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| Thread | Thread Starter | Forum | Replies | Last Post |
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| | #31 |
| Gear Head Join Date: Feb 2008 Location: Aarhus, Denmark
Posts: 64
| well, Sylvia Massy seems to be doing fine...
__________________ Asger Christensen --------------------------------------- Aarhus Lydstudie www.aarhuslydstudie.dk www.myspace.com/aarhuslydstudie --------------------------------------- |
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| | #32 | |
| Gear addict | Quote:
About the people skills...... My cousin is a very successful lobbyist. He has two planes, a brand new M5, couple other very nice cars, two houses etc. I was talking to him last month and when he was talking about his job it suddenly dawned on me that the skills needed for his job and what makes him so successful is EXACTLY the same set of skills we are talking about here! It then got me to thinking, I should have done that! Seriously! Then I could afford the studio of my dreams and never, ever open it to the public or anyone I didnt want to work with! ![]() | |
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| | #33 |
| Lives for gear Join Date: Nov 2007 Location: Cleveland, Ohio
Posts: 1,376
| I'm not saying it's right, but probably 95% of the male musicians I've met were complete and total pigs. I can't imagine them wanting to work with a woman. Biologically, women are better suited for this job. They lose their hearing more gradually than men--both volume and high frequency loss.
__________________ http://www.myspace.com/jamesmeekerproductions |
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| | #34 |
| Gear addict Join Date: Feb 2007 Location: Chicago, Chicago
Posts: 303
| wow this is important. As a session player I've had dozens of great and not so great engineers behind the board... One thing that drives me nuts is the cocky, trying to be your pal guy. The best engineers are good at what they do, and keep quiet unless they need to say something important. Who gives a shit who the engineer recorded last, how much he's gonna get tanked after the session, or how f*cking much he knows about the 1181 or 1076 or whatever other silly numbers slutz love and most musicians are totally oblivious to? Remember, guys- very few sessions have paid producers these days, and just a few words can dramatically change what's hitting tape/ad. The last thing any session needs is an engineer who distracts from the performance!!!!! Sadly, many engineers today did not have the honor of working under true masters, and the right way to interact with talent is something you simply CANNOT learn anywhere else... |
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| | #35 | |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 2,586
| Quote:
__________________ I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem - the most important of all human problems"....alberta weintsein "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://www.myspace.com/miketarsia http://miketarsia.com | |
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| | #36 | |
| Lives for gear Join Date: Nov 2007 Location: Cleveland, Ohio
Posts: 1,376
| Quote:
I was speaking with a female student studying AE and explained some of the pitfalls a woman can expect in this industry. It's not fair, but neither is life. You can either get over it and move forward, or sit around complaining and get nothing done. Ultimately, if a woman has a great track record and disography sex isn't going to matter. Unfortunately, I do think it is a factor in the real world because of many clients' mentalities.
__________________ http://www.myspace.com/jamesmeekerproductions | |
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| | #37 | |
| Lives for gear Join Date: Aug 2006 Location: No longer participating here.
Posts: 6,742
| Quote:
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