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| | #1 |
| Music CrAZy Joined: Nov 2003 Location: Continental Europe
Posts: 751
Thread Starter | Nice dynamic mic for kick drum
I´m looking for an alternative microphone for kick drums. A dynamic microphone....so what do you guys like for kick drums? I want a big, fat, round tone! MD421 or RE20? D12 might be nice but it´s out of production...let me know what you think! Thanks! |
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| | #2 |
| Lives for gear Joined: Sep 2004 Location: Austin, Texas USofA
Posts: 1,671
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My faves are Sennheiser e602 and AKG D-112.
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| | #3 |
| Lives for gear Joined: Jul 2004 Location: Tampa, FL
Posts: 621
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lately i hate D112s. i've been using a Beta 52 and i love it. i've also tried the Audio Technica AE2500. it's got a dynamic and condensor in one. i've yet to like the sound of it/ maybe i just haven't found the right drum for it, or maybe it just sucks. try a Beta 52 or an RE20. i've never used a 421 on kick so i can't comment on that.
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| | #4 |
| Lives for gear Joined: Dec 2003 Location: USA
Posts: 581
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Ive had good results with a Sennheiser e602 and a 421.
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| | #5 |
| Gear addict Joined: Oct 2002 Location: ITHACA, NY
Posts: 394
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Audix D4. Haven't heard the D6(?). I generally hate D112, although they make great vocal mics.
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| | #6 |
| There is only one Joined: Jun 2002 Location: asheville NC
Posts: 5,260
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i dont know what peoples beef with the D112 is. i can make it sound fine in just about any instance. its ALL about placement. get it wrong and it sounds like a basketball at midcourt but get it right and its a nice kick tone. but generally, any kick mic can sound just fine [dynamic mics with a short throw in the HF]... for me its ALL about placement. i dont stick a RE20 where i stick a D112 or a 421 or even some condensor mic.
__________________ "i must invent my own systems or else be enslaved by other men's'" william blake __________________________ email: barrett [at] alphajerk [dot] com |
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| | #7 |
| Music CrAZy Joined: Nov 2003 Location: Continental Europe
Posts: 751
Thread Starter |
Thank you guys, keep it coming! I personally like my U47fet outside the KIK, but I usually have to EQ it quite a bit. I also tried the MD421 but couldn´t get it quiet right with that one...so how´s the Beta 52 like compared to the infamous D112? |
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| | #8 |
| Lives for gear Joined: Jun 2004 Location: Midwest
Posts: 535
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Am I the only one here using a D6 on the inside and a "dynamic" speaker-turned-microphone on the out?
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| | #9 | |
| Lives for gear Joined: Jul 2004 Location: Tampa, FL
Posts: 621
| Quote:
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| | #10 |
| Moderator emeritus Joined: Jun 2002 Location: Nashville, TN
Posts: 3,152
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I've been fairly content for the last year with a Beta 52 inside and a Yamaha Subkick outside.
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| | #11 |
| Lives for gear Joined: Mar 2003 Location: Norway
Posts: 3,086
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Any opinions on Beyer M88? ruudman |
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| | #12 |
| Gear nut Joined: Nov 2004 Location: Austin, TX
Posts: 112
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I've gotten good results with a Beta 52, and also recently purchased an Audix 6 which I think is really nice also. Never have loved the D112. mb
__________________ ...champagne for my real friends, and real pain for my sham friends... Tom Waits |
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| | #13 |
| Lives for gear |
I have a Beta 52, D12, D112, Senn 602, RE20 and 421s. They all work for certain applications and drums. I think the Beta 52 is most like a modern version of the D12....its wide and unhyped. If you a proponent of the "tick/boom" sound, or do metal..I think the 602 is the best thing going. Good boost at 5 k and a sucked out a 400. I like the D112 on floor tom. The 602 hits me better on kick. |
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| | #14 | ||
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
Quote:
Oh you mean for kick?? Not bad, not my first choice but I would probably use it over some of the other things mentioned here. Some people swear by them, to each his own I guess. | ||
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| | #15 |
| Gear nut Joined: Dec 2002 Location: Seattle
Posts: 138
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..: I've been using an re-20 for the beater and a Subkick for the outer head, phase aligned with an IBP. Although, I am thinking about picking up an Audix d4 or d6 to substitute with the RE-20. Anyone know what the sonic differences are between the d6 and d4? Apparently the d6 is supposed to have quite a bit of low end, but I noticed that the SPL handling of the d4 is nearly 20db higher than the d6... b :* |
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| | #16 |
| Lives for gear Joined: Sep 2004 Location: Austin, Texas USofA
Posts: 1,671
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Also curious about the M88 on kick. I use it on floor tom all the time so it definitely has the ability to capture the attack and low end.
