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| Thread | Thread Starter | Forum | Replies | Last Post |
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| | #1 |
| Gear addict Join Date: Feb 2007
Posts: 397
| Why should I get a Heil PR30 or 35? I've got the 20 and the 40. Why should I get the PR-30 or PR-35? What's it best for? How does it work in relation to the two I've got? Thanks - Brad |
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| | #2 |
| Gear addict Join Date: Feb 2008 Location: Oregon
Posts: 310
| You should get the PR-30 AND the PR-35 to complete your collection! ;) Anyway, I'm a big fan of the PR-30 (it's the only Heil Sound I own currently, so I'm not sure how it would stack up to the PR40/20). It's great on guitar cabs and I like it for vocals. However, my experience is somewhat limited so keep in mind that this is coming from an amatuer when it comes to recording. :) -Dean |
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| | #3 |
| Lives for gear Join Date: Jun 2002 Location: Bloomington Il
Posts: 3,600
| You should get a 30 or 35 for the same reason you should get any other piece of gear. If fills a hole in you toolbox.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! WWJMD? Come see me on the Tape Op boards! "If I have to flip flop more than three times in an A/B test to figure out what the difference is, I lose interest in that difference.'--Tchad Blake |
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| | #4 |
| Gear nut | so you can make a shootout comparing your complete collection of heil mics against other mics we all know and love ![]() ![]() ![]() ![]() |
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| | #5 |
| Lives for gear Join Date: Mar 2006 Location: Montreal
Posts: 861
| The 35 is basically the same as the 30 except it is made for live "handheld" use. I have the 40 and like it alot. I plan on getting the 30 and that'll be it. |
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| | #6 |
| Gear nut Join Date: Dec 2006 Location: Northampton, MA
Posts: 78
| The 35 has a bit more of the presence peak at 4-5k than the 30. The 35 also has less handling noise. I prefer the 35 to the 30 on snare and the 30 to the 35 on guitar cabs. |
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| | #7 |
| Gear addict Join Date: Feb 2007
Posts: 397
| Has anyone put the PR-35 against any other hand held mic though? I took a PR-20 out too Boston, and I ended up having to switch back to the 58 on two vocalists. Brad |
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| | #8 |
| Gear Head Join Date: Oct 2007
Posts: 66
| the PR35 is a great mic, it also has the 3 way low cut switch which gives it a bit more utility. It makes a great kick mic, amp mic, and cool for vocals. I could see doing a whole drum kit with them, of course I only have 1! I do lots of live sound and have realy been liking the 35. the PR20 has been upgraded to the PR22, less handling noise. I do love my PR20 but it can get clunky and pick up lots of external vibrations. |
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| | #9 | |
| Lives for gear Join Date: Jan 2003 Location: San Jose, CA
Posts: 3,054
| Quote:
The reason that Yrlk should get a PR30 is because it sounds completely different the PR40 and PR20 and IMHO is a little more versatile than either of those. I use mine all the time for guitar amps and drums. thanks, Brad
__________________ Little Red Wagon Studios http://www.myspace.com/lrws Help sing on my band's record! http://kni.songhole.org/LRWS/PAR.html How to integrate your analog tape deck with your DAW: http://www.youtube.com/user/redwagonstudio | |
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| | #10 |
| Gear maniac Join Date: Oct 2004 Location: honolulu
Posts: 223
| If you are thinking about using it as a studio vocal mic... It's not, but it is good on a guitar cab. |
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| | #11 |
| Gear addict Join Date: Dec 2003
Posts: 332
| I really like the the way the 20 works for my live vocal and definitely want to try out the 35. The 20 has very natural feel but seems to have it's bump up higher. I could see being problematic mixed in a setting with other mics with the typical 5-6 k push. Interesting your finding with the 35. A little closer to the pack' than the other Heils perhaps? |
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