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| | #31 |
| Lives for gear Join Date: Jul 2004
Posts: 605
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| | #32 | |
| Gear Head Join Date: Dec 2003 Location: Leiden
Posts: 47
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| | #33 | |
| Lives for gear Join Date: Jun 2002 Location: Lawn Guy Land
Posts: 1,350
| Quote:
__________________ "Play ƒuckin' Loud!!!..." - Bob Dylan, May 17 1966 | |
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| | #34 | |
| Lives for gear | Quote:
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| | #35 |
| Gear nut Join Date: Nov 2004 Location: Ridgecrest CA
Posts: 117
| I think I'm the only person I know that does this: I use a cabinet I built several years ago. I run two 10" Madison bass guitar speakers. The cab has no covering for the speakers. I place a 57 perpindicular to the surface of the driver on the outboard center. I place the 57 as close to the driver as I can without touching while the driver is driving. I get the tone I want with very small angle and distance adjustments. Guys that place their mics outside the grill are losing out. Plus, with this ultra-close miking technique, not much volume is needed. Allen ![]()
__________________ Allen B. Walker 760-608-3543 I Make Demos, Bitch Studio Let me turn your dreams into mud. |
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| | #36 |
| Lives for gear Join Date: Jun 2002 Location: Funky Town FL
Posts: 1,190
| Ugh, miking the driver straight on can be a pretty crass sound without much bass, but that could be exactly what is called for.... A good rule of thumb is that the closer you get to the very edge of the speaker, the more bass response. No right or wrong, obviously. BTW, a sealed cab will not have as much apparent bass... |
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| | #37 | |
| Gear nut Join Date: Nov 2004 Location: Ridgecrest CA
Posts: 117
| Quote:
No No! I'm not talking about pointing the mic straight at the center of the cone. That sounds horrible! I point the mic at the driver, not the dust cover. Allen
__________________ Allen B. Walker 760-608-3543 I Make Demos, Bitch Studio Let me turn your dreams into mud. | |
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| | #38 | |
| Lives for gear Join Date: Jun 2002 Location: Lawn Guy Land
Posts: 1,350
| Quote:
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__________________ "Play ƒuckin' Loud!!!..." - Bob Dylan, May 17 1966 | |
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| | #39 |
| Lives for gear Join Date: Apr 2004 Location: westland, michigan
Posts: 1,285
| ok so now that we have a bit on the mics and where to put them,what about getting the phase correct...... we will use this situation so we are all on the same page. you have 1 4x12 cab and its close mic'd up with these 2 mics;1 sm57 and 1 md421. there is no ibp either. all you have are 2 mics into 2 pres. how do you go about getting these in the best phase relation? i have heard of people talking about moving mics around until the "hiss" drops out. can someone explain how to do this? i have also heard people say that as long as the 2 mics are close up on the grill,you need not worry about phase. are there other methods? |
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| | #40 |
| Gear interested Join Date: Sep 2008
Posts: 15
| Does somebody know how they have miked on Killswitch Engage's "As Daylight Dies?", the guitar sound is ****ing perfect there. |
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| | #41 |
| Gear addict Join Date: Jan 2008 Location: NJ
Posts: 370
| i have a beta also and if u put that on the cab u get this very low end sound and it gets alot of the crunch try it out |
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| | #42 |
| Lives for gear Join Date: Apr 2004 Location: westland, michigan
Posts: 1,285
| my latest trick for heavy gtr is the fractal audio axe-fx. this thing just kills. |
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