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| Lives for gear Join Date: Dec 2007 Location: New York/St. Petersburg
Posts: 692
Thread Starter | I had the weirdest thing in my career happen to me the other night. I'm finishing a record and we're down to background vocals now. The lead singer is okay but nothing special. The material's great though... Sorta Bon Jovi meet Coldplay if you can picturre that ;-). So the drummer comes in to track some backgrounds. He talks to me over the mic I get levels and he starts singing through the track to warm up. Not only is his timing dead on the spot (drummers... The chain's U87 (no pop-filter)-LA610-Aurora 16-Nuendo (no, there's no de-esser I forgot to patch out)... and mind you the 610 is the pre I worry 'bout sibbilance the most with. Now comping his trax was a dream. You know how you'd have a perfect backgound track but since different people's 's'es and 'z's differ in length they stick out time-wise and it takes that extra effort at mix stage to get'em under control? None of that... Pure sustained notes with perfect timing. How cool is that?! |
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