybe we can have a constructive conversation.. /Peter | |
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| | #6 | |
| Lives for gear Joined: Feb 2008 Location: Calgary, Alberta
Posts: 871
| Quote:
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| | #7 |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
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I'm sure you can find other places to discuss urine and cornflakes. I'm here for constructive discussion regarding music and audio. /Peter |
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| | #8 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| I'm not sure I agree with your dogma... In practiacal terms, any frequency low enough to diffract to the rear of the speaker won't be absorbed by 6" of anything I am aware of. So, your comments could be misleading to anyone who doesn't understand the physics already. -tINY |
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| | #9 | |
| Lives for gear Joined: Feb 2008 Location: Calgary, Alberta
Posts: 871
| Quote:
A good 6" absorber with a gap behind it should be able to absorb effectively down to around 100 Hz or even lower from what I've seen. And in fact, a single 6X24X48" panel of Roxul Safe'n'Sound that I put between/behind my nearfields cured the response of a null at 100 Hz pretty effectively. I expected it to take a lot more than that but it did the job. Just my experience anyway... | |
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| | #10 |
| Lives for gear Joined: Nov 2007 Location: London
Posts: 602
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I've been looking to do something like this too. I wasn't sure what kind of thing to go for bu subsequent to reading that RealTraps thing above I think the appropriate thing would be something like thick, dense audio-foam across the front wall at the level of the speakers? |
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| | #11 | |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Quote:
I'm gonna guess that you damped out a room node... But, it's hard to get an air gap behind 6" of material when the monitors are only 6" from the wall. It's better to get 12 pannels of 4" material and straddle corners with them, generally. -tINY | |
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| | #12 |
| Gear Guru |
I have 10" of 703 behind my speakers, and that was one of the key components to getting a really flat response in my room. As Ethan indicated above, I have done better getting closer to the back wall and using a lot of absorption to deal with the close distance to the wall, than getting further from the wall, which exacerbated my response problems far more. I also have an unopened box of 703 on the floor below the speakers (so that's 12") with 10" stacked up in two vertical rows (4x4) behind the speakers on top of that box, and then a 6" on the wall/ceiling corner above the speakers. Those all contributed heavily to response improvements, though the most important one for me by far was the ceiling above me (where I have a 4x4 6" 'cloud' with 5 more raw panels of 703 on top of that, for 16" worth.) If you have the usual 8" ceilings, it'll probably be one of your biggest problems. * And of course I have the usual wall corners and wall/ceiling and wall/floor corners to either side covered heavily as well.
__________________ Dean Roddey Chairman/CTO Charmed Quark Systems, Ltd www.charmedquark.com Be a control freak! |
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| | #13 |
| Gear nut Joined: Jun 2008 Location: Montréal
Posts: 124
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Wow, 16"?! I'm just now figuring out what I want to do with my mixing room in the new apartment. I had planned to use the usual 4'x2'x4" panels everywhere, but now you have me worried!
__________________ http://myspace.com/narrowsmusic |
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| | #14 |
| Gear Guru |
Here's a thread from the studio construction section (though I don't flatter myself that it's a 'studio' by any means.) There are some pictures there. The end of my room tuning adventures |
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