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| | #1 |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter | best cities to move to for engineers
I have been thinking of moving to a place where there is more work for engineers/producers. The cities that come to mind are NYC, LA, Atlanta, London Would these be good choices? Or is it more that because they are such meccas for entertainment that it's actually harder to get work there? Are there any other suggestions? I am partly just curious, and party really considering moving. thanks! |
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| | #2 |
| Gear addict |
Bombay, I was there two days as a tourist and they allready offered me a job in bollywood :D Pzz |
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| | #3 |
| Gear addict Joined: Feb 2008 Location: Harrisonburg, VA
Posts: 396
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I would really analyze your goals in making a move. What are you trying to accomplish? Are you trying to spend more time with like minded people? Are you trying to learn more from your peers? There are advantages and disadvantages to being in places with "more work". The main advantage is there are more people doing what you do, so the opportunities to learn first hand from other engineers is greater. Not to mention the camaraderie of like minded people. On the other hand a great disadvantage is, there are more people doing what you do, so the competition for gigs increases heavily. I lived in Nashville for a few years. I managed to, in a fairly short period of time, do some very cool things and learn from some amazing people in the industry. I also worked for peanuts when I was engineering, cause I was constantly battling "well so and so can do it for $10/hr in his basement." Don't get me wrong, it was a great experience and I would not trade it for anything. What I learned was invaluable. I have since moved back to my hometown in VA, have a small mix and OD studio, I work more than I did in Nashville on projects that I like equally well, and I make the kind of money I want to. The reason...there aren't a lot of people who do what I do here. Making a move isn't a bad thing, I'm just saying to really think it through. Any experience you can have in life is worth it, so long as you are willing to take something from it. -Chris
__________________ "No stone throwing regardless of housing situation." |
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| | #4 |
| Lives for gear Joined: Sep 2005
Posts: 4,002
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uhhhhhhhhhh i think the biz suks all over the USA (and maybe the whole world over?) |
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| | #5 |
| Lives for gear | |
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| | #6 |
| Lives for gear Joined: Feb 2008 Location: Calgary, Alberta
Posts: 871
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I'm pretty curious as well. Anybody know about the better places in Canada to have a studio too?
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| | #7 | |
| Gear addict Joined: Sep 2006
Posts: 486
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I personally am curious about the current state of LA and if there are any sections of the place doing better than others.
__________________ "The 160VU is like ordering a nice drink but instead of serving you a drink, the waiter punches you in the face........." -nlc201 | |
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| | #8 |
| Lives for gear | |
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| | #9 | |
| Lives for gear Joined: Jan 2003 Location: Los Angeles, CA
Posts: 1,102
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If you don't have a totally killer reel, a big record under your belt, or a great set of connections, you should either a) stay "home" until you accumulate these, or b) be prepared to mop your way into the biz in LA... or c) be a *really* good talker & hustle, hustle, hustle. | |
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| | #10 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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Narnia.
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| | #11 | |
| Lives for gear Joined: Apr 2005 Location: Porto - Portugal
Posts: 718
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Any Irish slutz around...? I love your music, from Folk to Pop... I've considered moving to Dublin for a while and see how it goes... may be getting musicians to play with too. How's the scene up there...? Quote:
__________________ Zé Nuno | |
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| | #12 |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter | Trinidad and Tobago, I run a studio therein, but being a Canadian and having worked in Toronto previously (albeit at a small film company, not a big studio) I was just curious as to how things looked in other necks of the woods. How big is a 'neck' of woods anyway? Is that a fixed amount? Can I go out and buy '3 necks of prime woodland property?' hmmmm food for thought |
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| | #13 |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,294
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| | #14 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
| yeah, always has been. But there's also more engineers/producers/studios per city block than anywhere else on earth. As you say, competition is fierce. I think that secondary or even third tier cities are much better opportunities these days. Certainly not LA. If you're all gold and platinum then you can walk in anywhere and your clients will follow you. If not.....prepare to work at Starbucks.
__________________ Mindseye http://www.mindseyeprod.com IMDB Composer - Orchestrator Scoring & Mix Engineer - Music Editor |
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| | #15 |
| Lives for gear |
Malasya! I am not sure what is going on now..but was huge few years ago!