__________________ "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side." - Hunter S. Thompson should have said this, but didn't www.yellowdogstudios.com |
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| | #17 | |
| Gear addict Joined: Dec 2003 Location: Orlando
Posts: 345
| Quote:
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| | #18 |
| Gear interested Joined: Nov 2004 Location: belgium
Posts: 20
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I use an M88 for kick all the time and it sounds GREAT!! But you HAVE to use a windscreen or a popfilter on it for kick.(a clean sweatsock works too).....Check the Beyer site for the filters......
__________________ Paul Zahl |
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| | #19 |
| Lives for gear Joined: Jun 2003 Location: Oklahoma
Posts: 1,399
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i've been pretty happy with an audio technica atm-25. joshua |
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| | #20 |
| Gear maniac Joined: Jul 2002 Location: Orlando Fl
Posts: 198
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I like the Beta 52...But I'm really likeing the D6 alot..seems a easier to get good tones from..almost a throw it in there and press record type of thing..Haveing said that I'll prob. have trouble the next time I use it..LOL
__________________ Don |
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| | #21 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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I don't mind a 421 but the B52 is the best! only my opinion on my experiences though Jason
__________________ If it don't sound like a record... don't press record |
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| | #22 |
| Gear nut Joined: Jul 2004 Location: yes
Posts: 77
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I like Beta 91 or Sennheiser 421 inside, Soundelux U195 (in fat mode) or (surprisingly) Neumann M147 outside. I've used the D6 live and like it. However, it probably wouldn't be my first choice in the situations where I get to use two mics, one for attach and punch, and one for "thud." The D6 has the low-end thing down better than any purpose-built kick mic I've used, but it doesn't do as well on the attack side of things as the Beta 91, or as well on the punch side of things as the 421. However, for a single mic that you can stick in a drum, I like it. Don't like the D112. Had an AE2500, and couldn't get a good sound out of it. The dynamic/condenser idea is cool, but I think it depends on the fact that you'd put the two mic elements in completely different places if you were trying to get a combination of low end and attack. I could often get either the dynamic OR the condenser to sound good, but never both at the same time in the same location.
__________________ Michael Hoddy |
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| | #23 | |
| Lives for gear Joined: Jul 2003 Location: Portsmouth, UK
Posts: 1,469
| Quote:
Loads of attack and plenty of wumph as well. Cheers, Rich | |
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| | #24 |
| Gear interested Joined: Nov 2004 Location: St. Louis/ O'Fallon
Posts: 25
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First, the tuning of the drum makes a huge difference. Second, it completely and totally depends on how the drummer plays the kick drum. Taking those two into mind here are my most often choices (i always experiment though with random wierd mics). Loose tuning+Hard playing=Senn 602...the beef and attack match really well, but don't use this mic unless the player consistently plays strong on kick. otherwise gets tubby and plastic sounding. Tighter tuning+Mod. to Hard playing=RE20(Great overall tone w/good placement; AT 4033/AKG414... all three mics present a very EQuable kick sound. 4033 is slightly hyped around 4K it seems. I personally don't like the D112 or Beta 52 for kick because I can tell that is the mike being used. For floor toms they work great though. All of this IMHO. |
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