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| | #31 |
| Gear addict Join Date: Oct 2003 Location: Montreal
Posts: 326
| andy wallace please ![]() |
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| | #32 |
| Lives for gear Join Date: Mar 2003 Location: chicago
Posts: 1,025
| I love AW's mix on Toadies Rubberneck.... talk about tight huge low end. |
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| | #33 |
| Gear maniac Join Date: Apr 2004 Location: Mëtaluma
Posts: 222
| AH! TOADIES! Somebody has not forgotten them! Mid-90's flavor of the week, never to be heard on the radio again. That shit kicks ass!
__________________ www.greatmagnetrecording.com "All Things Flow According to the Whims of the Great Magnet" —Raoul Duke |
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| | #34 |
| Gear addict | Yes, please!!! ![]() |
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| | #35 |
| Gear Head Join Date: May 2004 Location: Miami
Posts: 55
| I would seriously crap my pants if Andy Wallace guest moderated here. I would definitely fork over $100.00 to get him here. Jules- if you can make this happen in anyway do it man! Just imagine asking Andy about Buckley and those Grace sessions; along with the other 1000 cool albums he's worked on. ANDY! ANDY! ANDY! ANDY! (I have to sit down now) |
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| | #36 |
| Gear maniac Join Date: Dec 2002 Location: Brazil
Posts: 194
| GREAT idea!!! Andy here is sure to be great... |
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| | #37 |
| Gearslutz.com admin | I met Any Wallace's manager at Epic records A&R dept NYC last summer. I can email the A&R cat that introduced us (I lost the managers card) to get his number back again... Dont hold your breath though I have surprises planned for you all.... as always... ![]()
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #38 |
| Lives for gear Join Date: May 2004 Location: Atlanta, GA
Posts: 2,782
| Bang what (other than riding the fader on the bass) did you do to that track? the first one really has that modern rock sound - very polished. good work, man! "-) |
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| | #39 |
| Gear interested Join Date: Jun 2004 Location: Cincinnati Ohio
Posts: 21
| If being a moderator is not possible how about getting Jules to do an interview with him and posting it on Gearslutz. Perhaps even having people in the forum give Jules questions a head of time to ask him. I would think he could be available for an interview. Just a thought............................. |
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| | #40 |
| Gear addict | I thought his manager is Skip Saylor of Saylor Recording Studio? I spoke to Mr. Saylor before and he claimed to manage A. Wallace. I might be wrong
__________________ ------------------------------ Harmoko Aguswan Big Knob Studio Right Track Productions ------------------------------ On one hand, I can certainly sympathize with the approach of "Hey, I can't hear any difference, so why should I pay that much?". On the other, I wonder why anyone who can't hear a difference is recording, mixing, or producing records. -DAVE MARTIN thumbsup |
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| | #41 | |
| Lives for gear Join Date: Aug 2003
Posts: 2,701
Thread Starter | Quote:
Steve www.bangrecording.com www.blacklinerock.com | |
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| | #42 | |
| Lives for gear Join Date: Aug 2003
Posts: 2,701
Thread Starter | Quote:
btw... here is another mp3 of the same song with even more lows.. did I go too far? www.blacklinerock.com/music/jeffgamemaster.mp3 here is the original one www.blacklinerock.com/music/TheGame.mp3 Steve www.bangrecording.com www.blacklinerock.com | |
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| | #43 | |
| Gear nut Join Date: Jun 2004 Location: LA
Posts: 109
| Quote:
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| | #44 | |
| Gear nut Join Date: Jun 2004 Location: LA
Posts: 109
| Quote:
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| | #45 |
| Lives for gear Join Date: Aug 2003
Posts: 2,701
Thread Starter | For jeffgamemaster I eq'd the bass differently, added a touch more 180Hz and more 40Hz, it was still automated and riding the same. The bass in my room at he moment is a little iffy because I took down all my Auralex bass traps (as if they are bass traps) because I get 6 Mini Traps today (yeeey). I never touched the snare reverb on either mix. Don't think I touched the toms... not too happy with the tom sound, the drummer didn't hit them hard and in the final mix I'll probably find some hard hits with each one and sample all the rest. Steve www.bangrecording.com www.blacklinerock.com |
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| | #46 | |
| Lives for gear Join Date: Apr 2004
Posts: 5,695
| Quote:
As always Jules, great site and thanks for the work you put in. | |
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| | #47 |
| Gear addict Join Date: Aug 2004 Location: Nashville, TN
Posts: 431
| Andy Wallace has mixed some of my favorite albums of all time. Jeff Buckley's "Grace" and Pete Yorn's "Music for the Morning After" are amazing examples of his work. I'd love to hear some insight from the man himself. |
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| | #48 |
