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| Thread | Thread Starter | Forum | Replies | Last Post |
| Oh F*#k!! major problem | Gravedigga | Music computers | 4 | 27th March 2008 12:32 AM |
| Major Help Needed | Gebo | Music computers | 24 | 6th July 2007 10:58 PM |
| major cancellation, what to do??? | i to the v | The moan zone | 19 | 5th December 2004 04:12 AM |
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| | #1 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| Last Major Purchase for a Year or Two.. in july, i will be going away to study full-time for 2 years i won't be able to save for anymore gear, so i've decided to make one last decent purchase, to assist me in recording music (part time) over the next couple of years my current set up: RECORDER 003R Factory OUTBOARD BAE 500 series 11 space rack BAE312a Avedis MA5 Purple Action MONITORING Event ASP8's Sennheiser HD650's, 280's (2), EH350's (2) MICS 414 XLII M160 NT1000 CAD M179 Heil PR 30 D112 58 57 OTHER Mogami + Neutrik cables K&M stands my budget is about $2000aus my thoughts: upgrade converters - Ensemble? more pre's - Another MA5 and 312a one good mic - Used U87 or something.. maybe a combination of everything?? All input is appreciated thank you!! JP |
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| | #2 |
| Lives for gear Join Date: Jun 2006 Location: London
Posts: 2,692
| converters - no point, you're most likely going to be moving around a bit, waste of time if you're not in a good sounding room. Plus the ensemble is primarily an interface that works in standalone mode, so you're paying for things you don't need. I'd suggest one good piece that will hold it's value. A good, used 87 would be fine (if you find yourself wishing for a different vocal sound or LDC on occasion). That'd be my vote - something that's not going to lose value in the short to medium term, so if you do run into money problems, you can sell it for what you paid for it. OR - buy a couple of cheap pieces that you're going to get use out of in the short term - things that might fill holes in your pic collection (eg a pair of SDCs, or ribbon mics) - that might not keep their resale value, but that you're going to get lots of use out of. |
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| | #3 |
| Lives for gear Join Date: Dec 2005 Location: FL
Posts: 1,418
| I'd definitely get another LDC...
__________________ Dreamsongs BMI Dreamsongs Productions Dreamsongs Publishing BMI Dreamsongs LLC " The dream don't come any closer on it's own, you have to go after it " |
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| | #4 |
| Lives for gear Join Date: May 2003 Location: USA
Posts: 1,275
| I'd say a U195 and some used Lucids. Maybe you could even squeeze in a used Mackie MCU.
__________________ I can't hear specs. |
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| | #5 |
| Gear maniac Join Date: Feb 2007
Posts: 153
| I don't think i would buy anything computer oriented ie... computers, converters, plugins, etc. Because when you get back, that type equipment will be 2 years down the short road to obsolesence. If it were me, i'd go with a mic or mic pre. and by the looks of your list, I think your idea of a U87 sounds perfect. |
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| | #6 |
| Gear Head Join Date: Feb 2003
Posts: 34
| The room. A good room is worth just as much now as it will be in 2 years time. Seriously... converters, computers, effects... all that stuff "generally" depreciates over time. |
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| | #7 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| thanks everyone! i'm slowly leaning towards the U87 idea there's currently a new U87ai on ebay for just over $2000.. the room idea is good, but seeming as i will be in a new room, and unable to modify it much (putting up panels etc) due to me renting, there isn't too much i can do in that department so a no on converters? |
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| | #8 |
| Gear addict Join Date: Feb 2006 Location: Sydney, Australia
Posts: 409
| For 2,000 you could sort your room out with DIY acoustic panels no problems. Just be a little creative with how you mount them in a rented space. I rent, and I've spent $3,000 in Sydney to get my room sounding awesome. Not a single screw in the wall either. It was a shit-load of work, but it's sooooooo worth it!!! |
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| | #9 |
| Gear Head Join Date: Feb 2003
Posts: 34
| I gotta agree with Reza. You can mount foam on board and then hang the boards like paintings... everyone is allowed to hang paintings in rented places ![]() It's not as sexy as buying gear... but all the gear in the world won't sound as good as it can do with a poor room. you can't polish a turd. /R |
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| | #10 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| Okay. my current home studio control room has been treated, as is still currently being treated - i have applied the front end absorption eliminating the first reflections as well as bass traps in all 4 corners right now i am half way through making my own diffusers (don't worry, i got a professional to design them for me) now the absorption panels are on stands and can easily be transported.. as for the diffusers, not so easily. they can be hand removed from the wall, and maybe placed on table or something in my new place so i think i'm doing okay as for room treatment if anyone disagrees, speak now! now may i ask the question again? - what's more important for my situation? mic, pres, converters? Thank you all. |