__________________ ------------------ Peace. ![]() Reuven Amiel "There are no rules, just knowledge, good taste and experimentation" "Music was designed to escape from reality for a moment, not to magnify our fears and problems" |
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| | #16 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
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I have no complaints about being in LA. I can't take any more work. I've literally spread myself too thin. I've had only five days off this entire year. One was my wedding anniversary, three days were actually networking gigs/meetings and the other was this past Friday. No complaints here. |
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| | #17 | |
| Gear nut Joined: Mar 2007 Location: London. UK
Posts: 89
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I suspect that you mostly record and engineer Reggae, Soca and Calypso bands? I live in London and can't even find much work here I'm not an engineer but a composer though....and not very pro-active unfortunately.What made you move there in the first place? | |
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| | #18 | |
| Gear nut Joined: Oct 2003
Posts: 99
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Not a whole lot of money to be made other than playing covers etc. Gimme a shout and I'll see if I can think of any links to help your research. | |
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| | #19 |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter | My dad is from here, and I grew up between here and Edmonton (Alberta) so I am always back and forth. I love the vibe and music here, but the money and infrastructure leave something to be desired, and Canada...well Canada is COLD, I mean really f&*king cold!!!! I mean...dude... also you can drink beer in street here, (no law against drinking anywhere you like) and bars close whenever they want to (no law about last call or whatever), so that's a plus. As for the market in Grenada...I don't think you'd get much work, there are studios but I don't THINK there is a big enough industry there. T&T could support an engineer (as we are swimming in oil money at the moment) but you'd have better luck as a live sound engineer than a studio engineer here. |
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| | #20 |
| Lives for gear | |
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| | #21 | |
| Lives for gear | Quote:
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| | #22 | |
| Lives for gear | Quote:
Have you come to the same conclusion about Trinidad? Even with the oil boom? Considering Trinidad has one of the strongest economy of the region, if its the case, sounds like the Caribbean (except Jamaica where studios are literally at every corner!) may not be an ideal destination... PS: Yeah Canada is f?&*g cold... I've had enough...
__________________ "The secret in life is to have no fear" Fela Anikulapo Kuti | |
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| | #23 | |
| Lives for gear | Quote:
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| | #24 | |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter | Quote:
Actually if you want to work in the Caribbean and you speak French I would suggest Martinique, they are technically a part of France and they have a lot of music coming out of there (The French connection means that artists have access to the European market). If not there or Jamaica then Barbados is a good place, Eddy Grant has a big studio there (Blue Wave I think it's called) and many acts go to Barbados to record. Trinidad sucks for studio gigs for two reasons 1) artists don't sell records, they make really good money by performing, but they don't really sell records, so spending big money on recording does not appeal to most of them, plus there are no record labels, each artist is their own label basically. and 2) because the government has really dumb laws about bringing gear in, so attracting international artists is not easy, (outfitting your studio is not easy either, you have to pay crazy tax on imports). International artists wanting to bring their own gear have to pay a bond EQUAL TO THE PRICE OF ALL EQUIPMENT in order to bring it into the country, granted the artists get the money back, but who wants the hassle when one could record anywhere without it? so yeah...also interesting story, Bob Marley came to Trinidad in the 70's and he almost could not perform before the government demanded that studio bond, it came up to something like 300 thousand dollars and the promoter did not have it. So after some serious negotiation, and bob almost not playing they finally pulled it off. Point is, if they will do that to Mr Marley himself....you get the idea. | |
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| | #25 | |
| Lives for gear | Quote:
Maybe Dubai? lol. Also, I've heard good things about Poland, big boom there apparently. One things for sure, Montreal isnt it. I met one of the big studio owner last week who told me he pays the overheads but thats about it... ![]() So where's the money? | |
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| | #26 |
| Lives for gear |
Im moving to Austin but I work as a day trader/week end warrior. Absolute palaces going for $200K and lower, this week 8% lower... lower... How low can it go???? Also LOW crime but high property tax, high standard of living but aging infrastructure and pretty progressive although slightly watered down version of LA, I think it was called "Mini LA" as its getting so much drama there. I cant be sure im not there yet! |
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| | #27 |
| Lives for gear |
My thoughts would be to look at Berlin (doesn't have to deal with shitty US dollar, big city, lots of music, cheap to live in, but you have to have a VISA if you're american), Portland OR (cheap, fun, good weather, west coast), and Austin TX
__________________ David Fisher (aka tibbon) What is Noise, Blog (DIY, gear, tech, etc) Follow me on Twitter imVOX- Voice for Gamers WTB: Moog Theremin Signature Edition |
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| | #28 |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter |
Sow how is Toronto? As compared to Montreal? I saw a sticky about a studio in Poland that is looking for people, perhaps Poland is the place to be. |
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| | #29 |
| Lives for gear Joined: Mar 2008
Posts: 655
Thread Starter |
im guessing canadians need a VISA to live in berlin too? OOO what about Amsterdam? Seems like a place that people would like to record in. |
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| | #30 |
| Lives for gear | I also spent 6 months in Barcelona in 2005 and I can tell that its a great city but not from a engineer perspective... But I did meet alot of folks there who had good things to say about Berlin. So yeah, Berlin might be it but for North Americans, the Schengen convention really is a drag... (visa)
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