| Gear addict Join Date: Jul 2004 Location: LA
Posts: 460
| For the record, AW is great, but actually Pete Yorn's "music for the morning after" is mixed by Brad Wood, Jim Scott, TLA, Ken Andrews and Don Fleming. ![]() |
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| | #49 |
| Gear addict Join Date: Aug 2004 Location: Nashville, TN
Posts: 431
| Oooh, another Pete Yorn fan...cool! I think you're right. I'm getting some of my facts mixed up. But I know for sure that I read quote from R. Walt Vincent somewhere where he said something like, "...we kept things simple and recorded in a garage and saved all the money for the mix, which Andy Wallace did a great job on..." something like that. Anyway, maybe we can ask him to clarify. I started a thread a while back on Homerecording.com about R. Walt Vincent and low and behold R. Walt showed up and gave some sweet details about MFTMA. You can check it out here: http://homerecording.com/bbs/showthread.php?t=119249 |
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| | #50 | |
| Gear Head | Quote:
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| | #51 |
| Lives for gear Join Date: Oct 2003 Location: Tampa Bay/Cape Fear NC
Posts: 1,029
| "Grace" was a life changing record for me. I can listen to it 100 times in a row and still love it. |
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| | #52 |
| Lives for gear | Don Fleming AW would be awesome as guest mod. I'd be interested in Don Fleming as a Guest mod too. |
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| | #53 | |
| Lives for gear Join Date: Aug 2003
Posts: 2,630
| Quote:
I´m just a bit confused about the GRACE credits: They say: ...engineered... by Andy Wallace - `THE FIST ` Who knows more about `THE FIST` ? ![]() | |
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| | #54 |
| Gear maniac Join Date: Apr 2004 Location: Mëtaluma
Posts: 222
| I do. And the good news is that you can even get lessons... http://fistinglessons.com/front.php?...nglessons.com/ See? |
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| | #55 |
| Lives for gear Join Date: Jun 2002 Location: Maryland,USA
Posts: 3,438
| ![]() |
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| | #56 | |
| Lives for gear Join Date: Jun 2002 Location: Bloomington Il
Posts: 5,029
| Quote:
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| | #57 |
| Gear maniac Join Date: Apr 2004 Location: Mëtaluma
Posts: 222
| Oho...Made ya look! Sorry, couldn't resist. In Southern California, doctors use photos like that to do the Rorshack Test. "What does this look like to you?" "I See a bicycle". "Hmmm..." (bites on end of pencil) Back on topic.... |
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| | #58 |
| Lives for gear Join Date: Oct 2003 Location: Nashville, TN
Posts: 1,010
| If you like Grace you might wanna' check out the expanded Live at Sine disc w/bonus DVD. It's amazing. The extra songs are well worth it. I was there on NYC's Lower East Side when it all happened and I remember my buddy Handsome Dick raving about this kid. A tremedous loss....
__________________ "Lend me some sugar, I am your neighbor"- Andre 3000 |
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| | #59 |
| Lives for gear Join Date: Aug 2003
Posts: 2,701
Thread Starter | there has to be more people out there who have seen Andy Mix. Tell us about his bass mixing? Does he always do that 40Hz thing? Steve www.bangrecording.com www.blacklinerock.com |
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| | #60 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
Especially since its common practice to switch streams when something isn't working so hot in a mix. Yeah he may start out with something but just as quick take it off. I think a better suggestion than gathering what he uses is to try to figure it out for yourself. I think if you want to have the same kinda bottomn end that AW gets in his mixes, a better suggestion is to kinda take the same route as he did. Start mixing rap,hiphop and dance. If any kinda music needs a huge bottomn end in the mix(and especially for the clubs), but needs to be clear and full(not distorted) its rap. One thing though is that alot of the arrangements aren't complicated, so you have to find a way to makes things interesting. I think one of AW's strengths is that he makes simple arrangements(rock and roll) sound present and complex. But it still has the raw energy and power. AW's background came from mixing 80's rap and dance. If you listen to a lot of the early rap and dance records from the 80's there is an amazing amount of energy and clarity, but they still had to sound full. He basically took these concepts and translated it to his modern rock mixes. I think the fact that he has done lots of styles of music and the fact that he is a great producer helps him in getting his vision across. I think the worst thing a mixer can do is type cast himself. If you do the same music all the time its gets old and after awhile the industry will move on to the next hotshot. Its a good thing to be exposed to other kinds of music and adopt different techniques that will help you grow. It helps develop the ear (technical) and heart (inspiration). These are the two main tools i feel you need in order to be a successful mixer. Just an opinion by the way. ![]() | |
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