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| | #11 |
| Gear addict Join Date: Jan 2006 Location: San Fransisco , BayArea
Posts: 478
| You gonna record drums ??? Looks like you only got 7 mic pres , right ? Get 1 more pre to make 8 for drums , What about some good plugins or 500 series EQs |
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| | #12 | |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| Quote:
but after that, once i move away, probably not thank you oh and it's actually only 6 mic pres 4 x 003R's + 2 x 500 series | |
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| | #13 | |
| Lives for gear Join Date: Nov 2007 Location: north carolina
Posts: 819
| Quote:
Sell all your gear except maybe the 414 and m 160. Buy a 4 channel Sound devices 744 field recorder or maybe the 788 8(8 channel version) and a couple of gefells and you are set and mobile. you could mix with a cheap little mixer. | |
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| | #14 |
| Gear maniac Join Date: Dec 2007 Location: Los Angeles
Posts: 215
| I'd go with the U87, if you are going to be moving around a lot in the coming years (and which college student doesnt), spending a lot of time and energy on a room that is temporary doesnt make too much sense... yes you can do it in a portable manner but the less stuff to lug around the better. Once you get yourself situated then by all means do some work on your room, its always worth it. For right now the U87 won't lose much value either as other's pointed out. ![]() |
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| | #15 |
| Gear addict Join Date: Jan 2006 Location: San Fransisco , BayArea
Posts: 478
| I think U87s are overrated and overpriced. They're good mics , but to me sound wise nothing special . Get a Pearlman mic |
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| | #16 |
| Gear maniac Join Date: Nov 2007 Location: Denver
Posts: 175
| Order up an API 3124+ 4 ch. mic pre. Best $2k you will ever spend. -Chris |
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| | #17 | |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| Quote:
and the TM-1 has crossed my mind several times my main concern is that it's only cardioid! but then again, if i'm stuck in one room (which will most likely be relatively small), i wouldn't need anything else than a cardioid pattern mic.. i listened to some apogee vs 003 converter samples last night and i am pretty hooked on the converter thing. more opinions peoples? anyone tried the ADK Hamburg II AUS mic? | |
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| | #18 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| Bumpasaurus! |
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| | #19 |
| Gear addict Join Date: Jan 2006 Location: San Fransisco , BayArea
Posts: 478
| Go with the API A2D and an SM7 . That covers your last 2 pres , which will give you 8 . It also gets you 2 High End converters as good or better then apogees . You said your doing drums only one time before you move , so after that you'll only need one or two high end channels to record . If you go with the apogee you won't even use all those extra converters. Don't get me wrong having 8 converters is nice if your always doing multi tracks , but if your just doing over dubs and layering one track at a time , your only going to use two channels most the time . So you'll be spending money on extra stuff you don't need . Now the SM7 just kicks ass , thats all there is too it . With these LDC you need a treated room , but with the SM7 you don't . You can get both for $2000 or less , |
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| | #20 |
| Lives for gear Join Date: Jun 2006 Location: London
Posts: 2,692
| +about a million. And that's to everyone else too who thinks their mid level conversion is the weak link in the chain. Why does everyone want to spend money on converters?! If it's part of the A2D package...maybe...but I still think you're better off going for the neumann, or something else that's not going to date quickly. |
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| | #21 |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 1,528
| This would be an obvious, fairly standard thing missing from your current set-up. You should have at least one. You'll have it all of your life and continue to grow as you learn to use it more masterfully. It's an instrument. - c |
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| | #22 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| new budget - $3500 |
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| | #23 |
| Gear maniac Join Date: Aug 2007 Location: Central Coast, NSW, AUSTRALIA!
Posts: 208
| With the help from you guys and several other people, I have decided on my purchases: Apogee Rosetta 200 MA5 U87 (99% sure) the rosetta and MA5 are on their way and should arrive tomorrow still saving for the 87, but will get there in the end selling my NT1000 to help save (never really liked it too much anyway) Thanks y'all! |
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